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Format: 1 Online-Ressource

ISBN: 9783031578922

Series Statement: Current research in systematic musicology 12

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-031-57891-5

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-031-57894-6

Language: English

Keywords: Konferenzschrift

DOI: 10.1007/978-3-031-57892-2

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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Format: 1 online resource (347 pages)

Edition: 1st ed.

ISBN: 9783031578922

Series Statement: Current Research in Systematic Musicology Series ; v.12

Note: Intro -- Preface -- Contents -- Contributors -- Theoretical Perspectives -- Generic Motion Components for Sonic Design -- 1 Introduction -- 2 Sonic Features -- 3 Generative Features -- 4 Multimodality -- 5 Analytic Tools -- 6 Textures and Roles -- 7 Ontological Reflections -- 8 Musical Translation -- 9 Conclusions -- References -- Sound Design and the Theory of Self-augmented Interactions -- 1 Introduction -- 2 Strategies: Stimulus-Response or Interaction? -- 3 Components: Emergent Patterns and Expressive Gestures -- 3.1 Pattern Emergence -- 3.2 Gestural Expression -- 4 Capacities: Affordance, Entrainment and Anticipation -- 4.1 Affordance Capacity -- 4.2 Entrainment Capacity -- 4.3 Anticipation Capacity -- 5 Sound Design and the Theory of Self-augmented Interaction -- 5.1 What is Self-augmented Interaction? -- 5.2 A Model for Self-augmented Interaction -- 5.3 Foundations in Expression Theory -- 6 Biofeedback Systems -- 6.1 Sound Design in Biofeedback Systems -- 6.2 Ethical Considerations of Sound Design -- 7 Conclusion -- References -- Musical Meter as Shape: An Embodied Perspective on Metrical Trajectories and Curves -- 1 Introduction -- 2 Music and Motion -- 3 Meter-Related Motion -- 4 Toward a Theory of Meter as Shape -- 5 Metrical Shapes in Norwegian Folk Music and Dance -- 6 Concluding Remarks -- References -- Prelude to a Theory of Gestural Time, Proto-Geometry, and Music -- 1 Introduction -- 2 From Gestural Objects to Gestural Time -- 3 Husserl's Proto-Geometry -- 4 Micro-gesture and Phenomenological Variation -- 5 Experience Matters -- References -- A Grammar of Expressive Conducting Gestures -- 1 Introduction -- 2 Related Work -- 2.1 Sound-Related Gestures -- 2.2 Conducting Gestures -- 2.3 Motivation -- 3 Similarities Between Sign Language and Conducting Gestures -- 3.1 Phonological Components -- 4 Spatiality -- 5 Iconicity. , 5.1 Iconicity at the Lexical Level -- 5.2 Iconicity at the Syntactical Level -- 5.3 Iconicity at the Semantic Level -- 6 Repertoire of Four Classes of Conducting Gestures -- 6.1 Sound Categories and Variations -- 6.2 Grammar of Gestures and Their Modulation -- 6.3 Data Acquisition Protocol -- 6.4 Evaluation and Research Methodology -- 7 Conclusion -- References -- Performance Perspectives -- Different Attitudes of Expressive Movement Awareness in Professional Musicians -- 1 Introduction -- 2 Kinesthesia, Habits, and Sound-Action Awareness in Music -- 2.1 Interviews -- 2.2 Observation -- 2.3 Audio-Visual Material -- 2.4 Participants -- 2.5 Procedure -- 2.6 Data Analysis -- 3 Findings -- 3.1 Theatralization -- 3.2 Automatic Repertoire of Expressive Movements -- 3.3 Exploring Movements -- 4 Discussion -- 5 Conclusions -- References -- Empirical Analysis of Gestural Sonic Objects Combining Qualitative and Quantitative Methods -- 1 Introduction -- 1.1 Gestural Sonic Objects -- 1.2 Multimodal Analysis of Music Performance -- 1.3 Machine Learning in Music Practice and Analysis -- 2 Gestural Sonic Object Multimodal Analysis -- 2.1 The Piece: Fragmente2 -- 2.2 Quantitative Data Collection -- 2.3 Gestural Sonic Object Qualitative Annotation Method -- 2.4 Feature Ranking Using the Random Forest Algorithm -- 2.5 Multimodal Spotting -- 3 Results -- 3.1 Feature Ranking Per Modality -- 3.2 Online Learning Investigation of Gestural Sonic Objects -- 4 Discussion -- 4.1 Using Gestural Sonic Objects in Artistic Practice -- 4.2 Annotation Method and Theory: Practical and Conceptual Considerations -- 4.3 Interpretation of the Feature Ranking Results -- 5 Conclusions and Implications -- References -- Studying Performances with Digital Musical Instruments: A Case Study of Ritual, a Piece for Solo Karlax -- 1 Introduction -- 2 Digital Musical Instruments in Context. , 3 Implications for DMI Design and Performance -- 3.1 Improved Design -- 3.2 