Kooperativer Bibliotheksverbund

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Format: Online-Ressource (XI, 619 S.)

ISBN: 9783110334104

ISSN: |o|2192-0281

Series Statement: International Yearbook of Futurism Studies Volume 4

Content: Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.

Additional Edition: ISBN 9783110334005

Additional Edition: Erscheint auch als print ISBN 9783110334005

Language: English

Keywords: Futurismus ; Künste

DOI: 10.1515/9783110334104

URL: Volltext

URL: Volltext  (lizenzpflichtig)

URL: lizenzpflichtig

URL: Cover

URL: Cover

Author information: Berghaus, Günter 1953-

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Format: 1 online resource(xii,620p.) : , illustrations.

Edition: Electronic reproduction. Berlin : De Gruyter. Mode of access: World Wide Web.

Edition: System requirements: Web browser.

Edition: Access may be restricted to users at subscribing institutions.

ISBN: 9783110334104

Series Statement: Berghaus, Günter: International Yearbook of Futurism Studies; Volume 4

Content: Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.

Note: Frontmatter -- , Contents -- , Editorial -- , The Legacy and Topicality of Futurism / , The Centenary of 1913, or Russian Futurism ‘as such’ / , Almada Negreiros: A Futurist Poet, and Much More / , La poética de la vanguardia / , Sound and Silence in Futurist Poetry / , Marinetti i futuryzm w Polsce / , Action / Reaction: Futurism in Belgium and Europe / , Futurism and Modernist Magazines / , New Research into Anarchism and Futurism / , French Research on Literary Futurism / , A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) / , A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) / , The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison’s Caricature, "The New Terror" / , A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun / , The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen’ Debate / , A Caricature of Futurism in the New York Sun (1914) / , Marinetti’s Visit to Cairo in December 1929: Kimon Evan Marengo’s caricatures in Maalesh / , The Reception of Futurism in France (1909–1912) / , Mallarmé and His Futurist ‘Heir’ Marinetti / , Futurism in the Netherlands, 1909–1940 / , No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia / , The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia / , Kara-Darvish and Armenian Futurism / , The Reception of Italian Futurism in Hungarian Painting and Literature / , The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after / , Bartolomé Galíndez’s Magazine, Los raros: A ‘Symbolist’ Fusion of Futurism and Ultraism / , Futurist Influences in the Work of Guillermo de Torre / , The Reception of Futurism in Greece and Marinetti’s Visit to Athens (1933) / , Theodor Däubler: A Mediator between Florentine Futurism and German Modernism / , Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn / , A Bibliography of Publications on Futurism, 2011–2013 / , List of Illustrations and Provenance Descriptions -- , Notes on Contributors -- , Name Index -- , Subject Index -- , Geographical Index. , Also available in print edition. , In English

Additional Edition: ISBN 9783110334005

Additional Edition: ISBN 9783110334111

Language: English

DOI: 10.1515/9783110334104

URL: https://doi.org/10.1515/9783110334104

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Format: 1 online resource (632 pages)

Edition: 1st ed.

ISBN: 9783110367904

Content: The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, et cetera Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies

Note: Intro -- Editorial -- Section 1: Critical responses to Exhibitions, conferences and publications -- The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013 -- The Centenary of 1913, or Russian Futurism 'as such':  A Conference at the University of Geneva on 10-13 April 2013 -- Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013 -- La poética de la vanguardia -- Sound and Silence in Futurist Poetry -- Marinetti i futuryzm w Polsce -- Action / Reaction: Futurism in Belgium and Europe -- Futurism and Modernist Magazines -- New Research into Anarchism and Futurism -- Section 2: Research Reports on Countries and Artistic Disciplines -- French Research on Literary Futurism -- Section 3: Caricatures and Satires of Futurism in the Contemporary Press -- A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) -- A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) -- The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror" -- A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun -- The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' Debate -- A Caricature of Futurism in the New York Sun (1914) -- Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh -- Section 4: Futurism Studies -- The Reception of Futurism in France (1909-1912) -- Mallarmé and His Futurist 'Heir' Marinetti -- Futurism in the Netherlands, 1909-1940 -- No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia -- The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia -- Kara-Darvish and Armenian Futurism , The Reception of Italian Futurism in Hungarian Painting and Literature -- The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after -- Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism -- Futurist Influences in the Work of Guillermo de Torre -- The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933) -- Theodor Däubler: A Mediator between Florentine Futurism and German Modernism -- Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn -- Section 5: Bibliography -- A Bibliography of Publications on Futurism, 2011-2013 -- Section 6: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index

Additional Edition: Print version Berghaus, Günter 2014 Berlin/Boston : De Gruyter, Inc.,c2014 ISBN 9783110334005

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

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Format: Online Ressource (7028 KB, 620 S.)

