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  • 1
    UID:
    gbv_169318723X
    Format: ix, 134 pages , 22 cm
    Edition: Also available in electronic format
    ISBN: 3030304485 , 9783030304485
    Series Statement: Palgrave pivot
    Note: Includes bibliographical references and index , Also available in electronic format.
    Additional Edition: ISBN 9783030304492
    Additional Edition: Erscheint auch als Mahoney, Cat Women in neoliberal postfeminist television drama Cham, Switzerland : Palgrave Macmillan, [2019] ISBN 9783030304492
    Language: English
    Keywords: Zweiter Weltkrieg ; Fernsehen ; Drama ; Frau
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1684981646
    Format: 1 Online-Ressource (IX, 134 p)
    Edition: 1st ed. 2019
    ISBN: 9783030304492
    Series Statement: Springer eBooks
    Content: Introduction: Postfeminism, Neo-Liberalism and the Popular Imaginary of the Second World War -- Chapter 1: Land Girls – Finding a Feminine Space (Female Ensemble Drama) -- Chapter 2: The Bletchley Circle – The Horror of Transgression -- Chapter 3: Marvel’s Agent Carter – [Peggy punches him in the face] -- Chapter 4: Home Fires – Deconstructing the Domestic Ideal -- Chapter 5: Conclusions
    Content: “In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past
    Additional Edition: ISBN 9783030304485
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30448-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9948204157802882
    Format: IX, 134 p. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9783030304492
    Content: “In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past.
    Note: Introduction: Postfeminism, Neo-Liberalism and the Popular Imaginary of the Second World War -- Chapter 1: Land Girls – Finding a Feminine Space (Female Ensemble Drama) -- Chapter 2: The Bletchley Circle – The Horror of Transgression -- Chapter 3: Marvel’s Agent Carter – [Peggy punches him in the face] -- Chapter 4: Home Fires – Deconstructing the Domestic Ideal -- Chapter 5: Conclusions.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9783030304485
    Additional Edition: Printed edition: ISBN 9783030304508
    Additional Edition: Printed edition: ISBN 9783030304515
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Pivot.
    UID:
    edocfu_BV046284513
    Format: 1 Online-Ressource (ix, 134 Seiten).
    ISBN: 978-3-030-30449-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30448-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30450-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30451-5
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fernsehspiel ; Frau ; Zweiter Weltkrieg ; Geschlechterrolle
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Pivot.
    UID:
    edoccha_BV046284513
    Format: 1 Online-Ressource (ix, 134 Seiten).
    ISBN: 978-3-030-30449-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30448-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30450-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-30451-5
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fernsehspiel ; Frau ; Zweiter Weltkrieg ; Geschlechterrolle
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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