Kooperativer Bibliotheksverbund

UID:

Format: VIII, 562 S. , Ill. , 230 mm x 155 mm

ISBN: 9783110254013

Series Statement: Trends in classics 10

Note: Includes bibliographical references and index

Additional Edition: ISBN 9783110254020

Additional Edition: Erscheint auch als Online-Ausgabe Archaic and classical choral song Berlin : De Gruyter, 2011 ISBN 9783110254020

Language: English

Subjects: Ancient Studies

Keywords: Griechisch ; Chorlied ; Geschichte 700 v. Chr.-400 v. Chr. ; Konferenzschrift

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Athanasakē, Lukia 1957-

Author information: Bowie, Ewen 1940-

UID:

Format: 1 Online-Ressource (VIII, 562 Seiten) : , Illustrationen.

ISBN: 978-3-11-025402-0

Series Statement: Trends in Classics - Supplementary Volumes 10

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-025401-3

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-048237-9

Language: English

Subjects: Ancient Studies

Keywords: Griechisch ; Chorlied ; Konferenzschrift ; Konferenzschrift

DOI: 10.1515/9783110254020

URL: Volltext

URL: Volltext

URL: Volltext  (lizenzpflichtig)

URL: lizenzpflichtig

URL: Cover

URL: Cover

Author information: Athanasakē, Lukia 1957-

Author information: Bowie, Ewen 1940-

UID:

Format: 1 online resource (570p.)

ISBN: 9783110254020

Series Statement: Trends in Classics - Supplementary Volumes ; 10

Content: This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Note: Frontmatter -- , Foreword -- , Table of Contents -- , Introduction -- , Reflections of choral song in early hexameter poetry -- , Alcman's first Partheneion and the song the Sirens sang -- , Cyberchorus: Pindar’s Κηληδόνες and the aura of the artificial -- , Enunciative fiction and poetic performance. Choral voices in Bacchylides’ Epinicians -- , Eros and praise in early Greek lyric -- , The parrhesia of young female choruses in Ancient Greece -- , A second look at the poetics of re-enactment in Ode 13 of Bacchylides -- , The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives -- , Song, politics, and cultural memory: Pindar’s Pythian 7 and the Alcmaeonid temple of Apollo -- , Epinician choregia: funding a Pindaric chorus -- , Pindar and the Aeginetan patrai: Pindar’s intersecting audiences -- , Olympians 1–3: A song cycle? -- , The dissemination of Pindar’s non-epinician choral lyric -- , Choral self-awareness: on the introductory anapaests of Aeschylus’ Supplices -- , Epinician and tragic worlds: the case of Sophocles’ Trachiniae -- , Alcman at the end of Aristophanes’ Lysistrata: ritual interchorality -- , Alcman: from Laconia to Alexandria -- , Bibliography -- , List of Contributors -- , Index of proper names and subjects -- , Index locorum , In English.

Additional Edition: ISBN 978-3-11-025401-3

Language: English

DOI: 10.1515/9783110254020

URL: https://doi.org/10.1515/9783110254020

URL: https://doi.org/10.1515/9783110254020

URL: https://www.degruyter.com/isbn/9783110254020

URL: Cover

UID:

Format: 1 online resource (570p.)

ISBN: 9783110254020

Series Statement: Trends in Classics - Supplementary Volumes ; 10

Content: This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Note: Frontmatter -- , Foreword -- , Table of Contents -- , Introduction -- , Reflections of choral song in early hexameter poetry -- , Alcman's first Partheneion and the song the Sirens sang -- , Cyberchorus: Pindar’s Κηληδόνες and the aura of the artificial -- , Enunciative fiction and poetic performance. Choral voices in Bacchylides’ Epinicians -- , Eros and praise in early Greek lyric -- , The parrhesia of young female choruses in Ancient Greece -- , A second look at the poetics of re-enactment in Ode 13 of Bacchylides -- , The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives -- , Song, politics, and cultural memory: Pindar’s Pythian 7 and the Alcmaeonid temple of Apollo -- , Epinician choregia: funding a Pindaric chorus -- , Pindar and the Aeginetan patrai: Pindar’s intersecting audiences -- , Olympians 1–3: A song cycle? -- , The dissemination of Pindar’s non-epinician choral lyric -- , Choral self-awareness: on the introductory anapaests of Aeschylus’ Supplices -- , Epinician and tragic worlds: the case of Sophocles’ Trachiniae -- , Alcman at the end of Aristophanes’ Lysistrata: ritual interchorality -- , Alcman: from Laconia to Alexandria -- , Bibliography -- , List of Contributors -- , Index of proper names and subjects -- , Index locorum , In English.

Additional Edition: ISBN 978-3-11-025401-3

Language: English

DOI: 10.1515/9783110254020

URL: https://doi.org/10.1515/9783110254020

UID:

Format: 1 Online-Ressource (VIII, 562 Seiten) : , Illustrationen.

ISBN: 978-3-11-025402-0

Series Statement: Trends in Classics - Supplementary Volumes 10

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-025401-3

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-048237-9

Language: English

Subjects: Ancient Studies

Keywords: Griechisch ; Chorlied ; Konferenzschrift

DOI: 10.1515/9783110254020

URL: Volltext

Author information: Athanasakē, Lukia 1957-

Author information: Bowie, Ewen 1940-

UID:

Format: 1 online resource (572 p.)

Edition: 1st ed.

ISBN: 3-11-048237-1 , 1-283-40031-6 , 9786613400314 , 3-11-025402-6

Series Statement: Trends in classics. Supplementary volumes, v. 10

Content: This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Note: Description based upon print version of record. , Front matter -- , Foreword -- , Table of Contents -- , Introduction -- , Reflections of choral song in early hexameter poetry / , Alcman's first Partheneion and the song the Sirens sang / , Cyberchorus: Pindar's Κηληδόνες and the aura of the artificial / , Enunciative fiction and poetic performance. Choral voices in Bacchylides' Epinicians / , Eros and praise in early Greek lyric / , The parrhesia of young female choruses in Ancient Greece / , A second look at the poetics of re-enactment in Ode 13 of Bacchylides / , The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives / , Song, politics, and cultural memory: Pindar's Pythian 7 and the Alcmaeonid temple of Apollo / , Epinician choregia: funding a Pindaric chorus / , Pindar and the Aeginetan patrai: Pindar's intersecting audiences / , Olympians 1-3: A song cycle? / , The dissemination of Pindar's non-epinician choral lyric / , Choral self-awareness: on the introductory anapaests of Aeschylus' Supplices / , Epinician and tragic worlds: the case of Sophocles' Trachiniae / , Alcman at the end of Aristophanes' Lysistrata: ritual interchorality / , Alcman: from Laconia to Alexandria / , Bibliography -- , List of Contributors -- , Index of proper names and subjects -- , Index locorum , Issued also in print. , English

Additional Edition: ISBN 3-11-025401-8

Additional Edition: ISBN 3-11-219044-0

Language: English

DOI: 10.1515/9783110254020