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  • 1
    UID:
    b3kat_BV049725357
    Format: 1 Online-Ressource
    ISBN: 9783031561146
    Series Statement: Arts, research, innovation and society
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-031-56113-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-031-56116-0
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Frohne, Ursula 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949732615202882
    Format: 1 online resource (227 pages)
    Edition: 1st ed. 2024.
    ISBN: 3-031-56114-7
    Series Statement: Arts, Research, Innovation and Society,
    Content: As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response. This open access book demonstrates how the latest advances in creative arts, intelligent systems and climate science can be integrated and leveraged to transform the visualisation of extreme event scenarios. It reframes current practice from passive perception of pre-scripted illustrations to active immersion in evolving life-like interactive scenarios that are geo-located. Drawing on the multidisciplinary expertise of leaders in the creative arts, climate sciences, environmental engineering, and intelligent systems, this book examines the ways in which climate disaster preparedness can be reformulated through practices that address dynamic and unforeseen interactions between climate and human life worlds. Grouped into four sections (picturing, narrating, rehearsing, and communicating), this book maps this approach by exploring the emerging strengths and current limitations of each discipline in addressing the challenge of envisioning the unpredictable interaction of extreme events with human populations and environments. This book provides a timely intervention into the global discourse on how art, culture and technology can address climate disaster resilience. It appeals to readers from multiple fields, offering academic, industry and community audiences novel insights into a profound gap in the current knowledge, policy and action landscape.
    Note: Introduction -- Part 1: Simulating -- Reimagining uncertainty. Digital art and the capacity to envision terrestrial disasters -- Latest advances and challenges in extreme event 3D simulation -- Intelligent architectures for extreme event visualization -- Simulation of rare event scenarios via physics-based fire models integrated with visualization systems -- Aligning immersive multi-agent training systems for extreme event scenarios -- Part 2: Narrating -- Preparing for the unpredictable -- Moving beyond the recovery and reconstruction discourse to imagine interaction with extreme events using the performing arts -- Iconographies of climate catastrophe. The representation of climate change in art and film -- Exploring the aesthetics of climate change in performative and visual storytelling -- Part 3: Rehearsing -- Application of user-centered interaction design in 3D immersive environments -- Leveraging Deep Learning and Generative AI for sonic worldmaking. New dimensions for immersion in interactive environments -- Prototyping emergency scenarios. Converging architectural computing and intelligent mobility modelling -- Part 4: Practicing -- The policy landscape of preparedness. Gaps in recommendations for extreme climate events -- Learning from the past, preparing for tomorrow. Conceptualizing place and community in light of extreme event experiences -- Communicating in crisis. Community practices of online participation during extreme events -- Horizon scanning the imaging of extreme events. Challenges and frontiers -- Conclusion.
    Additional Edition: ISBN 3-031-56113-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9949865075802882
    Format: XVIII, 219 p. 43 illus., 40 illus. in color. , online resource.
    Edition: 1st ed. 2024.
    ISBN: 9783031561146
    Series Statement: Arts, Research, Innovation and Society,
    Content: As a result of global warming, extreme events, such as firestorms and flash floods, pose increasingly unpredictable and uncertain existential threats, taking lives, destroying communities, and wreaking havoc on habitats. Current aesthetic, technological and scientific frameworks struggle to imagine, visualise and rehearse human interactions with these events, hampering the development of proactive foresight, readiness and response. This open access book demonstrates how the latest advances in creative arts, intelligent systems and climate science can be integrated and leveraged to transform the visualisation of extreme event scenarios. It reframes current practice from passive perception of pre-scripted illustrations to active immersion in evolving life-like interactive scenarios that are geo-located. Drawing on the multidisciplinary expertise of leaders in the creative arts, climate sciences, environmental engineering, and intelligent systems, this book examines the ways in which climate disaster preparedness can be reformulated through practices that address dynamic and unforeseen interactions between climate and human life worlds. Grouped into four sections (picturing, narrating, rehearsing, and communicating), this book maps this approach by exploring the emerging strengths and current limitations of each discipline in addressing the challenge of envisioning the unpredictable interaction of extreme events with human populations and environments. This book provides a timely intervention into the global discourse on how art, culture and technology can address climate disaster resilience. It appeals to readers from multiple fields, offering academic, industry and community audiences novel insights into a profound gap in the current knowledge, policy and action landscape.
