UID:
almahu_9949083912602882
Format:
IX, 197 p. 1 illus.
,
online resource.
Edition:
1st ed. 2021.
ISBN:
9783030498078
Content:
Within the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or Benjamin Cue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways - above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida's case, it is Oxford in 1968; in Benjamin's case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere - not quite himself. This a volume for anyone with an eye or ear for where theatre or performance meets philosophy - students, scholars, readers, actors.
Note:
1. "The strangest of all things" - an introduction; John Schad -- 2. Derrida - a play; Fred Dalmasso and John Schad -- 3. Benjamin - a play; John Schad -- 4. "Barely a film" - a conclusion; Fred Dalmasso.
In:
Springer Nature eBook
Additional Edition:
Printed edition: ISBN 9783030498061
Additional Edition:
Printed edition: ISBN 9783030498085
Additional Edition:
Printed edition: ISBN 9783030498092
Language:
English
DOI:
10.1007/978-3-030-49807-8
URL:
https://doi.org/10.1007/978-3-030-49807-8
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