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  • 1
    Online Resource
    Online Resource
    Cham :Springer International Publishing AG,
    UID:
    almahu_9949301204402882
    Format: 1 online resource (197 pages)
    ISBN: 9783030370398
    Note: Intro -- Preface -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction: Gender, Space, and Affects in Film -- An Inter-disciplinary Approach to Mobility, Space, and Gender on Screen -- Space-Time and Power-Geometries -- Forms, Bodies, and Affects on Screen -- Affective Cinematic Spaces -- Filmic Affects as Affirmative Aesthetics -- Wilfulness and Affirmative Politics -- Book Structure -- References -- Chapter 2: Women's Road Movies and Affirmative Wandering: Messidor -- References -- Chapter 3: Cars: A Micro-analysis of Space and Bodies in Vendredi soir -- Windows, Wandering Camera, and Magical Realism -- A Space of Intimacy: Recollection Objects and Haptic Cinematic Space -- The Car, a Vehicle of (Im)Mobility -- Affirmative Wandering -- Gendered Contacts, Affective Contacts -- Desiring Bodies -- Rewriting Spatial Habitation: A Place Called Home? -- References -- Chapter 4: Houses and Wilful Women: Wadjda -- Wadjda in Context -- In the Streets of Riyadh -- A Passport to Be Mobile -- Bending Lines -- Wilful to Appear Docile -- A Space of One's Own -- Housing Wilfulness -- References -- Chapter 5: Streets: Freedom, Diaspora, and the Erotic in Head-On -- A Rewriting of Space-Time -- Freedom and the Erotic as Power -- Dance and Diaspora -- Punk and Abjection as Affirmative Forms -- Windows, Hotels, and a Space for Pausing -- Domestic Space and Gender Roles -- References -- Chapter 6: Conclusion: Forms of Affirmative Aesthetics -- References -- Index.
    Additional Edition: Print version: Ceuterick, Maud Affirmative Aesthetics and Wilful Women Cham : Springer International Publishing AG,c2020 ISBN 9783030370381
    Language: English
    Keywords: Electronic books. ; Electronic books ; Electronic books.
    URL: Full-text  ((OIS Credentials Required))
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  • 2
    UID:
    b3kat_BV046974679
    Format: 186 Seiten
    ISBN: 9783030370381
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-030-37039-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: Geschlechterrolle ; Frau ; Körper ; Filmästhetik ; Film
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Springer Nature
    UID:
    gbv_1778475531
    Format: 1 Online-Ressource (186 p.)
    ISBN: 9783030370398
    Content: Fifty years of feminist thought have made the idea that women stay at home while men dominate the streets seem outdated; nevertheless, Ceuterick argues that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers wilful, affirmative, and imaginative activations of gender on screen. Through close, micro-analysis of historic European Messidor (Alain Tanner, 1979) and contemporary world cinema: Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book identifies affirmative aesthetics: light, texture, rhythm, movement and sound, all of which that participate in a rewriting of bodies and spaces. Ultimately, Ceuterick argues, affirmative aesthetics can challenge the gender categories and power structures that have been thought to determine our habitation of cars, homes, and city streets. Wilful women drive this book forward, through their movement and stillness, imagination and desire, performance and abjection
    Note: English
    Language: English
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  • 4
    Online Resource
    Online Resource
    Springer Nature | Cham :Springer International Publishing :
    UID:
    almafu_9959696500102883
    Format: 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.)
    Edition: 1st ed. 2020.
    ISBN: 3-030-37039-9
    Content: While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces—such as cars, homes, and city streets—that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
    Note: 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. , English
    Additional Edition: ISBN 3-030-37038-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Springer Nature | Cham :Springer International Publishing :
    UID:
    almahu_9948612299102882
    Format: 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.)
    Edition: 1st ed. 2020.
    ISBN: 3-030-37039-9
    Content: While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces—such as cars, homes, and city streets—that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
    Note: 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. , English
    Additional Edition: ISBN 3-030-37038-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1748596284
    Format: xvi, 186 pages , illustrations (black and white) , 21 cm
    ISBN: 9783030370381 , 3030370380
    Content: 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
    Content: While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces--such as cars, homes, and city streets--that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9783030370398
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9783030370398
    Language: English
    Keywords: Film ; Geschlechterrolle ; Frau ; Körper ; Filmästhetik ; Film ; Geschlechterrolle ; Frau ; Körper ; Filmästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edoccha_BV046974679
    Format: 186 Seiten.
    ISBN: 978-3-030-37038-1
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-030-37039-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: Geschlechterrolle ; Frau ; Körper ; Filmästhetik ; Film
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    edocfu_BV046974679
    Format: 186 Seiten.
    ISBN: 978-3-030-37038-1
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-030-37039-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: Geschlechterrolle ; Frau ; Körper ; Filmästhetik ; Film
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Springer Nature | Cham :Springer International Publishing :
    UID:
    edoccha_9959696500102883
    Format: 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.)
    Edition: 1st ed. 2020.
    ISBN: 3-030-37039-9
    Content: While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces—such as cars, homes, and city streets—that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
    Note: 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. , English
    Additional Edition: ISBN 3-030-37038-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Springer Nature | Cham :Springer International Publishing :
    UID:
    edocfu_9959696500102883
    Format: 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.)
    Edition: 1st ed. 2020.
    ISBN: 3-030-37039-9
    Content: While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces—such as cars, homes, and city streets—that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
    Note: 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. , English
    Additional Edition: ISBN 3-030-37038-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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