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  • 1
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    almafu_BV046284160
    Format: 1 Online-Ressource (xvii, 281 Seiten) : , Illustrationen.
    ISBN: 978-3-030-27889-2
    Series Statement: Bernard Shaw and His Contemporaries
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27888-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27890-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27891-5
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: d'Arc, Heilige 1412-1431 Jeanne ; Drama ; Oper
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cham :Springer International Publishing :
    UID:
    almahu_9948204157502882
    Format: XVII, 281 p. 20 illus., 1 illus. in color. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9783030278892
    Series Statement: Bernard Shaw and His Contemporaries
    Content: This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will. Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans). In turn, the book’s final chapter examines Shaw’sSaint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach.
    Note: Chapter 1. The Palimpsest of Euripides, Shakespeare, and Voltaire -- Chapter 2. Sublime Sanctity: Schiller’s New Tragic Joan -- Chapter 3. Lacuna and Enigma: Verdi’s Giovanna d’Arco in Light of Schiller’s Play -- Chapter 4. Patriotic Elegy and Epic Illusion: Schiller’s Johanna in Russia -- Chapter 5. The Skeptic Doth Protest Too Much, Methinks: Shaw’s Saint Joan. Concluding Thoughts on Joan in the Twentieth and Twenty-first Centuries.  .
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783030278885
    Additional Edition: Printed edition: ISBN 9783030278908
    Additional Edition: Printed edition: ISBN 9783030278915
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    UID:
    gbv_1684983282
    Format: 1 Online-Ressource (XVII, 281 p. 20 illus., 1 illus. in color)
    Edition: 1st ed. 2019
    ISBN: 9783030278892
    Series Statement: Bernard Shaw and His Contemporaries
    Content: Chapter 1. The Palimpsest of Euripides, Shakespeare, and Voltaire -- Chapter 2. Sublime Sanctity: Schiller’s New Tragic Joan -- Chapter 3. Lacuna and Enigma: Verdi’s Giovanna d’Arco in Light of Schiller’s Play -- Chapter 4. Patriotic Elegy and Epic Illusion: Schiller’s Johanna in Russia -- Chapter 5. The Skeptic Doth Protest Too Much, Methinks: Shaw’s Saint Joan. Concluding Thoughts on Joan in the Twentieth and Twenty-first Centuries.  
    Content: This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will. Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans). In turn, the book’s final chapter examines Shaw’sSaint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach
    Additional Edition: ISBN 9783030278885
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-27888-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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