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  • 1
    Online Resource
    Online Resource
    Warsaw [u.a.] : De Gruyter Open
    UID:
    b3kat_BV042159459
    Format: 1 Online-Ressource (85 S.)
    ISBN: 9783110402100 , 9783110427387
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-11-040196-7
    Language: English
    Subjects: General works
    RVK:
    Keywords: Schauspieler ; Kreativität ; Schauspielkunst
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (Open Access)
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [s.l.] : De Gruyter
    UID:
    b3kat_BV042567222
    Format: 1 Online-Ressource (93 S.)
    ISBN: 9783110402100
    Note: Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts—in performance. But, as actors know, performance is a thing unto itself—something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance.An historical account of the emergence and development of one of the most generative concepts of our times – creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence , English
    Language: English
    Keywords: Schauspieler ; Kreativität ; Schauspielkunst
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : De Gruyter
    UID:
    gbv_1778650384
    Format: 1 Online-Ressource (93 p.)
    ISBN: 9783110402100 , 9783110427387 , 9783110402100
    Content: Creativity: The Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts—in performance. But, as actors know, performance is a thing unto itself—something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times – creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Warsaw, [Poland] ; : De Gruyter Open,
    UID:
    almahu_9948320992502882
    Format: 1 online resource (93 pages)
    ISBN: 9783110402100 (e-book)
    Additional Edition: Print version: Trenos, Helen. Creativity: the actor in performance. Warsaw, [Poland] ; Berlin, [Germany] : De Gruyter Open, c2014 ISBN 9783110401967
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Warsaw [Poland] ; : De Gruyter Open,
    UID:
    kobvindex_HPB912309553
    Format: 1 online resource (93 pages)
    ISBN: 9783110402100 , 3110402106 , 9783110427387 , 3110427389 , 3110401967 , 9783110401967
    Content: Creativity: the Actor in Performance focuses on becoming a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts - on stage. However, as actors know, performance is a thing unto itself - something that will happen out there, beyond anything that had happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance.
    Note: Introduction -- 1 Creativity and Acting -- 1.1 Creativity: Emergence of the Concept -- 1.2 Psychology and Creativity -- 1.2.1 The Creative Product -- 1.2.2 The Creative Personality -- 1.2.3 The Creative Process -- 1.3 Is Acting Creative? -- 1.3.1 Acting is Everywhere -- 1.3.2 Acting is Mimetic -- 1.3.3 Acting is Ephemeral -- 2 What is Acting? -- 2.1 Emergence and Rise of Character -- 2.1.1 Romantic Dramatic Theory -- 2.1.2 Naturalism -- 2.1.3 The Psychological Character -- 2.2 Being a Creative Actor -- 3 Stanislavsky: Guru and Villain -- 3.1 Stanislavsky: Redefining the Actor's Creativity -- 3.2 Rehearsals: Site of the Actor's Creativity? -- 4 CREATICS: Performance-Oriented Training -- 4.1 Situation Awareness -- 4.2 Audience Awareness -- 4.3 Divided Consciousness -- 4.4 Creating Presence -- References -- Index -- The Body is All Eyes -- Stand-Up! -- Walking the Auditorium -- Gathering the Eyes -- Letting the Audience in on Your Act -- Sitting on Your Shoulder -- Masks -- Switch -- Booth -- Inflation! -- Knots -- Impulse /Repulse -- 7/10 -- Tease! , In English.
    Additional Edition: Print version: Trenos, Helen. Creativity: the actor in performance. Warsaw, [Poland] ; Berlin, [Germany] : De Gruyter Open, ©2014 9783110401967
    Language: English
    Keywords: Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    De Gruyter | Warsaw, [Poland] ; : De Gruyter Open,
    UID:
    edoccha_9958056632702883
    Format: 1 online resource (93 pages)
    Edition: 1st ed.
    ISBN: 3-11-042738-9 , 3-11-040210-6
    Content: Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.
    Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , List of CREATICS Exercises -- , Introduction -- , 1 Creativity and Acting -- , 2 What is Acting? -- , 3 Stanislavsky: Guru and Villain -- , 4 CREATICS: Performance-Oriented Training -- , References -- , Index , Also available in print form. , In English.
    Additional Edition: ISBN 3-11-040196-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    De Gruyter | Warsaw, [Poland] ; : De Gruyter Open,
    UID:
    almahu_9947382117602882
    Format: 1 online resource (93 pages)
    Edition: 1st ed.
    ISBN: 3-11-042738-9 , 3-11-040210-6
    Content: Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.
    Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , List of CREATICS Exercises -- , Introduction -- , 1 Creativity and Acting -- , 2 What is Acting? -- , 3 Stanislavsky: Guru and Villain -- , 4 CREATICS: Performance-Oriented Training -- , References -- , Index , Also available in print form. , In English.
    Additional Edition: ISBN 3-11-040196-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    De Gruyter | Warsaw, [Poland] ; : De Gruyter Open,
    UID:
    edocfu_9958056632702883
    Format: 1 online resource (93 pages)
    Edition: 1st ed.
    ISBN: 3-11-042738-9 , 3-11-040210-6
    Content: Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.
    Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , List of CREATICS Exercises -- , Introduction -- , 1 Creativity and Acting -- , 2 What is Acting? -- , 3 Stanislavsky: Guru and Villain -- , 4 CREATICS: Performance-Oriented Training -- , References -- , Index , Also available in print form. , In English.
    Additional Edition: ISBN 3-11-040196-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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