Kooperativer Bibliotheksverbund

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Umfang: 1 Online-Ressource (XI, 336 Seiten).

ISBN: 978-3-11-030995-9

Serie: CDE studies volume 24

Anmerkung: Dissertation Universität Barcelona

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-030907-2

Sprache: Englisch

Fachgebiete: Anglistik

Schlagwort(e): 1956- Crimp, Martin ; Globalisierung ; Frau ; Kollaps ; Hochschulschrift

DOI: 10.1515/9783110309959

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URL: Cover

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UID:

Umfang: XI, 336 Seiten , 24 cm

ISBN: 9783110309072 , 3110309076

Serie: CDE studies 24

Anmerkung: Literaturangaben , Weitere Ausg.;9783110309966 , Online-Ausg.;9783110309959 , Teilw. zugl.: Barcelona, Univ., Diss. , Zugl. veränd. Teildr. von: Barcelona, Univ., Diss.

Sprache: Englisch

Schlagwort(e): Crimp, Martin ; Globalisierung 〈Motiv〉 ; Frau 〈Motiv〉 ; Kollaps 〈Motiv〉 ; Globalisierung 〈Motiv〉 ; Frau 〈Motiv〉

URL: http://d-nb.info/1030587809/04

UID:

Umfang: 1 online resource(xi,336p.) : , illustrations.

Ausgabe: Electronic reproduction. Berlin/Boston : De Gruyter Mouton. Mode of access: World Wide Web.

Ausgabe: System requirements: Web browser.

Ausgabe: Access may be restricted to users at subscribing institutions.

ISBN: 9783110309959

Serie: Contemporary Drama in English Studies; 24

Inhalt: This book is a timely intervention in theatre studies which reads Martin Crimp’s plays in the context of contemporary, late capitalist societies of control or of ‘spectacle’, and explores how female collapse in particular works as a form of denunciation of the violence of globalized, free-market economy. It contends that Crimp can best be understood as a post-Holocaust playwright, and it will be of interest to both specialists in Crimp and theatre studies, and to anyone interested in gaining a deeper understanding of Crimp’s dramaturgy.

Anmerkung: Frontmatter -- , Acknowledgements -- , Contents -- , I. Preliminaries I: Introduction and Rationale -- , 1. Martin Crimp’s Context -- , 2. The Semiotic Potential of Collapse on Stage -- , 3. Redefining Ethics: A Collapsing Body -- , 1. Introduction: Collapse, ‘In-Yer-Face’ Theatre and the ‘Society of Spectacle’ -- , 2. The ‘Spectacle’ Filled our Pockets: Duplicity, Sexism and the Market -- , 3. The Point of Rupture: Collapse and Barbarism -- , 4. Conclusion: Towards Subjectivity and Ethics -- , IV. Postdramatic Plays: Attempts on her Life (1997) and Face to the Wall (2002) -- , 1. Interpretation, Self-Regulation and Postdramatism -- , 2. Short Circuits of Desire: Language and Power in Attempts on her Life -- , 3. ‘The Stage, a Skull’: Male Collapse as Resistance in Face to the Wall -- , 1. Stopping Time: Memory and Resistance in The Country (2000) -- , 2. Oppression, Resistance and Terrorism in Cruel and Tender (2004) -- , 1.1 Introduction: Mirroring Fragments, Play-Within-a-Play -- , 1.2 Testimony as Resistance: Crimp’s and Mitchell’s Play-Within-a-Play -- , 1.3 ‘Cold, Blank, Distant’: Breakdown as Resistance -- , VII. General Conclusions: Martin Crimp’s Theatre: a Dramaturgy of Resistance -- , Primary Sources -- , Secondary Sources. , Also available in print edition. , In English.

Weitere Ausg.: ISBN 9783110309072

Weitere Ausg.: ISBN 9783110309966

Sprache: Englisch

DOI: 10.1515/9783110309959

URL: https://doi.org/10.1515/9783110309959

URL: https://doi.org/10.1515/9783110309959