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  • 1
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    Details
    UID:
    edoccha_BV047047890
    Format: 1 Online-Ressource (xviii, 244 Seiten).
    Edition: 1st ed. 2021
    ISBN: 978-3-030-57562-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57561-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57563-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57564-9
    Language: English
    Subjects: General works
    RVK:
    AP 64931
    DOI: 10.1007/978-3-030-57562-5
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    FU Berlin
    EUV Frankfurt
    HTW Berlin
    FH Potsdam
    Charité
    BTU Cottbus
  • 2
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    Details
    UID:
    almafu_BV047047890
    Format: 1 Online-Ressource (xviii, 244 Seiten).
    Edition: 1st ed. 2021
    ISBN: 978-3-030-57562-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57561-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57563-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57564-9
    Language: English
    Subjects: General works
    RVK:
    AP 64931
    DOI: 10.1007/978-3-030-57562-5
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Fulltext
    Fulltext
    Fulltext
    Fulltext
    FU Berlin
    EUV Frankfurt
    HTW Berlin
    FH Potsdam
    Charité
    BTU Cottbus
  • 3
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    Details
    UID:
    edocfu_BV047047890
    Format: 1 Online-Ressource (xviii, 244 Seiten).
    Edition: 1st ed. 2021
    ISBN: 978-3-030-57562-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57561-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57563-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57564-9
    Language: English
    Subjects: General works
    RVK:
    AP 64931
    DOI: 10.1007/978-3-030-57562-5
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Fulltext
    Fulltext
    FU Berlin
    EUV Frankfurt
    HTW Berlin
    FH Potsdam
    BTU Cottbus
  • 4
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Springer Nature | Cham :Springer International Publishing :
    Details
    UID:
    almahu_9948612297802882
    Format: 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.)
    Edition: 1st ed. 2021.
    ISBN: 3-030-57562-4
    Content: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Note: 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). , English
    Additional Edition: ISBN 3-030-57561-6
    Language: English
    DOI: 10.1007/978-3-030-57562-5
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    HU Berlin
    FU Berlin
    UB Potsdam
    Charité
  • 5
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928-1960 (2020)
    Cham : Springer International Publishing AG
    Details
    UID:
    gbv_1785437704
    Format: 1 online resource (258 pages)
    ISBN: 9783030575625
    Content: Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1 Introduction: Cultural Convergence at Dublin's Gate Theatre -- Works Cited -- 2 The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir -- Hilton Edwards: Theatricalizing the Irish Stage -- Micheál mac Liammóir: Internationalizing Irish-Language Drama -- Conclusion -- Works Cited -- 3 Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-Speaking Founder -- Introduction -- Formative Years -- Denmark -- An Comhar Drámuíochta -- Ó Lochlainn and the Gate Theatre -- Ó Lochlainn's Post-Gate Career -- An Actor in Search of an Audience -- Works Cited -- 4 The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin -- New Interculturalism and Intercultural Performance -- Hilton Edwards -- Micheál mac Liammóir -- Coralie Carmichael -- Nancy Beckh -- Conclusion -- Works Cited -- 5 The Other Gates: Anglo-American Influences on and from Dublin -- The London Gate -- Familiar Narratives Concerning the Foundation of the Dublin Gate Reviewed -- Links Between the Gates: Projected Programming, Exchange of Plays and the Circulation of Key Theatrical Personnel -- Hitherto Unrecognized Influence -- The London Gate as a 'Parent' Theatre and Its Artistic Impetus for Other Theatres -- Reorganization in Hollywood: The 'Third Gate'14 -- Continuing the Policy of the Gate Theatre at the Watergate Theatre Club -- Conclusion -- Works Cited -- 6 The Brothers Čapek at the Gate: R.U.R. and The Insect Play -- R.U.R. -- Textual History -- R.U.R. by the Gate -- Reception -- Problem with Audiences -- The Insect Play -- Textual History -- The Gate Production -- Reception -- Conclusion -- Works Cited -- 7 Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert -- Works Cited.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9783030575618
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030575618
    Language: English
    Keywords: Electronic books. ; Electronic books ; Electronic books
    URL: lizenzpflichtig
    URL: Click here to view book
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Berlin International
    UB Potsdam
    HPol Brandenburg
  • 6
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928-1960 (2021)
    Cham :Springer International Publishing :
    Details
    UID:
    almahu_9948609773402882
    Format: XVIII, 244 p. 28 illus., 1 illus. in color. , online resource.
    Edition: 1st ed. 2021.
    ISBN: 9783030575625
    Content: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence - the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Note: 1. Introduction: Cultural Convergence at Dublin's Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri - Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary's University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe's Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. 'We belong to the world': Christine Longford's War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA).
