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  • 1
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    gbv_1016480695
    Format: 1 Online-Ressource (xii, 304 Seiten)
    ISBN: 9783035306545
    Series Statement: German Visual Culture 2
    Content: How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits – aesthetic, political, social, cultural, economic – of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle?In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary
    Content: Contents: Thomas O. Haakenson: What is «German Spectacle»? – Jacob M. Baum: Opening a Window to the Devil: Religious Ritual as Baroque Spectacle in Early Modern Germany – Elizabeth Otto: Bauhaus Spectacles, Bauhaus Specters – Brían Hanrahan: Live on the Air, Live on the Ground: The «Chamberlin Flight» as Spectacular Event, June 1927 – Paul Monty Paret: Berlin in Light: Wilhelmine Monuments and Weimar Mass Culture – Sara Ann Sewell: Spectacles in Everyday Life: The Disciplinary Function of Communist Culture in Weimar Germany – Nadine Rossol: Spectacular Settings for Nazi Spectacles: Mass Theater in the Third Reich – Jennifer L. Creech: Gudrun is Not a Fighting Fuck Toy: Spectacle, Femininity and Terrorism in The Baader-Meinhof Complex and The Raspberry Reich – Deborah Ascher Barnstone: Spectacular Architecture: Transparency in Postwar West German Parliaments – Heather Mathews: Beyond the Global Spectacle: Documenta 13 and Multicultural Germany – Brechtje Beuker: The Spectacle of Terrorism and the Threat of Theatricality
    Additional Edition: ISBN 9783034318037
    Additional Edition: Erscheint auch als Druck-Ausgabe Spectacle Oxford : Peter Lang, 2015 ISBN 3034318030
    Additional Edition: ISBN 9783034318037
    Language: English
    Subjects: Ethnology , General works
    RVK:
    RVK:
    Keywords: Deutschland ; Massenkultur ; Spektakel ; Visuelle Kommunikation ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
    Author information: Haakenson, Thomas O. 1972-
    Author information: Creech, Jennifer L. 1973-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665176902882
    Format: 1 online resource (317 p.)
    Edition: 1st, New ed.
    ISBN: 9783035306545
    Series Statement: German Visual Culture 2
    Content: How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits – aesthetic, political, social, cultural, economic – of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary.
    Content: «Overall, this volume provides a fascinating, multifaceted, and truly interdisciplinary look at spectacle in the German context. It is of considerable value to students and scholars in German studies.» (Rick McCormick, Feminist German Studies 34/2019)
    Note: Contents: Thomas O. Haakenson: What is «German Spectacle»? – Jacob M. Baum: Opening a Window to the Devil: Religious Ritual as Baroque Spectacle in Early Modern Germany – Elizabeth Otto: Bauhaus Spectacles, Bauhaus Specters – Brían Hanrahan: Live on the Air, Live on the Ground: The «Chamberlin Flight» as Spectacular Event, June 1927 – Paul Monty Paret: Berlin in Light: Wilhelmine Monuments and Weimar Mass Culture – Sara Ann Sewell: Spectacles in Everyday Life: The Disciplinary Function of Communist Culture in Weimar Germany – Nadine Rossol: Spectacular Settings for Nazi Spectacles: Mass Theater in the Third Reich – Jennifer L. Creech: Gudrun is Not a Fighting Fuck Toy: Spectacle, Femininity and Terrorism in The Baader-Meinhof Complex and The Raspberry Reich – Deborah Ascher Barnstone: Spectacular Architecture: Transparency in Postwar West German Parliaments – Heather Mathews: Beyond the Global Spectacle: Documenta 13 and Multicultural Germany – Brechtje Beuker: The Spectacle of Terrorism and the Threat of Theatricality.
    Additional Edition: ISBN 9783034318037
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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