    Note: Introduction -- Part 1: Simulating -- Reimagining uncertainty. Digital art and the capacity to envision terrestrial disasters -- Latest advances and challenges in extreme event 3D simulation -- Intelligent architectures for extreme event visualization -- Simulation of rare event scenarios via physics-based fire models integrated with visualization systems -- Aligning immersive multi-agent training systems for extreme event scenarios -- Part 2: Narrating -- Preparing for the unpredictable -- Moving beyond the recovery and reconstruction discourse to imagine interaction with extreme events using the performing arts -- Iconographies of climate catastrophe. The representation of climate change in art and film -- Exploring the aesthetics of climate change in performative and visual storytelling -- Part 3: Rehearsing -- Application of user-centered interaction design in 3D immersive environments -- Leveraging Deep Learning and Generative AI for sonic worldmaking. New dimensions for immersion in interactive environments -- Prototyping emergency scenarios. Converging architectural computing and intelligent mobility modelling -- Part 4: Practicing -- The policy landscape of preparedness. Gaps in recommendations for extreme climate events -- Learning from the past, preparing for tomorrow. Conceptualizing place and community in light of extreme event experiences -- Communicating in crisis. Community practices of online participation during extreme events -- Horizon scanning the imaging of extreme events. Challenges and frontiers -- Conclusion.
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783031561139
    Additional Edition: Printed edition: ISBN 9783031561153
    Additional Edition: Printed edition: ISBN 9783031561160
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    kobvindex_INT73681
    Format: 1 online resource (227 pages)
    Edition: 1st ed.
    ISBN: 9783031561139 , 9783031561146
    Series Statement: Arts, Research, Innovation and Society Series
    Note: Intro -- Foreword -- Contents -- Contributors -- Chapter 1: Introduction -- Part I: Picturing -- Chapter 2: Reimagining Extreme Event Scenarios: The Aesthetic Visualisation of Climate Uncertainty to Enhance Preparedness -- 2.1 Introduction -- 2.2 Immersive Visualisation -- 2.2.1 AI Aesthetics -- 2.3 Towards Climate Scenario Visualisation -- 2.4 Conclusion -- References -- Chapter 3: Latest Advances and Challenges in Extreme Flood 3D Simulation -- 3.1 Introduction -- 3.2 Real-Time Flood Warning Systems -- 3.3 Flood Disasters Following Infrastructure Failure -- 3.4 Compound Flood Events -- 3.5 Visualisation of Flood Extremes -- 3.6 Conclusion -- References -- Chapter 4: Intelligent Architectures for Extreme Event Visualisation -- 4.1 Introduction -- 4.2 Intelligent Visualisation of Extreme Events -- 4.2.1 Physical Modelling -- 4.2.2 Learning-Based Modelling and Simulation -- 4.2.3 Graphic Visualisation -- 4.3 Generative AI in Visualisation -- 4.3.1 Image Generation -- 4.3.2 Dynamic Simulation -- 4.4 Conclusion -- References -- Chapter 5: Simulation of Extreme Fire Event Scenarios Using Fully Physical Models and Visualisation Systems -- 5.1 Introduction -- 5.2 Extreme Event Scenarios -- 5.3 Physical Fire Models: An Overview -- 5.4 Visualisation Techniques Used in Physical Modelling -- 5.5 Case Studies -- 5.6 Integrating Simulations with a Visualisation System -- 5.7 Future Directions -- 5.8 Conclusion -- References -- Chapter 6: Immersive Visualisation Systems as Alignment Strategies for Extreme Event Scenarios -- 6.1 Introduction -- 6.2 Creating Accuracy and Verisimilitude for the Representation of Unpredictable Events -- 6.3 The Challenge of Accuracy in Climate Science -- 6.4 From Epistemic to Affective Uncertainty -- 6.5 Storylining and Other Techniques: Tales, Simulations and Scenarios -- 6.6 Storylines and Interpretability -- 6.7 Conclusion , 11.3.2 