UID:
almafu_9958353951302883
Umfang:
1 online resource (294p.)
ISBN:
9783110252804
Serie:
Narratologia ; 28
Inhalt:
Metalepsis refers to the crossing of boundaries between fiction and reality in narratives. This volume provides a systematic overview of metalepsis, its types and effects, in popular culture. The contributions discuss popular fiction, fan fiction, pop lyrics, comics, films, animated cartoons, music videos, live performances and TV series from the turn of the 20th century to the present day. Metalepsis in Popular Culture introduces the rhetorical concept of metalepsis and applies it to contemporary popular culture, thereby demonstrating its importance for the negotiation of fact and fiction in our cultural world.
Anmerkung:
Frontmatter --
,
Table of Contents --
,
Preface --
,
Metalepsis in Popular Culture: An Introduction --
,
Metalepsis in Fantasy Fiction --
,
Narrative Metalepsis in Detective Fiction --
,
“I’m so vain, I bet I think this song is about myself”: Carly Simon, Pop Music and the Problematic “I” of Lyric Poetry --
,
Metalepsis in Fan Vids and Fan Fiction --
,
“I had the strangest week ever!“ Metalepsis in Music Videos --
,
Metaleptic TV Crossovers --
,
“Some weird kind of video feedback time warp zapping thing”: Television, Remote Controls, and Metalepsis --
,
Metalepsis in Popular Comedy Film --
,
Metalepsis in the Cartoons of Tex Avery: Expanding the Boundaries of Transgression --
,
Metalepsis in Comics and Graphic Novels --
,
Metalepsis in Live Performance: Holographic Projections of the Cartoon Band “Gorillaz” as a Means of Metalepsis --
,
Pop-Culture in History: Metalepsis and Metareference in German and Italian Music Theatre --
,
Afterword --
,
General Bibliography on Metalepsis
,
In English.
Weitere Ausg.:
ISBN 978-3-11-025278-1
Sprache:
Englisch
Fachgebiete:
Komparatistik. Außereuropäische Sprachen/Literaturen
Schlagwort(e):
Aufsatzsammlung
;
Aufsatzsammlung
DOI:
10.1515/9783110252804
URL:
https://doi.org/10.1515/9783110252804
URL:
Volltext
(lizenzpflichtig)
URL:
Volltext
(URL des Erstveröffentlichers)
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