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783030575618
    Additional Edition: Printed edition: ISBN 9783030575632
    Additional Edition: Printed edition: ISBN 9783030575649
    Language: English
    DOI: 10.1007/978-3-030-57562-5
    URL: https://doi.org/10.1007/978-3-030-57562-5
    Library Location Call Number Volume/Issue/Year Availability
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    Open Access Request
    HU Berlin
  • 7
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928-1960. (2020)
    Cham :Springer International Publishing AG,
    Details
    UID:
    almahu_9949301349402882
    Format: 1 online resource (258 pages)
    ISBN: 9783030575625
    Note: Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1 Introduction: Cultural Convergence at Dublin's Gate Theatre -- Works Cited -- 2 The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir -- Hilton Edwards: Theatricalizing the Irish Stage -- Micheál mac Liammóir: Internationalizing Irish-Language Drama -- Conclusion -- Works Cited -- 3 Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-Speaking Founder -- Introduction -- Formative Years -- Denmark -- An Comhar Drámuíochta -- Ó Lochlainn and the Gate Theatre -- Ó Lochlainn's Post-Gate Career -- An Actor in Search of an Audience -- Works Cited -- 4 The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin -- New Interculturalism and Intercultural Performance -- Hilton Edwards -- Micheál mac Liammóir -- Coralie Carmichael -- Nancy Beckh -- Conclusion -- Works Cited -- 5 The Other Gates: Anglo-American Influences on and from Dublin -- The London Gate -- Familiar Narratives Concerning the Foundation of the Dublin Gate Reviewed -- Links Between the Gates: Projected Programming, Exchange of Plays and the Circulation of Key Theatrical Personnel -- Hitherto Unrecognized Influence -- The London Gate as a 'Parent' Theatre and Its Artistic Impetus for Other Theatres -- Reorganization in Hollywood: The 'Third Gate'14 -- Continuing the Policy of the Gate Theatre at the Watergate Theatre Club -- Conclusion -- Works Cited -- 6 The Brothers Čapek at the Gate: R.U.R. and The Insect Play -- R.U.R. -- Textual History -- R.U.R. by the Gate -- Reception -- Problem with Audiences -- The Insect Play -- Textual History -- The Gate Production -- Reception -- Conclusion -- Works Cited -- 7 Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert -- Works Cited. , 8 Prussian Discipline and Lesbian Vulnerability: Christa Winsloe's Children in Uniform at the Gate -- The Genealogy of Children in Uniform -- Burnham's Adaptation of Gestern und heute -- Children in Uniform's Route to the Gate -- The Script of Children in Uniform at the Gate -- The Sight and Sound of Children in Uniform at the Gate -- The Critical Reception of the Gate Production -- Conclusion -- Works Cited -- 9 'We Belong to the World': Christine Longford's War Plays During Irish Neutrality -- Works Cited -- Index.
    Additional Edition: Print version: Pilný, Ondřej Cultural Convergence Cham : Springer International Publishing AG,c2020 ISBN 9783030575618
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 8
    Image
    Image
    Cultural convergence : the Dublin Gate Theatre, 1928-1960 (2021)
    Cham, Switzerland : Palgrave Macmillan
    Details
    UID:
    gbv_1759190306
    Format: xviii, 244 pages , illustrations (black and white, and colour) , 22 cm
    ISBN: 9783030575618 , 3030575616
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9783030575625
    Additional Edition: ISBN 9783030575625
    Additional Edition: Erscheint auch als Online-Ausgabe Cultural Convergence Cham : Springer International Publishing, 2021 ISBN 9783030575625
    Language: English
    Keywords: Gate Theatre ; Geschichte 1928-1960 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    Stabi Berlin get availability status
  • 9
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Springer Nature | Cham :Springer International Publishing :
    Details
    UID:
    edoccha_9959697042502883
    Format: 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.)
    Edition: 1st ed. 2021.
    ISBN: 3-030-57562-4
    Content: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Note: 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). , English
    Additional Edition: ISBN 3-030-57561-6
    Language: English
    DOI: 10.1007/978-3-030-57562-5
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Charité
  • 10
    Online Resource
    Online Resource
    Cultural Convergence : The Dublin Gate Theatre, 1928–1960 (2021)
    Springer Nature | Cham :Springer International Publishing :
    Details
    UID:
    edocfu_9959697042502883
    Format: 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.)
    Edition: 1st ed. 2021.
    ISBN: 3-030-57562-4
    Content: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Note: 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). , English
    Additional Edition: ISBN 3-030-57561-6
    Language: English
    DOI: 10.1007/978-3-030-57562-5
    Library Location Call Number Volume/Issue/Year Availability
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    FU Berlin
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