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  • 1
    Online Resource
    Online Resource
    The Artist as Animal in Nineteenth-Century French Literature (2019)
    Cham :Springer International Publishing :
    Details
    UID:
    almahu_9948154748702882
    Format: XIV, 241 p. 14 illus. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9783030193454
    Series Statement: Palgrave Studies in Animals and Literature
    Content: The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
    Note: 1. Introduction -- Part I Behind Bars: Artists and Animals of the Second Empire -- 2. A Caged Animal: The Avant-garde Artist in Edmond and Jules de Goncourt’s Manette Salomon -- 3. Buffon Versus the Beast: Taming the Wild Artist in Émile Zola’s Thérèse Raquin -- Part II The Decadent Animals of the Third Republic -- 4. The Decadent Deep Sea: Jules Laforgue’s “At the Berlin Aquarium” -- 5. Said the Spider to the Fly: The Triumph of the Minor in Octave Mirbeau’s In the Sky -- 6. Félline-Fatale: The New Woman as Cat-Woman in Rachilde’s L’Animale -- 7. Conclusion: Henri Rousseau and Synthetic Naïveté.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783030193447
    Additional Edition: Printed edition: ISBN 9783030193461
    Additional Edition: Printed edition: ISBN 9783030193478
    Language: English
    DOI: 10.1007/978-3-030-19345-4
    URL: https://doi.org/10.1007/978-3-030-19345-4
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    Online Resource
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    HU Berlin
  • 2
    Online Resource
    Online Resource
    The Artist as Animal in Nineteenth-Century French Literature (2019)
    Cham : Palgrave Macmillan
    Details
    UID:
    gbv_1676312323
    Format: 1 Online-Ressource (XIV, 241 p. 14 illus)
    Edition: 1st ed. 2019
    ISBN: 9783030193454
    Series Statement: Palgrave Studies in Animals and Literature
    Content: 1. Introduction -- Part I Behind Bars: Artists and Animals of the Second Empire -- 2. A Caged Animal: The Avant-garde Artist in Edmond and Jules de Goncourt’s Manette Salomon -- 3. Buffon Versus the Beast: Taming the Wild Artist in Émile Zola’s Thérèse Raquin -- Part II The Decadent Animals of the Third Republic -- 4. The Decadent Deep Sea: Jules Laforgue’s “At the Berlin Aquarium” -- 5. Said the Spider to the Fly: The Triumph of the Minor in Octave Mirbeau’s In the Sky -- 6. Félline-Fatale: The New Woman as Cat-Woman in Rachilde’s L’Animale -- 7. Conclusion: Henri Rousseau and Synthetic Naïveté
    Content: The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity
    Additional Edition: ISBN 9783030193447
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19344-7
    Language: English
    DOI: 10.1007/978-3-030-19345-4
    URL: lizenzpflichtig
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    Online Resource
    Open Access Request
    UB Potsdam
  • 3
    Book
    Book
    The artist as animal in nineteenth-century French literature (2019)
    Cham : Palgrave Macmillan
    Details
    UID:
    gbv_168065246X
    Format: xiv, 241 Seiten , Illustrationen , 22 cm
    ISBN: 9783030193447 , 3030193446
    Series Statement: Palgrave studies in animals and literature
    Content: "The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Émile Zola's Therèse Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9783030193454
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9783030193454
    Language: English
    Keywords: Französisch ; Literatur ; Künstler ; Tiere ; Geschichte 1870-1914,
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Stabi Berlin get availability status
  • 4
    Online Resource
    Online Resource
    The Artist as Animal in Nineteenth-Century French Literature / (2019)
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    Details
    UID:
    edocfu_BV046137737
    Format: 1 Online-Ressource (XIV, 241 Seiten).
    ISBN: 978-3-030-19345-4
    Series Statement: Palgrave Studies in Animals and Literature
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19344-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19346-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19347-8
    Language: English
    Subjects: Romance Studies
    RVK:
    IG 3950
    RVK:
    IH 1546
    Keywords: Französisch ; Literatur ; Künstler ; Tiere ; Französisch ; Literatur ; Künstler ; Tiere ; Anthrozoologie ; Hochschulschrift
    DOI: 10.1007/978-3-030-19345-4
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    FU Berlin
  • 5
    Online Resource
    Online Resource
    The Artist as Animal in Nineteenth-Century French Literature / (2019)
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    Details
    UID:
    edoccha_BV046137737
    Format: 1 Online-Ressource (XIV, 241 Seiten).
    ISBN: 978-3-030-19345-4
    Series Statement: Palgrave Studies in Animals and Literature
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19344-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19346-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-19347-8
    Language: English
    Subjects: Romance Studies
    RVK:
    IG 3950
    RVK:
    IH 1546
    Keywords: Französisch ; Literatur ; Künstler ; Tiere ; Französisch ; Literatur ; Künstler ; Tiere ; Anthrozoologie ; Hochschulschrift
    DOI: 10.1007/978-3-030-19345-4
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Online Access
    Open Access Request
    Charité
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