Kooperativer Bibliotheksverbund

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Format: 1 online resource (315 pages) : , illustrations (some color).

ISBN: 9783110314212 (e-book)

Series Statement: Image & context, volume 12

Additional Edition: Print version: D'Acunto, Matteo. Il mondo del vaso Chigi : pittura, guerra e società a Corinto alla metà del VII secolo a.C. Berlin : De Gruyter, [2013] ISSN 1868-4777 ; ISBN 9783110314090

Language: Italian

Keywords: Electronic books. ; Electronic books

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URL: Volltext

URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=1130280

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Format: XLII, 273 S. : , Ill.

ISBN: 978-3-11-031409-0

Series Statement: Image & context 12

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-11-031421-2

Language: Italian

Keywords: ca. um 640 v.Chr. Chigi-Kanne Chigi-Maler

URL: Rezension

URL: Inhaltsverzeichnis

URL: Rezension

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: 1 online resource (273 p.) : , 67 fig.

ISBN: 9783110314212 , 9783110636178

Series Statement: Image & Context , 12

Content: This book analyses the stylistic, iconographic and historical aspects of the Chigi vase, the famous Protocorinthian olpe dating back as early as ca. 650 BC. The vase is the masterpiece of the Chigi Painter, a skilful vase-painter who was acquainted as well with the big size Corinthian painting. The different themes, which run along the three main friezes, link each other in order to build up a true iconographic program: its key point is the distinction between the lower frieze for the ephebes' paideia and the two main friezes which show the Corinthian elites through their activities - either real or symbolic ones - and distinguishing attributes. Paris' judgment is meant as part of this iconographic program as it shows, through a mythical paradigm, a necessary step of the life, i.e. the wedding, as well as the risks that it involves. The socio-political interpretation of the iconographic program opens the historical question of which system could be implied, as the vase was painted in a critical moment of Corinthian history, i.e. in the period when Kypselos became tyrant and exiled the Bakchiads. Finally, on the background of Demaratus' tradition, the analysis investigates a possible scenario for the arrival of the Chigi olpe in the hands of an Etruscan prince of Veii, in whose tumulus it was found in 1882.

Note: Frontmatter -- , Ringraziamenti -- , Indice -- , Ida Baldassarre, Premessa -- , Tavole -- , Introduzione -- , 1. Il contesto di rinvenimento. Il tumulo di Monte Aguzzo a Veio, la tomba di una famiglia principesca etrusca -- , 2. Il Pittore Chigi. Le sue opere e la sua personalità a cavallo tra ceramografia e grande pittura -- , 3. Il programma iconografico dell'olpe Chigi -- , 4. Le iscrizioni in alfabeto non corinzio e la questione delle origini del pittore -- , 5. L'olpe Chigi e il contesto storico di Corinto alla metà del VII secolo -- , 6. Da Corinto all'Etruria -- , 7. Conclusioni -- , 8. Summary -- , 9. Note e bibliografia -- , 10. Appendice. Opere attribuite al Pittore Chigi e alla sua "cerchia" -- , 11. Indici -- , 12. Indice delle fonti iconografiche , Issued also in print. , Mode of access: Internet via World Wide Web. , In Italian.

In: DGBA Classics and Near East Studies 2000 - 2014, De Gruyter, 9783110636178

In: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013, De Gruyter, 9783110317350

In: E-BOOK PAKET ALTERTUMSWISS. 2013, De Gruyter, 9783110317091

Additional Edition: ISBN 9783110314090

Language: Italian

DOI: 10.1515/9783110314212

URL: https://doi.org/10.1515/9783110314212

URL: https://www.degruyter.com/isbn/9783110314212

URL: Cover

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Format: 1 online resource(xlii,273p.) : , illustrations.

Edition: Electronic reproduction. Berlin/Boston : De Gruyter. Mode of access: World Wide Web.

Edition: System requirements: Web browser.

Edition: Access may be restricted to users at subscribing institutions.