Copyright Issues -- 11.3.3 Making AI "Safe" -- 11.4 Conclusion -- 11.4.1 Limitations: Multimodal AI -- References -- Chapter 12: Rehearsing Emergency Scenarios: Using Space Syntax and Intelligent Mobility Modelling for Scenario Visualisation and Disaster Preparedness -- 12.1 Introduction -- 12.2 Background to Spatial Analytics -- 12.3 The Arts and Spatial Analytics -- 12.4 Challenges and Opportunities -- 12.5 Conclusion -- References -- Part IV: Communicating -- Chapter 13: Culture, Creativity, and Climate: A Dangerous Gap in Policies of Preparedness -- 13.1 Introduction -- 13.2 Methodology and Research Design -- 13.3 Literature Review -- 13.3.1 Inquiries and Recommendations -- 13.3.2 Arts, Culture and Creativity -- 13.4 Findings -- 13.4.1 Preparedness -- 13.4.2 Community Preparedness -- 13.4.3 Art(s) -- 13.4.4 Culture -- 13.4.5 Creative/Creativity -- 13.5 Conclusion -- References -- Inquiries -- Chapter 14: Creatively Reimagining Place and Community in a World of Extreme Weather -- 14.1 Introduction -- 14.2 Building Place: Architecture, Theatre and Film -- 14.3 Stories of Place and Community in Crisis: Fires -- 14.4 Forging New Narratives for a New Future -- 14.5 Conclusion -- References -- Chapter 15: Communicating in Crisis: Community Practices of Online Participation During Extreme Events -- 15.1 Introduction -- 15.2 Social Media and the Changing Communication Landscape During Disasters -- 15.2.1 Social Media as an Expansion of Official Communication Channels Assisting Emergency Communication -- 15.2.2 Social Media Use by the Public During Disasters -- 15.3 The Role of Social Media Before, During and After Disasters -- 15.4 Conclusion -- References -- Part V: Conclusion -- Chapter 16: Conclusion -- 16.1 Final Words -- References , References -- Part II: Narrating -- Chapter 7: Moving Beyond Recovery and Reconstruction: Imagining Extreme Event Preparedness Through Performing Arts -- 7.1 Introduction -- 7.2 Performing Resilience and Supporting Post-traumatic Growth -- 7.3 Performing the Politics of Disaster Experience -- 7.4 Performing Preparedness -- 7.5 The Future Imagined -- 7.6 Preparing to Protect the Future -- 7.7 Conclusion -- References -- Chapter 8: Iconographies of Climate Catastrophe: The Representation of Climate Change in Art and Film -- 8.1 Introduction -- 8.2 Period 1 (1960-1980): Science Aesthetics-Denial and Bargaining -- 8.3 Period 2 (1980-2000): Environmental Ruin and Nuclear Decay-Anger and Grief -- 8.4 Period 3 (2000-2023): Climate Warming-Depression and Understanding -- 8.5 Conclusion -- References -- Chapter 9: Representing the Climate Crisis: Aesthetic Framings in Contemporary Performing and Visual Arts -- 9.1 Introduction -- 9.2 State of Play: Performing Climate Change and Planetary Interconnectedness -- 9.2.1 Eulogising the Present -- 9.2.2 Performative Aesthetics -- 9.2.3 Scaling Space and Time -- 9.3 Novel Experimental Trajectories -- 9.4 Conclusion -- References -- Part III: Rehearsing -- Chapter 10: Supporting Disaster Preparedness Through User-Centred Interaction Design in Immersive Environments -- 10.1 Introduction -- 10.2 Intuition and Experience -- 10.3 Vicarious Disaster Experience via VR and AR -- 10.4 Understanding Stories and Contexts -- 10.5 Creating Scenarios or Games -- 10.6 Working with Technology -- 10.7 Equity of Access -- 10.8 Conclusion -- References -- Chapter 11: Building Simulations with Generative Artificial Intelligence -- 11.1 Introduction: A Scenario -- 11.1.1 Building Simulations -- 11.2 Simulation of Extreme Event Scenarios -- 11.2.1 Use in Visual Simulation -- 11.3 Accuracy and Ethics -- 11.3.1 Data Laundering
    Additional Edition: Print version Del Favero, Dennis Climate Disaster Preparedness Cham : Springer,c2024 ISBN 9783031561139
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_9949747860302882
    Format: 1 online resource (227 pages)
    Edition: 1st ed.
