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  • 1
    UID:
    gbv_1645422135
    Format: VIII, 236 Seiten , Illustrationen, Pläne , 24 cm x 17 cm
    ISBN: 9783110543742 , 3110543745
    Note: "The beginnings of this book were a conference on abstraction and symbolism in Late Roman and Early Byzantine art organised at the Swedish Research Institute in Istanbul in May 2013." (introduction)
    Additional Edition: ISBN 9783110546842
    Additional Edition: ISBN 9783110546507
    Additional Edition: Erscheint auch als Online-Ausgabe Envisioning worlds in late antique art Berlin : De Gruyter, 2019 ISBN 9783110546842
    Additional Edition: ISBN 9783110546507
    Additional Edition: Erscheint auch als ISBN 9783110546859
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9783110546842
    Additional Edition: Erscheint auch als Online-Ausgabe Symbolism and Abstraction in Late Antique and Early Byzantine Art (c. 300-700) 〈Veranstaltung, 2013, Istanbul〉 Envisioning Worlds in Late Antique Art Berlin/Boston : De Gruyter, 2018
    Language: English
    RVK:
    Keywords: Römisches Reich ; Byzantinisches Reich ; Kunst ; Abstraktion ; Symbolismus ; Geschichte 300-700 ; Aufsatzsammlung ; Konferenzschrift
    URL: Cover
    Author information: Olovsdotter, Cecilia 1967-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1654744352
    Format: 1 Online-Ressource (VIII, 236 Seiten)
    ISBN: 9783110546842 , 9783110546507
    Content: It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and 'material' world-view of classical antiquity to an inner-directed, 'spiritual' mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the 'spiritual' interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
    Additional Edition: ISBN 9783110543742
    Additional Edition: Erscheint auch als Druck-Ausgabe Envisioning worlds in late antique art Berlin : De Gruyter, 2019 ISBN 9783110543742
    Additional Edition: ISBN 3110543745
    Language: English
    RVK:
    Keywords: Römisches Reich ; Byzantinisches Reich ; Kunst ; Abstraktion ; Symbolismus ; Geschichte 300-700 ; Konferenzschrift ; Festschrift
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Author information: Olovsdotter, Cecilia 1967-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    edocfu_9959402947702883
    Format: 1 online resource (244 pages)
    ISBN: 3-11-054650-7 , 3-11-054684-1
    Content: It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and 'material' world-view of classical antiquity to an inner-directed, 'spiritual' mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the 'spiritual' interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Introduction / , 1. Late Antique Art and Modernist Vision / , 2. The Other Hippocampus: Neuroscience and Early Christian Art / , 3. Image and Meta-Image: Byzantine Aesthetics and Orthodox Faith / , 4. Abstraction in Late Antique Art / , 5. The Twelve-Silver-Column Programme in the Martyrium Church in Jerusalem / , 6. Defining Space: Abstraction, Symbolism and Allegory on Display in Early Byzantine Art / , 7. Architecture and the Spheres of the Universe in Late Antique Art / , 8. Christus Verus Sol - Christus Imperator: Religious and Imperial Symbolism in the Mosaics of the Rotunda in Thessaloniki / , 9. A "Modern Myth": The Sixth-Century Starting Date of the "Eastern" Representation of Christ's Ascension / , 10. Symbolic Aspects of the Mosaics in the Church of the Multiplication of the Loaves and Fishes at Tabgha / , Index , In English.
    Additional Edition: ISBN 3-11-054374-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_9958999188202883
    Format: 1 online resource (244 p.)
    ISBN: 9783110546842
    Content: It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and 'material' world-view of classical antiquity to an inner-directed, 'spiritual' mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the 'spiritual' interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Introduction / , 1. Late Antique Art and Modernist Vision / , 2. The Other Hippocampus: Neuroscience and Early Christian Art / , 3. Image and Meta-Image: Byzantine Aesthetics and Orthodox Faith / , 4. Abstraction in Late Antique Art / , 5. The Twelve-Silver-Column Programme in the Martyrium Church in Jerusalem / , 6. Defining Space: Abstraction, Symbolism and Allegory on Display in Early Byzantine Art / , 7. Architecture and the Spheres of the Universe in Late Antique Art / , 8. Christus Verus Sol - Christus Imperator: Religious and Imperial Symbolism in the Mosaics of the Rotunda in Thessaloniki / , 9. A "Modern Myth": The Sixth-Century Starting Date of the "Eastern" Representation of Christ's Ascension / , 10. Symbolic Aspects of the Mosaics in the Church of the Multiplication of the Loaves and Fishes at Tabgha / , Index , In English.
    Additional Edition: ISBN 9783110546507
    Additional Edition: ISBN 9783110543742
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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