UID:
almafu_9958354278302883
Format:
1 online resource(x,224p.) :
,
illustrations.
Edition:
Electronic reproduction. Berlin : De Gruyter Oldenbourg, 2014. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9783110350722
Content:
The poet Abraham Shlonsky can be regarded as the main architect of Jewish Modernism and Hebrew secular culture. In this crucial contribution, Ari Ofengenden disentangles Shlonsky’s work from Zionist readings and shows how his poetics redeem experiences of political displacement, exile and alienation through a playful enigmatic fusion of Modernist European poetry and biblical and rabbinic influences.
Note:
Frontmatter --
,
Acknowledgements --
,
Contents --
,
Introduction --
,
Chapter One. The Collections Stam (Ordinarily) and B’ḥ̣efazi (In my Haste) --
,
Chapter Two. Agricultural Work, Heresy and Negation of Self in the Collection Gilboa --
,
Chapter Three. Loss of Belief and Madness in the Big City in the Collection Lekh Lekha (Go Forth) --
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Chapter Four. The Process of Secularization in the Collection Metom (Perfection) --
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Chapter Five. Avne’i Bohu: Karkhi’el (Stones of Void: Kharkhi’el) – the Desire for Absence and Loss of Self --
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Chapter Six. "Shire’i hapaḥad haribu’a" (Songs of Fear Squared): The Desire for the Uncanny or Absence as the Uncanny --
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Chapter Seven. Absence as Transformational Narcissism in Avnei Gvil: Tsamrot b’sufah (Rough Stones: Treetops in the Storm) --
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Chapter Eight. Sefer Hasulamot – Between Ideal and Real --
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Conclusion --
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Bibliography --
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Index of Persons --
,
Subject Index --
,
Index of Poems and Collections.
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Also available in print edition.
,
In English.
Additional Edition:
ISBN 9783110350616
Additional Edition:
ISBN 9783110350739
Language:
English
DOI:
10.1515/9783110350722
URL:
https://doi.org/10.1515/9783110350722
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1515/9783110350722
URL:
https://www.degruyter.com/isbn/9783110350722
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