ISBN: 9783110314212

Series Statement: Image & Context; 12

Content: This book analyses the stylistic, iconografic and historical aspects of the Chigi olpe, the famous Protocorinthian vase dating back as early as ca. 650 BC. Its iconographic program conveys the ideology and the historical context of the Corinthians who used the olpe in their symposia: the question is which society was mirrored in it, as the vase refers to a critical moment in Corinthian history, i.e. the transition from oligarchy to tyranny.

Note: Frontmatter -- , Ringraziamenti -- , Indice -- , Ida Baldassarre, Premessa -- , Tavole -- , Introduzione -- , 1. Il contesto di rinvenimento. Il tumulo di Monte Aguzzo a Veio, la tomba di una famiglia principesca etrusca -- , 2. Il Pittore Chigi. Le sue opere e la sua personalità a cavallo tra ceramografia e grande pittura -- , 3. Il programma iconografico dell’olpe Chigi -- , 4. Le iscrizioni in alfabeto non corinzio e la questione delle origini del pittore -- , 5. L’olpe Chigi e il contesto storico di Corinto alla metà del VII secolo -- , 6. Da Corinto all’Etruria -- , 7. Conclusioni -- , 8. Summary -- , 9. Note e bibliografia -- , 10. Appendice. Opere attribuite al Pittore Chigi e alla sua "cerchia" -- , 11. Indici -- , 12. Indice delle fonti iconografiche. , Also available in print edition. , In Italian.

Additional Edition: ISBN 9783110314090

Additional Edition: ISBN 9783110314229

Language: Italian

DOI: 10.1515/9783110314212

URL: https://doi.org/10.1515/9783110314212

UID:

Format: XLII, 273 Seiten , Ill.

ISBN: 9783110314090 , 3110314096

Series Statement: Image & context 12

Language: Italian

Keywords: Chigi-Maler 〈ca. um 640 v.Chr.〉. Chigi-Kanne

UID:

Format: 1 online resource (316 p.)

ISBN: 3-11-031421-5

Series Statement: Image & context, volume 12

Content: This book analyses the stylistic, iconographic and historical aspects of the Chigi vase, the famous Protocorinthian olpe dating back as early as ca. 650 BC. The vase is the masterpiece of the Chigi Painter, a skilful vase-painter who was acquainted as well with the big size Corinthian painting. The different themes, which run along the three main friezes, link each other in order to build up a true iconographic program: its key point is the distinction between the lower frieze for the ephebes' paideia and the two main friezes which show the Corinthian elites through their activities - either real or symbolic ones - and distinguishing attributes. Paris' judgment is meant as part of this iconographic program as it shows, through a mythical paradigm, a necessary step of the life, i.e. the wedding, as well as the risks that it involves. The socio-political interpretation of the iconographic program opens the historical question of which system could be implied, as the vase was painted in a critical moment of Corinthian history, i.e. in the period when Kypselos became tyrant and exiled the Bakchiads. Finally, on the background of Demaratus' tradition, the analysis investigates a possible scenario for the arrival of the Chigi olpe in the hands of an Etruscan prince of Veii, in whose tumulus it was found in 1882.

Note: Description based upon print version of record. , Frontmatter -- , Ringraziamenti -- , Indice -- , Ida Baldassarre, Premessa -- , Tavole -- , Introduzione -- , 1. Il contesto di rinvenimento. Il tumulo di Monte Aguzzo a Veio, la tomba di una famiglia principesca etrusca -- , 2. Il Pittore Chigi. Le sue opere e la sua personalità a cavallo tra ceramografia e grande pittura -- , 3. Il programma iconografico dell'olpe Chigi -- , 4. Le iscrizioni in alfabeto non corinzio e la questione delle origini del pittore -- , 5. L'olpe Chigi e il contesto storico di Corinto alla metà del VII secolo -- , 6. Da Corinto all'Etruria -- , 7. Conclusioni -- , 8. Summary -- , 9. Note e bibliografia -- , 10. Appendice. Opere attribuite al Pittore Chigi e alla sua "cerchia" -- , 11. Indici -- , 12. Indice delle fonti iconografiche , Issued also in print. , Italian

Additional Edition: ISBN 3-11-031422-3

Additional Edition: ISBN 3-11-031409-6

Language: Italian

DOI: 10.1515/9783110314212