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  • 1
    Buch
    Buch
    Berlin [u.a.] :De Gruyter,
    UID:
    almahu_BV041236665
    Umfang: VIII, 286 S. ; , 24 cm.
    ISBN: 3-11-031509-2 , 978-3-11-031509-7
    Serie: Monographien und Texte zur Nietzsche-Forschung 61
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-3-11-031523-3
    Sprache: Englisch
    Fachgebiete: Germanistik , Musikwissenschaft , Philosophie
    RVK:
    RVK:
    RVK:
    Schlagwort(e): 1844-1900 Nietzsche, Friedrich ; 1813-1883 Wagner, Richard
    Mehr zum Autor: Prange, Martine 1969-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Berlin ; : De Gruyter,
    UID:
    almahu_9948318134802882
    Umfang: 1 online resource (296 pages)
    ISBN: 9783110315233 (e-book)
    Serie: Monographien und Texte zur Nietzsche-Forschung ; Band 61
    Weitere Ausg.: Print version: Prange, Martine, 1969- Nietzsche, Wagner, Europe. Berlin : De Gruyter, c2013 ISBN 9783110315097
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Berlin [u.a.] : De Gruyter
    UID:
    gbv_769135382
    Umfang: 1 Online-Ressource (286 p.)
    Ausgabe: Online-Ausg. Online-Ressource De Gruyter eBook-Paket Philosophie
    ISBN: 9783110315097
    Serie: Monographien und Texte zur Nietzsche-Forschung 61
    Inhalt: Main description: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the “nationalist nonsense.” Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s “German” music.
    Inhalt: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the “nationalist nonsense.” Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s “German” music.
    Anmerkung: In English
    Weitere Ausg.: ISBN 9783110315233
    Weitere Ausg.: ISBN 9783110315240
    Weitere Ausg.: ISBN 9783110315097
    Weitere Ausg.: ISBN 9783110315240
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Prange, Martine, 1969 - Nietzsche, Wagner, Europe Berlin [u.a.] : de Gruyter, 2013 ISBN 3110315092
    Weitere Ausg.: ISBN 9783110315097
    Sprache: Englisch
    Fachgebiete: Germanistik , Musikwissenschaft , Philosophie
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Nietzsche, Friedrich 1844-1900 ; Wagner, Richard 1813-1883
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    Mehr zum Autor: Prange, Martine 1969-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Berlin/Boston :De Gruyter,
    UID:
    edocfu_9958354024802883
    Umfang: 1 online resource(ix,286p.) : , illustrations.
    Ausgabe: Electronic reproduction. Berlin/Boston : De Gruyter. Mode of access: World Wide Web.
    Ausgabe: System requirements: Web browser.
    Ausgabe: Access may be restricted to users at subscribing institutions.
    ISBN: 9783110315233
    Serie: Monographien und Texte zur Nietzsche-Forschung; 61
    Inhalt: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the "nationalist nonsense." Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s "German" music.
    Anmerkung: Frontmatter -- , Abbreviations and translations -- , Contents -- , General introduction -- , Chapter 1 Was Nietzsche ever a true Wagnerian? -- , Chapter 2 Germanizing music and culture: Richard Wagner’s ‘Beethoven’ essay -- , Chapter 3 Nietzsche’s reception of Wagner’s ‘Beethoven’ essay in the spirit of Weimar Classicism -- , Chapter 4 The Birth of Tragedy out of Nietzsche’s concern for Wagner’s ‘Graecization’ -- , Chapter 5 Nietzsche’s anti-Wagnerism in the light of his increasing cosmopolitanism -- , Chapter 6 ‘La Gaya Scienza’ in music: Nietzsche’s new musical aesthetics -- , Chapter 7 Goethe as model of the ‘Good European’ -- , Epilogue -- , Bibliography -- , Index. , Also available in print edition. , In English.
    Weitere Ausg.: ISBN 9783110315097
    Weitere Ausg.: ISBN 9783110315240
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Berlin ; : De Gruyter,
    UID:
    almahu_9949474107902882
    Umfang: 1 online resource (286 p.)
    ISBN: 9783110315233 , 9783110238570
    Serie: Monographien und Texte zur Nietzsche-Forschung , 61
    Inhalt: Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism."
    Anmerkung: Frontmatter -- , Abbreviations and translations -- , Contents -- , General introduction -- , Part I Aestheticization: Germany as saviour of Europe -- , Chapter 1 Was Nietzsche ever a true Wagnerian? -- , Chapter 2 Germanizing music and culture: Richard Wagner's 'Beethoven' essay -- , Chapter 3 Nietzsche's reception of Wagner's 'Beethoven' essay in the spirit of Weimar Classicism -- , Chapter 4 The Birth of Tragedy out of Nietzsche's concern for Wagner's 'Graecization' -- , Part II Dynamic interculturalism: De-Germanization and the 'Good European' -- , Chapter 5 Nietzsche's anti-Wagnerism in the light of his increasing cosmopolitanism -- , Chapter 6 'La Gaya Scienza' in music: Nietzsche's new musical aesthetics -- , Chapter 7 Goethe as model of the 'Good European' -- , Epilogue -- , Bibliography -- , Index , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.
    In: DGBA Backlist Complete English Language 2000-2014 PART1, De Gruyter, 9783110238570
    In: DGBA Backlist Philosophy 2000-2014 (EN), De Gruyter, 9783110238488
    In: DGBA Philosophy 2000 - 2014, De Gruyter, 9783110636949
    In: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013, De Gruyter, 9783110317350
    In: E-BOOK PACKAGE PHILOSOPHY 2013, De Gruyter, 9783110317329
    In: E-BOOK PAKET PHILOSOPHIE 2013, De Gruyter, 9783110317312
    Weitere Ausg.: ISBN 9783110315097
    Sprache: Englisch
    URL: Cover
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