Edition: 1. Aufl.

ISBN: 3110334003

Content: Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. Günter Berghaus, University of Bristol,UK.

Content: Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry

Note: Description based upon print version of record , Editorial; Section 1: Critical responses to Exhibitions, conferences and publications; The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013; The Centenary of 1913, or Russian Futurism 'as such':  A Conference at the University of Geneva on 10-13 April 2013; Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013; La poética de la vanguardia; Sound and Silence in Futurist Poetry; Marinetti i futuryzm w Polsce; Action , Futurism and Modernist MagazinesNew Research into Anarchism and Futurism; Section 2: Research Reports on Countries and Artistic Disciplines; French Research on Literary Futurism; Section 3: Caricatures and Satires of Futurism in the Contemporary Press; A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912); A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923); The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror"; A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun , The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' DebateA Caricature of Futurism in the New York Sun (1914); Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh; Section 4: Futurism Studies; The Reception of Futurism in France (1909-1912); Mallarmé and His Futurist 'Heir' Marinetti; Futurism in the Netherlands, 1909-1940; No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia , The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia GiuliaKara-Darvish and Armenian Futurism; The Reception of Italian Futurism in Hungarian Painting and Literature; The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after; Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism; Futurist Influences in the Work of Guillermo de Torre; The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933); Theodor Däubler: A Mediator between Florentine Futurism and German Modernism , Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon CoburnSection 5: Bibliography; A Bibliography of Publications on Futurism, 2011-2013; Section 6: Back Matter; List of Illustrations and Provenance Descriptions; Notes on Contributors; Name Index; Subject Index; Geographical Index

Additional Edition: ISBN 3110334100

Additional Edition: ISBN 9783110334104

Additional Edition: ISBN 9783110334005

Additional Edition: Print version International Yearbook of Futurism Studies 2014

Language: English

Keywords: Electronic books

URL: Volltext  (lizenzpflichtig)

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Format: 1 online resource (631 pages) : , illustrations

ISBN: 9783110334104 (e-book)

Additional Edition: Print version: International yearbook of futurism studies. Volume 4. Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter, c2014 ISBN 9783110334005

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: XI, 619 Seiten , Ill., graph. Darst., Kt.

ISBN: 9783110334005 , 3110334003

Note: Literaturangaben

Language: English

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Format: 1 Online-Ressource (xii,620p.)

ISBN: 9783110334104 , 9783110334005 , 9783110334111

Series Statement: Berghaus, Günter: International Yearbook of Futurism Studies Volume 4

Note: 30 schw.-w. Abb , Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry , In English

Language: English

DOI: 10.1515/9783110334104

URL: Volltext

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Format: 1 online resource (632 p.)

ISBN: 3-11-036790-4 , 3-11-033410-0

Series Statement: International Yearbook of Futurism Studies ; Volume 4

Content: The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Editorial -- , Section 1: Critical responses to Exhibitions, conferences and publications -- , The Legacy and Topicality of Futurism / , The Centenary of 1913, or Russian Futurism 'as such' / , Almada Negreiros: A Futurist Poet, and Much More / , La poética de la vanguardia / , Sound and Silence in Futurist Poetry / , Marinetti i futuryzm w Polsce / , Action / Reaction: Futurism in Belgium and Europe / , Futurism and Modernist Magazines / , New Research into Anarchism and Futurism / , Section 2: Research Reports on Countries and Artistic Disciplines -- , French Research on Literary Futurism / , Section 3: Caricatures and Satires of Futurism in the Contemporary Press -- , A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) / , A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) / , The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror" / , A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun / , The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' Debate / , A Caricature of Futurism in the New York Sun (1914) / , Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh / , Section 4: Futurism Studies -- , The Reception of Futurism in France (1909-1912) / , Mallarmé and His Futurist 'Heir' Marinetti / , Futurism in the Netherlands, 1909-1940 / , No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia / , The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia / , Kara-Darvish and Armenian Futurism / , The Reception of Italian Futurism in Hungarian Painting and Literature / , The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after / , Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism / , Futurist Influences in the Work of Guillermo de Torre / , The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933) / , Theodor Däubler: A Mediator between Florentine Futurism and German Modernism / , Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn / , Section 5: Bibliography -- , A Bibliography of Publications on Futurism, 2011-2013 / , Section 6: Back Matter -- , List of Illustrations and Provenance Descriptions -- , Notes on Contributors -- , Name Index -- , Subject Index -- , Geographical Index , English

Additional Edition: ISBN 1-306-93543-1

Additional Edition: ISBN 3-11-033400-3

Language: English

DOI: 10.1515/9783110334104