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  • 1
    Online-Ressource
    Online-Ressource
    Performativity in the gallery : staging interactive encounters (2013)
    Oxford : Peter Lang AG, Internationaler Verlag der Wissenschaften
    Details
    UID:
    gbv_783440758
    Umfang: 1 Online-Ressource (267 Seiten) , Illustrationen
    ISBN: 9783035305616
    Serie: Cultural interactions volume 31
    Inhalt: This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The
    Anmerkung: Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer , Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool ; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness , Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index
    Weitere Ausg.: ISBN 9783034309660
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Performativity in the Gallery : Staging Interactive Encounters
    Sprache: Englisch
    Schlagwort(e): Performance ; Interaktive Kunst ; Kunstausstellung ; Kunstgalerie ; Electronic books ; Konferenzschrift
    URL: Volltext
    Mehr zum Autor: Remes, Outi
    Mehr zum Autor: Leino, Marika
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Online Zugang
    Stabi Berlin
  • 2
    Online-Ressource
    Online-Ressource
    Performativity in the gallery : staging interactive encounters (2014)
    Bern, Switzerland :Peter Lang AG, International Academic Publishers,
    Details
    UID:
    almahu_BV043034981
    Umfang: 1 online resource (x, 247 Seiten) : , Illustrationen.
    ISBN: 978-3-0353-0561-6 , 978-3-0343-0966-0
    Serie: Cultural interactions Volume 31
    Anmerkung: Description based on online resource; title from digital title page (viewed on Mar. 24, 2014) , Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer , Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness , Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Remes, Outi Performativity in the Gallery : Staging Interactive Encounters
    Sprache: Englisch
    Schlagwort(e): Performance ; Interaktive Kunst ; Kunstausstellung ; Kunstgalerie ; Konferenzschrift
    URL: Volltext
    Mehr zum Autor: Leino, Marika.
    Mehr zum Autor: Remes, Outi.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Online Zugang
    HU Berlin
  • 3
    Online-Ressource
    Online-Ressource
    Performativity in the Gallery : Staging Interactive Encounters (2013)
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    Details
    UID:
    almahu_9948665079302882
    Umfang: 1 online resource (253 p.)
    Ausgabe: 1st, New ed.
    ISBN: 9783035305616
    Serie: Cultural Interactions: Studies in the Relationship between the Arts 31
    Inhalt: This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art’s interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer’s access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.
    Anmerkung: Contents: Mary Oliver: Lies, Lies, It’s All Lies I Tell You! – Pip Laurenson/Vivian van Saaze: Collecting Performance-Based Art: New Challenges and Shifting Perspectives – Maria Chatzichristodoulou [aka Maria X]: Exhibiting Performance, Staging Experience – Beryl Graham: Histories of Interaction and Participation: Critical Systems from New Media Art – Eva Fotiadi: From Event to Archive and to Event Again – Kaija Kaitavuori: Participation in the Gallery: (Re)negotiating Contracts – Amy Mechowski: Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum – Lee Campbell: Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool to Explore the Liminal Space between Art and Theatre and its Capacity for Confrontation – Leah Lovett: Crowd Control: Encountering Art’s Audiences – Outi Remes/Cally Trench: At Play: Curatorial Notes about Playfulness – Sophia Yadong Hao: Attending the Gallery – Helen Sloan: Like Shadows: A Celebration of Shyness – Claudia Marion Stemberger: South African Live Art and the Representation of its Residue: On Gabrielle Goliath’s Stumbling Block.
    Weitere Ausg.: ISBN 9783034309660
    Sprache: Englisch
    DOI: 10.3726/978-3-0353-0561-6
    URL: https://www.peterlang.com/view/product/45226?format=EPDF
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Open Access Wunsch
    HU Berlin
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