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  • 1
    UID:
    gbv_614254973
    Format: Online-Ressource
    ISBN: 9783110200973
    Series Statement: Kierkegaard studies 15
    Content: Main description: This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Søren Kierkegaard, whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation– philosophical, theological, or literary.The work offers a radically anti-biographical reading of Kierkegaard’s literary and dramatic criticism, suggesting ultimately that the closest one ever comes to the 0real0 author of a written work is in an understanding of how all authors are themselves works of creative fiction.
    Content: This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Søren Kierkegaard, whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation– philosophical, theological, or literary.The work offers a radically anti-biographical reading of Kierkegaard’s literary and dramatic criticism, suggesting ultimately that the closest one ever comes to the 0real0 author of a written work is in an understanding of how all authors are themselves works of creative fiction.
    Note: In English
    Additional Edition: ISBN 9783110193022
    Additional Edition: Erscheint auch als print ISBN 9783110193022
    Language: English
    Keywords: Kierkegaard, Søren 1813-1855 ; Literaturkritik
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    edocfu_BV042346902
    Format: 1 Online-Ressource (288 S.).
    ISBN: 978-3-11-020097-3
    Series Statement: Kierkegaard studies 15
    Note: Biographical note: Joseph Westfall , University of Houston,Texas, USA.. - Main description: This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Søren Kierkegaard, whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation– philosophical, theological, or literary.The work offers a radically anti-biographical reading of Kierkegaard's literary and dramatic criticism, suggesting ultimately that the closest one ever comes to the 0real0 author of a written work is in an understanding of how all authors are themselves works of creative fiction
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-019302-2
    Language: English
    Subjects: Philosophy
    RVK:
    RVK:
    Keywords: 1813-1855 Kierkegaard, Søren ; Literaturkritik ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    edocfu_9958353758902883
    Format: 1 online resource (300p.)
    ISBN: 9783110200973
    Series Statement: Kierkegaard Studies. Monograph Series ; 15
    Content: This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Søren Kierkegaard, whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation – philosophical, theological, or literary. The work offers a radically anti-biographical reading of Kierkegaard’s literary and dramatic criticism, suggesting ultimately that the closest one ever comes to the “real” author of a written work is in an understanding of how all authors are themselves works of creative fiction.
    Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Introduction -- , Chapter One -- , Chapter Two -- , Chapter Three -- , Chapter Four -- , Chapter Five -- , Backmatter , In English.
    Additional Edition: ISBN 978-3-11-019302-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_BV042346902
    Format: 1 Online-Ressource (288 S.).
    ISBN: 978-3-11-020097-3
    Series Statement: Kierkegaard studies 15
    Note: Biographical note: Joseph Westfall , University of Houston,Texas, USA.. - Main description: This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Søren Kierkegaard, whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation– philosophical, theological, or literary.The work offers a radically anti-biographical reading of Kierkegaard's literary and dramatic criticism, suggesting ultimately that the closest one ever comes to the 0real0 author of a written work is in an understanding of how all authors are themselves works of creative fiction
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-019302-2
    Language: English
    Subjects: Philosophy
    RVK:
    RVK:
    Keywords: 1813-1855 Kierkegaard, Søren ; Literaturkritik ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    edocfu_9959240149202883
    Format: 1 online resource (300 p.)
    Edition: 1st ed.
    ISBN: 1-282-07315-X , 9786612073151 , 3-11-916176-4 , 3-11-020097-X
    Series Statement: Kierkegaard studies. Monograph series, 15
    Content: This study engages in a detailed examination of Kierkegaard's works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard's own authorship, with a specific concern for both what Kierkegaard and Kierkegaard's anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard's criticism, the study develops a new approach to reading Kierkegaard - a new Kierkegaardian hermeneutic - that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous "author of the author".
    Note: Description based upon print version of record. , Dissertation Boston University 2005. , Frontmatter -- , Table of Contents -- , Acknowledgements -- , Introduction -- , Chapter One -- , Chapter Two -- , Chapter Three -- , Chapter Four -- , Chapter Five -- , Backmatter , Issued also in print. , English
    Additional Edition: ISBN 3-11-019302-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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