    ISBN: 9783031561146
    Series Statement: Arts, Research, Innovation and Society Series
    Note: Intro -- Foreword -- Contents -- Contributors -- Chapter 1: Introduction -- Part I: Picturing -- Chapter 2: Reimagining Extreme Event Scenarios: The Aesthetic Visualisation of Climate Uncertainty to Enhance Preparedness -- 2.1 Introduction -- 2.2 Immersive Visualisation -- 2.2.1 AI Aesthetics -- 2.3 Towards Climate Scenario Visualisation -- 2.4 Conclusion -- References -- Chapter 3: Latest Advances and Challenges in Extreme Flood 3D Simulation -- 3.1 Introduction -- 3.2 Real-Time Flood Warning Systems -- 3.3 Flood Disasters Following Infrastructure Failure -- 3.4 Compound Flood Events -- 3.5 Visualisation of Flood Extremes -- 3.6 Conclusion -- References -- Chapter 4: Intelligent Architectures for Extreme Event Visualisation -- 4.1 Introduction -- 4.2 Intelligent Visualisation of Extreme Events -- 4.2.1 Physical Modelling -- 4.2.2 Learning-Based Modelling and Simulation -- 4.2.3 Graphic Visualisation -- 4.3 Generative AI in Visualisation -- 4.3.1 Image Generation -- 4.3.2 Dynamic Simulation -- 4.4 Conclusion -- References -- Chapter 5: Simulation of Extreme Fire Event Scenarios Using Fully Physical Models and Visualisation Systems -- 5.1 Introduction -- 5.2 Extreme Event Scenarios -- 5.3 Physical Fire Models: An Overview -- 5.4 Visualisation Techniques Used in Physical Modelling -- 5.5 Case Studies -- 5.6 Integrating Simulations with a Visualisation System -- 5.7 Future Directions -- 5.8 Conclusion -- References -- Chapter 6: Immersive Visualisation Systems as Alignment Strategies for Extreme Event Scenarios -- 6.1 Introduction -- 6.2 Creating Accuracy and Verisimilitude for the Representation of Unpredictable Events -- 6.3 The Challenge of Accuracy in Climate Science -- 6.4 From Epistemic to Affective Uncertainty -- 6.5 Storylining and Other Techniques: Tales, Simulations and Scenarios -- 6.6 Storylines and Interpretability -- 6.7 Conclusion. , References -- Part II: Narrating -- Chapter 7: Moving Beyond Recovery and Reconstruction: Imagining Extreme Event Preparedness Through Performing Arts -- 7.1 Introduction -- 7.2 Performing Resilience and Supporting Post-traumatic Growth -- 7.3 Performing the Politics of Disaster Experience -- 7.4 Performing Preparedness -- 7.5 The Future Imagined -- 7.6 Preparing to Protect the Future -- 7.7 Conclusion -- References -- Chapter 8: Iconographies of Climate Catastrophe: The Representation of Climate Change in Art and Film -- 8.1 Introduction -- 8.2 Period 1 (1960-1980): Science Aesthetics-Denial and Bargaining -- 8.3 Period 2 (1980-2000): Environmental Ruin and Nuclear Decay-Anger and Grief -- 8.4 Period 3 (2000-2023): Climate Warming-Depression and Understanding -- 8.5 Conclusion -- References -- Chapter 9: Representing the Climate Crisis: Aesthetic Framings in Contemporary Performing and Visual Arts -- 9.1 Introduction -- 9.2 State of Play: Performing Climate Change and Planetary Interconnectedness -- 9.2.1 Eulogising the Present -- 9.2.2 Performative Aesthetics -- 9.2.3 Scaling Space and Time -- 9.3 Novel Experimental Trajectories -- 9.4 Conclusion -- References -- Part III: Rehearsing -- Chapter 10: Supporting