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  • 1
    Online Resource
    Online Resource
    Berlin ;Boston :De Gruyter Mouton,
    UID:
    edocfu_9958353597302883
    Format: 1 online resource (356p.)
    ISBN: 9783110198881
    Series Statement: Phonology and Phonetics [PP] ; 8
    Content: This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/ mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/ listeners which I call the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music.
    Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Foreword -- , Chapter 1. Introduction -- , Chapter 2. Language and (Carnatic) music -- , Chapter 3. Issues in modeling the grammar: Language -- , and Carnatic music -- , Chapter 4. Conversion of pitch values to -- , notes -- , Chapter 5. Representation of the musical -- , line -- , Chapter 6. Construing meaning in Carnatic music: -- , Determining grammaticality -- , Chapter 7. Construing meaning in Carnatic music: -- , Style/stylistic issues -- , Chapter 8. The lexicon of Carnatic music -- , Chapter 9. Accounting for variation in Carnatic -- , music -- , Backmatter , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Berlin [u.a.] :Mouton de Gruyter,
    UID:
    edocfu_BV042346841
    Format: 1 Online-Ressource (XIV, 342 S.) : , graph. Darst.
    ISBN: 978-3-11-019888-1
    Series Statement: Phonology and phonetics 8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-11-018313-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Karnatische Musik ; Sprache ; Musiktheorie ; Karnatische Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Berlin [u.a.] :Mouton de Gruyter,
    UID:
    almafu_BV042346841
    Format: 1 Online-Ressource (XIV, 342 S.) : , graph. Darst.
    ISBN: 978-3-11-019888-1
    Series Statement: Phonology and phonetics 8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-11-018313-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Karnatische Musik ; Sprache ; Musiktheorie ; Karnatische Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Berlin ; : De Gruyter Mouton,
    UID:
    almahu_9949481446502882
    Format: 1 online resource (342 p.)
    ISBN: 9783110198881 , 9783110238570
    Series Statement: Phonology and Phonetics [PP] , 8
    Content: This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/ mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/ listeners which I call the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music.
    Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Foreword -- , Chapter 1. Introduction -- , Chapter 2. Language and (Carnatic) music -- , Chapter 3. Issues in modeling the grammar: Language -- , and Carnatic music -- , Chapter 4. Conversion of pitch values to -- , notes -- , Chapter 5. Representation of the musical -- , line -- , Chapter 6. Construing meaning in Carnatic music: -- , Determining grammaticality -- , Chapter 7. Construing meaning in Carnatic music: -- , Style/stylistic issues -- , Chapter 8. The lexicon of Carnatic music -- , Chapter 9. Accounting for variation in Carnatic -- , music -- , Backmatter , Mode of access: Internet via World Wide Web. , In English.
    In: DGBA Backlist Complete English Language 2000-2014 PART1, De Gruyter, 9783110238570
    In: DGBA Backlist Linguistics and Semiotics 2000-2014 (EN), De Gruyter, 9783110238457
    In: DGBA Linguistics and Semiotics 2000 - 2014, De Gruyter, 9783110636970
    In: De Gruyter Mouton Backlist 2000-2015, De Gruyter, 9783110742961
    In: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2008, De Gruyter, 9783110212129
    In: E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2008, De Gruyter, 9783110212136
    In: E-BOOK PAKET LINGUISTIK UND LITERATURWISSENSCHAFT 2008, De Gruyter, 9783110209457
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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