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  • 1
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    almafu_BV047047890
    Umfang: 1 Online-Ressource (xviii, 244 Seiten).
    Ausgabe: 1st ed. 2021
    ISBN: 978-3-030-57562-5
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57561-8
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57563-2
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-57564-9
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    almafu_9959697042502883
    Umfang: 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.)
    Ausgabe: 1st ed. 2021.
    ISBN: 9783030575625 , 3030575624
    Inhalt: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence - the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Anmerkung: 1. Introduction: Cultural Convergence at Dublin's Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri - Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary's University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe's Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. 'We belong to the world': Christine Longford's War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). , English
    Weitere Ausg.: ISBN 9783030575618
    Weitere Ausg.: ISBN 3030575616
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    gbv_1778425259
    Umfang: 1 Online-Ressource (244 p.)
    ISBN: 9783030575625
    Inhalt: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing AG,
    UID:
    kobvindex_HPB1243554665
    Umfang: 1 online resource (258 p.)
    ISBN: 9783030575625 , 3030575624
    Anmerkung: Description based upon print version of record.
    Weitere Ausg.: Print version: Pilný, Ondřej Cultural Convergence Cham : Springer International Publishing AG,c2020 9783030575618
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    gbv_1759190306
    Umfang: xviii, 244 pages , illustrations (black and white, and colour) , 22 cm
    ISBN: 9783030575618 , 3030575616
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9783030575625
    Weitere Ausg.: ISBN 9783030575625
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Cultural Convergence Cham : Springer International Publishing, 2021 ISBN 9783030575625
    Sprache: Englisch
    Schlagwort(e): Gate Theatre ; Geschichte 1928-1960 ; Aufsatzsammlung
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  • 6
    UID:
    gbv_1785437704
    Umfang: 1 online resource (258 pages)
    ISBN: 9783030575625
    Inhalt: Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1 Introduction: Cultural Convergence at Dublin's Gate Theatre -- Works Cited -- 2 The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir -- Hilton Edwards: Theatricalizing the Irish Stage -- Micheál mac Liammóir: Internationalizing Irish-Language Drama -- Conclusion -- Works Cited -- 3 Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-Speaking Founder -- Introduction -- Formative Years -- Denmark -- An Comhar Drámuíochta -- Ó Lochlainn and the Gate Theatre -- Ó Lochlainn's Post-Gate Career -- An Actor in Search of an Audience -- Works Cited -- 4 The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin -- New Interculturalism and Intercultural Performance -- Hilton Edwards -- Micheál mac Liammóir -- Coralie Carmichael -- Nancy Beckh -- Conclusion -- Works Cited -- 5 The Other Gates: Anglo-American Influences on and from Dublin -- The London Gate -- Familiar Narratives Concerning the Foundation of the Dublin Gate Reviewed -- Links Between the Gates: Projected Programming, Exchange of Plays and the Circulation of Key Theatrical Personnel -- Hitherto Unrecognized Influence -- The London Gate as a 'Parent' Theatre and Its Artistic Impetus for Other Theatres -- Reorganization in Hollywood: The 'Third Gate'14 -- Continuing the Policy of the Gate Theatre at the Watergate Theatre Club -- Conclusion -- Works Cited -- 6 The Brothers Čapek at the Gate: R.U.R. and The Insect Play -- R.U.R. -- Textual History -- R.U.R. by the Gate -- Reception -- Problem with Audiences -- The Insect Play -- Textual History -- The Gate Production -- Reception -- Conclusion -- Works Cited -- 7 Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert -- Works Cited.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: ISBN 9783030575618
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9783030575618
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    almahu_9948609773402882
    Umfang: XVIII, 244 p. 28 illus., 1 illus. in color. , online resource.
    Ausgabe: 1st ed. 2021.
    ISBN: 9783030575625
    Inhalt: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence - the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
    Anmerkung: 1. Introduction: Cultural Convergence at Dublin's Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri - Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary's University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe's Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. 'We belong to the world': Christine Longford's War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA).
    In: Springer Nature eBook
    Weitere Ausg.: Printed edition: ISBN 9783030575618
    Weitere Ausg.: Printed edition: ISBN 9783030575632
    Weitere Ausg.: Printed edition: ISBN 9783030575649
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing AG,
    UID:
    almahu_9949301349402882
    Umfang: 1 online resource (258 pages)
    ISBN: 9783030575625
    Anmerkung: Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1 Introduction: Cultural Convergence at Dublin's Gate Theatre -- Works Cited -- 2 The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir -- Hilton Edwards: Theatricalizing the Irish Stage -- Micheál mac Liammóir: Internationalizing Irish-Language Drama -- Conclusion -- Works Cited -- 3 Gearóid Ó Lochlainn: The Gate Theatre's Other Irish-Speaking Founder -- Introduction -- Formative Years -- Denmark -- An Comhar Drámuíochta -- Ó Lochlainn and the Gate Theatre -- Ó Lochlainn's Post-Gate Career -- An Actor in Search of an Audience -- Works Cited -- 4 The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin -- New Interculturalism and Intercultural Performance -- Hilton Edwards -- Micheál mac Liammóir -- Coralie Carmichael -- Nancy Beckh -- Conclusion -- Works Cited -- 5 The Other Gates: Anglo-American Influences on and from Dublin -- The London Gate -- Familiar Narratives Concerning the Foundation of the Dublin Gate Reviewed -- Links Between the Gates: Projected Programming, Exchange of Plays and the Circulation of Key Theatrical Personnel -- Hitherto Unrecognized Influence -- The London Gate as a 'Parent' Theatre and Its Artistic Impetus for Other Theatres -- Reorganization in Hollywood: The 'Third Gate'14 -- Continuing the Policy of the Gate Theatre at the Watergate Theatre Club -- Conclusion -- Works Cited -- 6 The Brothers Čapek at the Gate: R.U.R. and The Insect Play -- R.U.R. -- Textual History -- R.U.R. by the Gate -- Reception -- Problem with Audiences -- The Insect Play -- Textual History -- The Gate Production -- Reception -- Conclusion -- Works Cited -- 7 Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum's Mogu of the Desert -- Works Cited. , 8 Prussian Discipline and Lesbian Vulnerability: Christa Winsloe's Children in Uniform at the Gate -- The Genealogy of Children in Uniform -- Burnham's Adaptation of Gestern und heute -- Children in Uniform's Route to the Gate -- The Script of Children in Uniform at the Gate -- The Sight and Sound of Children in Uniform at the Gate -- The Critical Reception of the Gate Production -- Conclusion -- Works Cited -- 9 'We Belong to the World': Christine Longford's War Plays During Irish Neutrality -- Works Cited -- Index.
    Weitere Ausg.: Print version: Pilný, Ondřej Cultural Convergence Cham : Springer International Publishing AG,c2020 ISBN 9783030575618
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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