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  • 1
    UID:
    gbv_1676332464
    Umfang: X, 229 Seiten , Illustrationen
    ISBN: 9783110569384
    Serie: Studia Judaica Band 103
    Originaltitel: Neben dem Text - Kommentierung, Dekoration, Kritzelei - Der SeMaK (Das kleine Buch der Gebote) als Zeugnis der visuellen Schreiberkultur in Ashkenaz
    Anmerkung: Bibliography Seiten: 203-216 , Dissertation erschienen unter dem Titel: Neben dem Text: Kommentierung, Dekoration, Kritzelei - Der SeMaK (Das kleine Buch der Gebote) als Zeugnis der visuellen Schreiberkultur in Ashkenaz , Dissertation University of Lucerne 2016
    Weitere Ausg.: ISBN 9783110573626
    Weitere Ausg.: ISBN 9783110574418
    Sprache: Englisch
    Schlagwort(e): Aschkenasim ; Illuminierte Handschrift ; Ästhetik ; Jüdische Kunst ; Yitsḥaḳ Ben-Yosef Corbeil XXXX-1280 ; Aschkenasim ; Handschrift ; Buchmalerei ; Hochschulschrift
    Mehr zum Autor: Kaufmann, Ingrid M.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    almafu_9959402996902883
    Umfang: 1 online resource (X, 229 p.)
    ISBN: 3-11-057362-8 , 3-11-057441-1
    Serie: Studia Judaica ; Band 103
    Inhalt: The medieval Ashkenazi manuscripts of the Small Book of Commandments (Sefer Mitzvot Katan, or 'SeMaK' for short), which was written by Isaac of Corbeil, attest a scribal culture in which rabbinical knowledge and piety were combined with creative freedom in manuscript design. This study is concerned with the creation, composition and circulation of manuscripts of the SeMaK and concentrates on the book as an artefact. The focus of the author's attention is the manuscripts' material nature, their artistic embellishment and the personal touches that scribes added to them. With the act of writing a text and decorating a SeMaK manuscript, they 'appropriated' the text, so to speak, giving it a character of its very own. They drew on a visual language in the process - or rather, on visual languages, which occupy a special place between pure writing culture and pure painting culture. It was in this area 'in between' the two that spontaneous touches arose, ranging from changes in the physical arrangement of the text (mise-en-page) to drawings and doodles added in the margins. An examination of paratextual elements broadens the reader's knowledge about Jewish scribal culture and grants insights into medieval book art, material culture and Judeo-Christian co-existence in the Middle Ages as well as throwing some light on Jewish values, ideals and eschatological hopes.
    Anmerkung: Frontmatter -- , A note of thanks -- , Contents -- , Abbreviations, transliteration and translation -- , 1. Introduction -- , 2. The historical context -- , 3. The SeMaK as a book -- , 4. The manuscripts in their entirety -- , 5. The scribes -- , 6. Five manuscripts in detail -- , 7. Conclusion -- , Appendix: Overview of manuscripts featuring the SeMaK -- , Bibliography -- , List of the manuscripts mentioned in this study -- , Figures -- , Index , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-056938-8
    Sprache: Englisch
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    UID:
    edocfu_9959127918002883
    Umfang: 1 online resource (239 p.)
    ISBN: 9783110574418
    Serie: Studia Judaica ; 103
    Inhalt: The medieval Ashkenazi manuscripts of the Small Book of Commandments (Sefer Mitzvot Katan, or ‘SeMaK’ for short), which was written by Isaac of Corbeil, attest a scribal culture in which rabbinical knowledge and piety were combined with creative freedom in manuscript design. This study is concerned with the creation, composition and circulation of manuscripts of the SeMaK and concentrates on the book as an artefact. The focus of the author’s attention is the manuscripts’ material nature, their artistic embellishment and the personal touches that scribes added to them. With the act of writing a text and decorating a SeMaK manuscript, they ‘appropriated’ the text, so to speak, giving it a character of its very own. They drew on a visual language in the process – or rather, on visual languages, which occupy a special place between pure writing culture and pure painting culture. It was in this area ‘in between’ the two that spontaneous touches arose, ranging from changes in the physical arrangement of the text (mise-en-page) to drawings and doodles added in the margins. An examination of paratextual elements broadens the reader’s knowledge about Jewish scribal culture and grants insights into medieval book art, material culture and Judeo-Christian co-existence in the Middle Ages as well as throwing some light on Jewish values, ideals and eschatological hopes.
    Anmerkung: Frontmatter -- , A note of thanks -- , Contents -- , Abbreviations, transliteration and translation -- , 1. Introduction -- , 2. The historical context -- , 3. The SeMaK as a book -- , 4. The manuscripts in their entirety -- , 5. The scribes -- , 6. Five manuscripts in detail -- , 7. Conclusion -- , Appendix: Overview of manuscripts featuring the SeMaK -- , Bibliography -- , List of the manuscripts mentioned in this study -- , Figures -- , Index , In English.
    Weitere Ausg.: ISBN 9783110573626
    Weitere Ausg.: ISBN 9783110569384
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    UID:
    almafu_9959127918002883
    Umfang: 1 online resource (239 p.)
    ISBN: 9783110574418
    Serie: Studia Judaica ; 103
    Inhalt: The medieval Ashkenazi manuscripts of the Small Book of Commandments (Sefer Mitzvot Katan, or ‘SeMaK’ for short), which was written by Isaac of Corbeil, attest a scribal culture in which rabbinical knowledge and piety were combined with creative freedom in manuscript design. This study is concerned with the creation, composition and circulation of manuscripts of the SeMaK and concentrates on the book as an artefact. The focus of the author’s attention is the manuscripts’ material nature, their artistic embellishment and the personal touches that scribes added to them. With the act of writing a text and decorating a SeMaK manuscript, they ‘appropriated’ the text, so to speak, giving it a character of its very own. They drew on a visual language in the process – or rather, on visual languages, which occupy a special place between pure writing culture and pure painting culture. It was in this area ‘in between’ the two that spontaneous touches arose, ranging from changes in the physical arrangement of the text (mise-en-page) to drawings and doodles added in the margins. An examination of paratextual elements broadens the reader’s knowledge about Jewish scribal culture and grants insights into medieval book art, material culture and Judeo-Christian co-existence in the Middle Ages as well as throwing some light on Jewish values, ideals and eschatological hopes.
    Anmerkung: Frontmatter -- , A note of thanks -- , Contents -- , Abbreviations, transliteration and translation -- , 1. Introduction -- , 2. The historical context -- , 3. The SeMaK as a book -- , 4. The manuscripts in their entirety -- , 5. The scribes -- , 6. Five manuscripts in detail -- , 7. Conclusion -- , Appendix: Overview of manuscripts featuring the SeMaK -- , Bibliography -- , List of the manuscripts mentioned in this study -- , Figures -- , Index , In English.
    Weitere Ausg.: ISBN 9783110573626
    Weitere Ausg.: ISBN 9783110569384
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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