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Format: 1 online resource (472 p.)

Edition: 1st ed.

Uniform Title: Synästhetisches Design.

Content: Synesthetic design strives to develop products that systematically incorporate all five senses. In future, the current wealth of medical technical insights in psychology, physiology, motor functions, and neurology and the development of innovative materials with astonishing new properties will open up almost unlimited opportunities for the designer's creativity. Haverkamp brings together for the first time precisely those aspects of this fundamental knowledge that are specifically relevant for designers. The result is a book that offers designers of all schools a clear and well-organized practical handbook and a solid foundation for their own designs.

Content: Synästhetisches Design bemüht sich um eine Produktentwicklung, die alle Sinne systematisch mit einbezieht. Die Fülle aktueller medizintechnischer Erkenntnisse in psychologischer, physiologischer, motorischer und neuronaler Hinsicht sowie die Entwicklung innovativer Materialien mit erstaunlichen neuen Eigenschaften eröffnen zukünftig der Designer-Kreativität fast unbegrenzte Möglichkeiten. Haverkamp hat seine Darstellung so aufgebaut, dass sie das Wesentliche dieses Grundlagenwissens aus den verschiedensten Bereichen erstmals speziell für Designer zusammenfasst. Designer aller Richtungen erhalten so ein übersichtliches Praxis-Handbuch, die solide Basis für ihr eigenes Gestalten.

Note: Description based upon print version of record. , Part 1. Task and fundamentals : What is synesthetic product design? -- Product development as the design for all senses -- Human-machine communication ; Functional design ; Product placement and brand identity ; The significance of multisensory environments -- Fundamentals of perception : The senses of distance: seeing and hearing ; Physical senses of proximity ; Chemical senses ; Perceptual objects ; Subjective or objective? ; Qualia ; Grouping ; Gestalt principles ; Foreground and background -- Part 2. Strategies of perception and design : Connection of modalities within the perceptual system : Overview ; Rules of connection ; Elementary connections -- Finding similarities: cross-modal analogies : Analogy relationships ; Temporal analogy ; Intersensory attributes ; Analogy of motion and kinetic design ; Spatial analogies and soundscapes ; Functional analogy ; Tactile design -- Recognizing familiar features: iconic connection : Associative connections ; Onomatopoeia ; Pictogram and auditory icon ; Associations to smell and taste ; The context -- Understanding the meaning: symbols and metaphors : Symbolic connections ; Color symbolism ; Synesthetic metaphors ; Symbolism in brand design ; Musical symbolism -- Exploring individual perception: genuine synesthesia : Hearing colors, seeing acoustic tones ; Smell, taste, and everything else ; Subjective color-form relations ; Movement of synesthetic images ; Visualization of meaning ; Why synesthesia?: Function and significance -- Consciously constructing: mathematical and physical connections : Algorithms and concepts ; Objective color-sound relations -- Part 3. Holistic design : Cumulation of sensory contributions : Segregation or integration ; Perceptual conflicts -- The choice of customer-effective strategies : Assistance in decisions-making ; Examples of application ; Human-computer interaction -- Elementary forms : Basic forms of perception ; Elementary design -- Visualization of noise and music : Artistic and technical visualization ; Musical notation, graphics, and film -- Perception and emotion -- Future perspectives of synesthetic design : Design with all senses: for the senses ; Robustness ; Sustainability. , In English.

Additional Edition: ISBN 3-0346-1168-4

Additional Edition: ISBN 3-0346-0715-6

Language: English

Keywords: Electronic books.

DOI: 10.1515/9783034611688

URL: Click to View

UID:

Format: 1 Online-Ressource

ISBN: 9783034611688 , 9783034611688 , 9783038212294

Note: Description based upon print version of record , Biographical note: Michael Haverkamp arbeitet seit vielen Jahren an der Konzept-Entwicklung von multi-sensoriellem Design; er ist ein international anerkannter Experte für Geräuschgestaltung und allgemeiner Synästhesie-Forschung , Biographical note: Michael Haverkamp has been working on the concept of multi-sensory design for many years; he is an internationally recognized expert on sound design and synesthesia research in general , Main description: Synesthetic design strives to develop products that systematically incorporate all five senses. In future, the current wealth of medical technical insights in psychology, physiology, motor functions, and neurology and the development of innovative materials with astonishing new properties will open up almost unlimited opportunities for the designer's creativity. Haverkamp brings together for the first time precisely those aspects of this fundamental knowledge that are specifically relevant for designers. The result is a book that offers designers of all schools a clear and well-organized practical handbook and a solid foundation for their own designs.– Synästhetisches Design bemüht sich um eine Produktentwicklung, die alle Sinne systematisch mit einbezieht. Die Fülle aktueller medizintechnischer Erkenntnisse in psychologischer, physiologischer, motorischer und neuronaler Hinsicht sowie die Entwicklung innovativer Materialien mit erstaunlichen neuen Eigenschaften eröffnen zukünftig der Designer-Kreativität fast unbegrenzte Möglichkeiten. Haverkamp hat seine Darstellung so aufgebaut, dass sie das Wesentliche dieses Grundlagenwissens aus den verschiedensten Bereichen erstmals speziell für Designer zusammenfasst. Designer aller Richtungen erhalten so ein übersichtliches Praxis-Handbuch, die solide Basis für ihr eigenes Gestalten. –

Additional Edition: Erscheint auch als Druckausgabe ISBN 978-3-0346-0715-5

Language: English

Keywords: Produktgestaltung ; Industriedesign ; Wahrnehmung ; Synästhesie

URL: Volltext

URL: Volltext  (lizenzpflichtig)

URL: lizenzpflichtig

URL: Cover

URL: Cover

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Format: 1 online resource (472 pages)

Edition: 1st ed.

ISBN: 9783034611688

Note: Intro -- FOREWORD -- 1 Task AND FUNDAMENTALS -- 1.1. What is synesthetic product design? -- 1.2 PRODUCT DEVELOPMENT AS THE DESIGN FOR ALL SENSES -- 1.2.1 HUMAN-MACHINE COMMUNICATION -- 1.2.2 FUNCTIONAL DESIGN -- 1.2.3 PRODUCT PLACEMENT AND BRAND IDENTITY -- 1.2.4 THE SIGNIFICANCE OF MULTISENSORY ENVIRONMENTS -- 1.3 FUNDAMENTALS OF PERCEPTION -- 1.3.1 THE SENSES OF DISTANCE: SEEING AND HEARING -- 1.3.2 PHYSICAL SENSES OF PROXIMITY -- 1.3.3 CHEMICAL SENSES -- 1.3.4 PERCEPTUAL OBJECTS -- 1.3.5 SUBJECTIVE OR OBJECTIVE? -- 1.3.6 QUALIA -- 1.3.7 GROUPING -- 1.3.8 GESTALT PRINCIPLES -- 1.3.9 FOREGROUND AND BACKGROUND -- 2 Strategies of perception and design -- 2.1 CONNECTION OF MODALITIES WITHIN THE PERCEPTUAL SYSTEM -- 2.1.1 OVERVIEW -- 2.1.2 RULES OF CONNECTION -- 2.1.3 ELEMENTARY CONNECTIONS -- 2.2 FINDING SIMILARITIES -CROSS-MODAL ANALOGIES -- 2.2.1 ANALOGY RELATIONSHIPS -- 2.2.2 TEMPORAL ANALOGY -- 2.2.3 INTERSENSORY ATTRIBUTES -- 2.2.4 ANALOGY OF MOTION AND KINETIC DESIGN -- 2.2.5 SPATIAL ANALOGIES AND SOUNDSCAPES -- 2.2.6 FUNCTIONAL ANALOGY -- 2.2.7 TACTILE DESIGN -- 2.3 RECOGNIZING FAMILIAR FEATURES -ICONIC CONNECTION -- 2.3.1 ASSOCIATIVE CONNECTIONS -- 2.3.2 ONOMATOPOEIA -- 2.3.3 PICTOGRAM AND AUDITORY ICON -- 2.3.4 ASSOCIATIONS TO SMELL AND TASTE -- 2.3.5 THE CONTEXT -- 2.4 UNDERSTANDING THE MEANING - SYMBOLS AND METAPHORS -- 2.4.1 SYMBOLIC CONNECTIONS -- 2.4.2 COLOR SYMBOLISM -- 2.4.3 SYNESTHETIC METAPHORS -- 2.4.4 SYMBOLISM IN BRAND DESIGN -- 2.4.5 MUSICAL SYMBOLISM -- 2.5 EXPLORING INDIVIDUAL PERCEPTION - GENUINE SYNESTHESIA -- 2.5.1 GENUINE SYNESTHESIA -- 2.5.2 HEARING COLORS -SEEING ACOUSTIC TONES -- 2.5.3 SMELL, TASTE, AND EVERYTHING ELSE -- 2.5.4 SUBJECTIVE COLOR-FORM RELATIONS -- 2.5.5 MOVEMENT OF SYNESTHETIC IMAGES -- 2.5.6 VISUALIZATION OF MEANING -- 2.5.7 WHY SYNESTHESIA? FUNCTION AND SIGNIFICANCE , 2.6 CONSCIOUSLY CONSTRUCTING -MATHEMATICAL AND PHYSICAL CONNECTIONS -- 2.6.1 ALGORITHMS AND CONCEPTS -- 2.6.2 OBJECTIVE COLOR-SOUND RELATIONS -- 3 HOLISTIC DESIGN -- 3.1 Cumulation of the sensory contributions -- 3.1.1 Segregation or integration -- 3.1.2 Perceptual conflicts -- 3.2 The choice of customer-effective strategies -- 3.2.1 Assistance in decision-making -- 3.2.2 Examples of application -- 3.2.3 Human-computer interaction -- 3.3 ELEMENTARY FORMS -- 3.3.1 BASIC FORMS OF PERCEPTION -- 3.3.2 ELEMENTARY DESIGN -- 3.4. VISUALIZATION OF NOISE AND MUSIC -- 3.4.1 ARTISTIC AND TECHNICAL VISUALIZATION -- 3.4.2 MUSICAL NOTATION, GRAPHICS, AND FILM -- 3.5 Perception and emotion -- 3.6 FUTURE PERSPECTIVES OF SYNESTHETIC DESIGN -- 3.6.1 DESIGN WITH ALL SENSES -FOR ALL SENSES -- 3.6.2 ROBUSTNESS -- 3.6.3 SUSTAINABILITY -- APPENDIX -- References -- INDEX -- PICTURE CREDITS -- SOUNDS

