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  • 1
    Online-Ressource
    Online-Ressource
    De Gruyter | Berlin ; : De Gruyter,
    UID:
    almafu_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    Fachgebiete: Theologie/Religionswissenschaften
    RVK:
    Schlagwort(e): Electronic books.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (Open Access)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    [Berlin] ; : De Gruyter,
    UID:
    kobvindex_HPB984547066
    Umfang: 1 online resource (viii, 170 pages).
    ISBN: 9783110500882 , 3110500884 , 311050054X , 3110498871 , 9783110500547 , 9783110498875
    Serie: Jewish thought, philosophy and religion, volume 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Space and Gender in the Song of Songs -- A , Sociospatial Approach to the Song of Song's Structure -- The , Poetics of Social Diversity -- , Ptolemy IV Philopator and his Religious Policy -- , Was the Song of Songs Composed in Amman? -- Conclusion -- Index of Biblical References. , In English.
    Weitere Ausg.: Print version: Wilke, Carsten, 1962-. Farewell to Shulamit : spatial and social diversity in the Song of Songs. [Berlin] ; [Boston] : De Gruyter, [2017] 9783110500547
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc. ; History.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Berlin ; Boston :de Gruyter,
    UID:
    almahu_BV044325049
    ISBN: 978-3-11-050054-7
    Serie: Jewish thought, philosophy, and religion Volume 2
    Weitere Ausg.: Erscheint auch ISBN 978-3-11-050088-2
    Weitere Ausg.: Erscheint auch ISBN 978-3-11-049887-5
    Sprache: Englisch
    Schlagwort(e): Bibel Hoheslied ; Zeithintergrund ; Bibel Hoheslied ; Sozialgeschichtliche Exegese
    Mehr zum Autor: Wilke, Carsten, 1962-,
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    De Gruyter | Berlin ; : De Gruyter,
    UID:
    almahu_9947910750202882
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    De Gruyter | Berlin ; : De Gruyter,
    UID:
    edoccha_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    De Gruyter | Berlin ; : De Gruyter,
    UID:
    edocfu_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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