Accessibility -- 3.3 Musical Practice -- 3.4 Longevity -- 3.5 Musical Novelty -- 4 The Karlax -- 5 A Comparative Analysis of Interpretations of Ritual for Solo Karlax -- 5.1 Ritual for Solo Karlax -- 6 Analysis -- 6.1 Attack/Resonance -- 6.2 Melodic Play -- 6.3 Crescendo Followed by a Terminal Accent -- 7 Discussion -- 7.1 Suggestions for Practice Exercises Based on Gestures in Ritual -- 7.2 A Few Thoughts on the Use of Digital Instruments and Contemporary Music Creation -- 8 Conclusion and Future Work -- References -- Artistic Exploration -- Embodied Sonic Design: Sound and the Sensory Apprehension of Movement -- 1 Introduction -- 2 From Theory to Practice-Based Research -- 3 The Role of Movement and Improvisation -- 4 Perception is Art -- 5 Embodiment -- 6 Audible Kinesthetic Empathy -- 7 Sound Shadows -- 8 360-Degree Sound Shadows in the Presence in My Absence -- 9 Sound Perceived as a Moving Material Form -- 10 Embodied Binaural Spatialization -- 11 The Third Movement: An Installation in the Kinesphere -- 12 Technology and Access -- 13 Where Do We Go from Hear? -- References -- Sonic Design and Spatial Features -- 1 Introduction -- 2 Linear and Non-linear Relationships -- 3 A Brief Outline of the Typomorphology -- 4 Perspectives on Space -- 5 Approaches to Space -- 6 Conclusion -- References -- The Sonic Imagery of the Covid-19 Pandemic -- 1 Introduction -- 2 An Overview of the Sounding Covid-19 Repository -- 3 Analysing Soundscapes -- 3.1 Sound-Motion Objects -- 3.2 Mental Presence -- 4 Analysing the Sounding Covid-19 Soundscapes -- 5 Understanding the Sounding Covid-19 Repository -- 6 Reflections -- References -- Excitations and Resonances: Misinterpreted Actions in Neon Meditations -- 1 Introduction -- 2 Colour and Sound -- 3 The Patch -- 4 Sound Design. , 5 Interaction -- 6 The Motor Theory Perspective -- 7 Sound-Motion Objects in Live-Electronics -- 8 Assessment of the Sound-Motion Object -- References -- Technological Innovation -- Aspects of Sound Structure in Historic Organs of Europe -- 1 Introduction -- 2 Some Basic Organology -- 3 A Few Notes on the Development of Pipe Organs -- 4 Sound Generation: Empirical Observations -- 5 Sound Structure and Tuning -- 6 Concluding Remarks -- References -- Exploring the Electroacoustic Music History Through Interactive Sonic Design -- 1 Introduction -- 2 Methodology -- 3 The Early Electroacoustic Music Era (1948-1960) -- 4 The Electroacoustic Music Evolution Era (1960-1990) -- 5 The Digital Age (1990-Today) -- 6 Similarities and Differences -- 7 Conclusion -- References -- Musicological and Technological Perspectives on Computational Analysis of Electroacoustic Music -- 1 Introduction -- 2 Pierre Schaeffer's Traité des objets musicaux -- 2.1 Sound Objects and Reductive Listening -- 2.2 Typology -- 2.3 Morphology -- 2.4 Beyond the Traité -- 3 More Recent Analytical Approaches -- 3.1 R. Murray Schafer's Soundscape Analysis -- 3.2 Denis Smalley's Spectro-Morphology -- 3.3 Stephane Roy's Hierarchical and Functional Analysis -- 3.4 Lasse Thoresen's Graphical Formalisation -- 3.5 Ecrins Audio-Content Description -- 3.6 Structural and Functional Analyses -- 3.7 Pierre Couprie's Morphology -- 4 Computational Electroacoustic Music Analysis -- 4.1 Sound Object Detection -- 4.2 Dynamics -- 4.3 Facture -- 4.4 Mass, Harmonicity and Pitch -- 4.5 Temporal Motions -- 4.6 Spatial Analysis -- 4.7 Other Timbral Aspects -- 4.8 Rhythm -- 4.9 Structural and Semantic Analysis -- 4.10 Software -- 5 Towards a Toolbox des Objets Sonores -- 6 Conclusions -- References -- Designing Musical Instruments and Room Acoustics with Acoustic Metamaterials -- 1 Introduction. , 1.1 What Is an Acoustic Metamaterial? -- 1.2 Are Musical Instruments Already Metamaterials? -- 2 Methods -- 2.1 Frame Drum -- 2.2 Impedance Tube -- 2.3 Modified String -- 3 Results -- 3.1 Metamaterial Drum -- 3.2 Spherical Labyrinth Structure -- 3.3 Manipulated String -- 4 Conclusions -- 5 Supplementary Material -- References -- Exploring Musical Agents with Embodied Perspectives -- 1 Introduction -- 1.1 Musical Agents -- 1.2 Embodied Perspective -- 1.3 Musical Control -- 2 Artistic Foundation -- 2.1 Feedback -- 2.2 Biofeedback -- 2.3 Biocontrol -- 2.4 Coadaptation -- 2.5 Musical AI and MAS -- 3 Embodiment -- 3.1 Low Level -- 3.2 Middle Level -- 3.3 High Level -- 4 Retrospective -- 4.1 Biostomp -- 4.2 Vrengt -- 4.3 RAW -- 4.4 Playing in the ``Air'' -- 4.5 CAVI -- 5 Discussion -- References -- Author Index.