Additional Edition: Print version Haverkamp, Michael Synesthetic Design Basel/Berlin/Boston : Walter de Gruyter GmbH,c2012 ISBN 9783034607155

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

UID:

Format: 464 S. , Ill., graph. Darst. , 1 CD-ROM (12 cm)

ISBN: 9783034607155

Uniform Title: Synästhetisches Design

Language: English

Keywords: Produktgestaltung ; Industriedesign ; Wahrnehmung ; Synästhesie

UID:

Format: 1 online resource

ISBN: 9783034611688

Content: Synästhetisches Design bemüht sich um eine Produktentwicklung, die alle Sinne systematisch mit einbezieht. Die Fülle aktueller medizintechnischer Erkenntnisse in psychologischer, physiologischer, motorischer und neuronaler Hinsicht sow

Content: Synesthetic design strives to develop products that systematically incorporate all five senses. In future, the current wealth of medical technical insights in psychology, physiology, motor functions, and neurology and the development of innovative materials with astonishing new properties will open up almost unlimited opportunities for the designer’s creativity. Haverkamp brings together for the first time precisely those aspects of this fundamental knowledge that are specifically relevant for designers. The result is a book that offers designers of all schools a clear and well-organized practical handbook and a solid foundation for their own designs.

Note: Frontmatter -- , Contents -- , Foreword -- , 1 Task And Fundamentals -- , 1.1 What Is Synesthetic Product Design? -- , 1.2 Product Development As The Design For All Senses -- , 1.3 Fundamentals Of Perception -- , 2 Strategies Of Perception And Design -- , 2.1 Connection Of Modalities Within The Perceptual System -- , 2.2 Finding Similarities – Cross-Modal Analogies -- , 2.3 Recognizing Familiar Features – Iconic Connection -- , 2.4 Understanding The Meaning – Symbols And Metaphors -- , 2.5 Exploring Individual Perception – Genuine Synesthesia -- , 2.6 Consciously Constructing – Mathematical And Physical Connections -- , 3 Holistic Design -- , 3.1 Cumulation Of Sensory Contributions -- , 3.2 The Choice Of Customer-Effective Strategies -- , 3.3 Elementary Forms -- , 3.4 Visualization Of Noise And Music -- , 3.5 Perception And Emotion -- , 3.6 Future Perspectives Of Synesthetic Design -- , Appendix -- , References -- , Index -- , Picture Credits -- , Imprint -- , Sounds: Sound Files On CD And QR Codes , In English.

Additional Edition: ISBN 978-3-0346-0715-5

Language: English

DOI: 10.1515/9783034611688

URL: https://doi.org/10.1515/9783034611688

URL: https://doi.org/10.1515/9783034611688