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  • 1
    UID:
    almahu_9949851971002882
    Format: VIII, 160 p. , online resource.
    Edition: 1st ed. 2024.
    ISBN: 9783031551987
    Series Statement: Leisure Studies in a Global Era,
    Content: "This immense achievement is a beautiful, finely-tuned ethnography attentive to the intensities and necro-politics of asylum in England. Music pulses here as a cadence in the art of living for refugees to articulate sounds, poetry, rhythms, and fragments of coming together amid slow violence, texturing what typically goes unnoticed in normative accents of displacement." - Nichola Khan, Professor of Human Geography and Ethnography, The University of Edinburgh. "Nicola De Martini Ugolotti weaves together theoretical considerations with ethnographic details, capturing important stories that speak to the affective intensities of pleasure, homing desires, and abject fear experienced and re-claimed in the UK hostile environment." - Aarti Ratna, Associate Professor in Sociology and Social Sciences, Northumbria University "This book offers vital engagements with questions of migration, music, and leisure. Finely-textured ethnographic content and a wealth of academic scholarship showcase why music and leisure matter toward understanding the politics, spaces, and lives of people seeking sanctuary and belonging in contemporary Britain, and beyond." - Brett Lashua, Lecturer in Sociology of Media and Education, University College London This book analyses the negotiation of place, belonging and uncertainty enacted by a group of 60 men and women seeking asylum who gathered weekly in a community space in Bristol, UK, to share songs, memories, laughter, and precariousness with other established and new city-dwellers. Building on a rich corpus of ethnographic data, this book explores music-making to address "what goes unnoticed" in existing ways of thinking about forced migration. By looking at the junctures where leisure, forced migration and urban analyses intersect with grassroot solidarity with and by people seeking asylum, it offers an interdisciplinary reading of music, forced migration and emplacement for scholars across leisure, anthropology, sociology, and geography. This book contributes and provokes novel discussions regarding refugees' everyday experiences and negotiations of precariousness, suspension, and marginality in Britain. Nicola De Martini Ugolotti is Senior Lecturer in Sport and Physical Culture at Bournemouth University, UK and member of Associazione Frantz Fanon in Turin, Italy.
    Note: Chapter 1: Introduction -- Chapter 2: Music as a site of Intensity and articulation: sounding cities and the (necro) politics of asylum -- Chapter 3: Affective vernaculars of diasporic belonging -- Chapter 4: Everyday geographies and secretly public spaces in asylum Bristol -- Chapter 5: Pacing time and treading water: music, rhythms of endurance and activist affordances -- Chapter 6: Conclusions.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031551970
    Additional Edition: Printed edition: ISBN 9783031551994
    Additional Edition: Printed edition: ISBN 9783031552007
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cham, Switzerland :Palgrave Macmillan,
    UID:
    edoccha_9961612438102883
    Format: 1 online resource (167 pages)
    Edition: First edition.
    ISBN: 9783031551987
    Series Statement: Leisure Studies in a Global Era Series
    Note: Intro -- Praise for Music, Forced Migration and Emplacement -- Contents -- Chapter 1: Introduction -- Music as Method: On Positioning, Working the Hyphens, and Ethnographic Representation -- Why Asylum Bristol? -- Structure of the Book -- Notes on Terminology -- References -- Chapter 2: Music as a Site of Intensity and Articulation: Sounding Cities and the (Necro)Politics of Asylum -- Music and (Forced) Migration -- Music and the Affective Life of Power -- Affective Intensities and the (Necro)Politics of Asylum -- Sounding Cities, Sanctuary, and Violence -- Music as a Site of Intensity and Articulation -- References -- Chapter 3: Affective Vernaculars of Diasporic Belonging -- Embodying and Interrupting the Affective Politics of Asylum -- Musicking and Affective Vernaculars of Diasporic Belonging -- Conclusions -- References -- Chapter 4: Everyday Geographies and Secretly Public Spaces in Asylum Bristol -- Music Beyond Micro-publics and Infrastructures of Arrival -- Musicking, Strategic (In)Visibility and Secretly Public Spaces -- Secretly Public Spaces in a City of Sanctuary and Violence -- References -- Chapter 5: Pacing Time and Treading Water: Music, Rhythms of Endurance, and Activist Affordances -- Gendered Registers of Music, Leisure, and Waiting -- The Poetics and Politics of Music and Leisure amid Lives on Hold -- Sites of Intensity and Activist Affordances -- Music, Leisure, and Sociality Between 'Art of Living' and Acts/Arts of Survival -- Conclusions -- References -- Chapter 6: Conclusions -- Working the Hyphen of a Militant Investigation: Music as Ethnographic Relationality -- Final Considerations: Leisure and Forced Migration Perspectives in Times of Planetary Upheaval -- References -- Index.
    Additional Edition: Print version: De Martini Ugolotti, Nicola Music, Forced Migration and Emplacement Cham : Springer International Publishing AG,c2024 ISBN 9783031551970
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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