Additional Edition: Print version: Jensenius, Alexander Refsum Sonic Design Cham : Springer International Publishing AG,c2024 ISBN 9783031578915

Language: English

Keywords: Electronic books.

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UID:

Format: 1 online resource (347 pages)

Edition: 1st ed. 2024.

ISBN: 3-031-57892-9

Series Statement: Current Research in Systematic Musicology, 12

Content: This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godøy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godøy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines. .

Note: Generic motion components for sonic design -- Sound design and the theory of self-augmented interactions -- Musical meter as shape: An embodied perspective on metrical trajectories and curves -- Prelude to a theory of gestural time, proto-geometry, and music -- A grammar of expressive conducting gestures.

Additional Edition: ISBN 3-031-57891-0

Language: English

DOI: 10.1007/978-3-031-57892-2

UID:

Format: X, 343 p. 88 illus., 30 illus. in color. , online resource.

Edition: 1st ed. 2024.

ISBN: 9783031578922

Series Statement: Current Research in Systematic Musicology, 12

Content: This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godøy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godøy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines. .

Note: Generic motion components for sonic design -- Sound design and the theory of self-augmented interactions -- Musical meter as shape: An embodied perspective on metrical trajectories and curves -- Prelude to a theory of gestural time, proto-geometry, and music -- A grammar of expressive conducting gestures.

In: Springer Nature eBook

Additional Edition: Printed edition: ISBN 9783031578915

Additional Edition: Printed edition: ISBN 9783031578939

Additional Edition: Printed edition: ISBN 9783031578946

Language: English

DOI: 10.1007/978-3-031-57892-2

URL: https://doi.org/10.1007/978-3-031-57892-2

UID:

Format: 1 online resource (347 pages)

Edition: 1st ed. 2024.

ISBN: 3-031-57892-9

Series Statement: Current Research in Systematic Musicology, 12

Content: This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godøy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godøy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines. .

Note: Generic motion components for sonic design -- Sound design and the theory of self-augmented interactions -- Musical meter as shape: An embodied perspective on metrical trajectories and curves -- Prelude to a theory of gestural time, proto-geometry, and music -- A grammar of expressive conducting gestures.

Additional Edition: ISBN 3-031-57891-0

Language: English

DOI: 10.1007/978-3-031-57892-2

UID:

Format: 1 online resource (347 pages)

Edition: 1st ed. 2024.

ISBN: 3-031-57892-9

Series Statement: Current Research in Systematic Musicology, 12

Content: This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godøy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godøy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines. .

Note: Generic motion components for sonic design -- Sound design and the theory of self-augmented interactions -- Musical meter as shape: An embodied perspective on metrical trajectories and curves -- Prelude to a theory of gestural time, proto-geometry, and music -- A grammar of expressive conducting gestures.

Additional Edition: ISBN 3-031-57891-0

Language: English

DOI: 10.1007/978-3-031-57892-2

UID:

Format: 1 online resource (347 pages)

Edition: 1st ed. 2024.

ISBN: 3-031-57892-9

Series Statement: Current Research in Systematic Musicology, 12

Content: This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godøy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godøy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines. .

Note: Generic motion components for sonic design -- Sound design and the theory of self-augmented interactions -- Musical meter as shape: An embodied perspective on metrical trajectories and curves -- Prelude to a theory of gestural time, proto-geometry, and music -- A grammar of expressive conducting gestures.

Additional Edition: ISBN 3-031-57891-0

Language: English

DOI: 10.1007/978-3-031-57892-2