Disaster Preparedness Through User-Centred Interaction Design in Immersive Environments -- 10.1 Introduction -- 10.2 Intuition and Experience -- 10.3 Vicarious Disaster Experience via VR and AR -- 10.4 Understanding Stories and Contexts -- 10.5 Creating Scenarios or Games -- 10.6 Working with Technology -- 10.7 Equity of Access -- 10.8 Conclusion -- References -- Chapter 11: Building Simulations with Generative Artificial Intelligence -- 11.1 Introduction: A Scenario -- 11.1.1 Building Simulations -- 11.2 Simulation of Extreme Event Scenarios -- 11.2.1 Use in Visual Simulation -- 11.3 Accuracy and Ethics -- 11.3.1 Data Laundering. , 11.3.2 Copyright Issues -- 11.3.3 Making AI "Safe" -- 11.4 Conclusion -- 11.4.1 Limitations: Multimodal AI -- References -- Chapter 12: Rehearsing Emergency Scenarios: Using Space Syntax and Intelligent Mobility Modelling for Scenario Visualisation and Disaster Preparedness -- 12.1 Introduction -- 12.2 Background to Spatial Analytics -- 12.3 The Arts and Spatial Analytics -- 12.4 Challenges and Opportunities -- 12.5 Conclusion -- References -- Part IV: Communicating -- Chapter 13: Culture, Creativity, and Climate: A Dangerous Gap in Policies of Preparedness -- 13.1 Introduction -- 13.2 Methodology and Research Design -- 13.3 Literature Review -- 13.3.1 Inquiries and Recommendations -- 13.3.2 Arts, Culture and Creativity -- 13.4 Findings -- 13.4.1 Preparedness -- 13.4.2 Community Preparedness -- 13.4.3 Art(s) -- 13.4.4 Culture -- 13.4.5 Creative/Creativity -- 13.5 Conclusion -- References -- Inquiries -- Chapter 14: Creatively Reimagining Place and Community in a World of Extreme Weather -- 14.1 Introduction -- 14.2 Building Place: Architecture, Theatre and Film -- 14.3 Stories of Place and Community in Crisis: Fires -- 14.4 Forging New Narratives for a New Future -- 14.5 Conclusion -- References -- Chapter 15: Communicating in Crisis: Community Practices of Online Participation During Extreme Events -- 15.1 Introduction -- 15.2 Social Media and the Changing Communication Landscape During Disasters -- 15.2.1 Social Media as an Expansion of Official Communication Channels Assisting Emergency Communication -- 15.2.2 Social Media Use by the Public During Disasters -- 15.3 The Role of Social Media Before, During and After Disasters -- 15.4 Conclusion -- References -- Part V: Conclusion -- Chapter 16: Conclusion -- 16.1 Final Words -- References.
    Additional Edition: Print version: Del Favero, Dennis Climate Disaster Preparedness Cham : Springer,c2024 ISBN 9783031561139
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    edoccha_9961512161802883
    Format: 1 online resource (227 pages)
    Edition: 1st ed.
    ISBN: 3-031-56114-7
    Series Statement: Arts, Research, Innovation and Society Series
    Additional Edition: ISBN 3-031-56113-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    UID:
    edocfu_9961512161802883
    Format: 1 online resource (227 pages)
    Edition: 1st ed.
    ISBN: 3-031-56114-7
    Series Statement: Arts, Research, Innovation and Society Series
    Additional Edition: ISBN 3-031-56113-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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