Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

ISBN: 9783110604276 , 9783110604368

Note: Erscheint als Open Access bei De Gruyter.

Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-3-11-060426-9

Language: English

Keywords: Aufsatzsammlung

DOI: 10.1515/9783110604276

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

Author information: Küpper, Joachim 1952-

Author information: Penskaja, Elena Naumovna 1959-

UID:

Format: 1 Online-Ressource (210 p.)

ISBN: 9783110604276

Content: Historiography and literature are verbal representations of actions and events that either have happened or could happen in the human lifeworld. As such, they possess an uncanny ‘family resemblance’ that has impelled theorists since Antiquity to define the limits of the two ‘sister arts.’ Historiographical texts, from one point of view, are liable to veer towards fiction

Note: English

Language: English

Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.

URL: kostenfrei

URL: De Gruyter

URL: De Gruyter, Cover

URL: JSTOR

URL: EBSCOhost

URL: https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9783110604368

URL: Click here to view book

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (253 p.)

ISBN: 9783110604276

Content: This book-length study is concerned with the various - vicarious and delegative - devices pertaining to rhetorical ventriloquism (sermocinatio, ethopoeia, prosopopoeia, etc.) - including their technical, conceptual, and applicative history in European and Western literatures, from Ancient to (Early) Modern times. It is published as an Online Supplement (.pdf) to (the article "Rhetorical Ventriloquism in Application", forming part of) the following DramaNet volume: History and Drama. The Pan-European Tradition. Eds. Joachim Küpper, Jan Mosch, Elena Penskaya. Berlin: de Gruyter, 2019

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (VIII, 202 Seiten)

ISBN: 3110604272 , 9783110604276

Content: Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands

Content: Frontmatter --Acknowledgments --Contents --Introduction /Mosch, Jan --Literature and Historiography in Aristotle and in Modern Times /Küpper, Joachim --History, Myth, and Early Modern Drama /Hoxby, Blair --King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu /Gubbini, Gaia --When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays /Friede, Susanne --Machiavelli's Soteriology and the Humanist Quattrocento Dialogue /Ivanova, Julia V. --Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus /Sokolov, Pavel V. --The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) /Boltunova, Ekaterina --History -- Drama -- Mythology /Dickhaut, Kirsten --Fielding's Farces: Travestying the Historiosophical Discourse /Penskaya, Elena N. --Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends /Kuptsova, Olga --The Bildungsdrama and Alexander Ostrovsky's Plays /Sarana, Natalia V. --"Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements /Chakrabarti, Gautam --The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 /Bernhart, Toni / Janke, Janina --Rhetorical Ventriloquism in Application /Mayfield, D. S. --Notes on Contributors --Index

Note: In English

Additional Edition: ISBN 9783110604368

Additional Edition: ISBN 9783110604269

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783110604368

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783110604269

Language: English

Keywords: Europa ; Drama ; Geschichte ; Geschichte ; Literatur ; Geschichtsschreibung

URL: kostenfrei

URL: Volltext  (Open Access)

URL: Open Access

URL: Cover

URL: Cover

Author information: Küpper, Joachim 1952-

Author information: Penskaja, Elena Naumovna 1959-

UID:

Format: 8, 202Seiten , Diagramme, Illustrationen , 15.5 cm x 23 cm

ISBN: 9783110604269 , 3110604264

Note: Erscheint auch als Online-Ausgabe 9783110604368 (ISBN) , Erscheint auch als Online-Ausgabe 9783110604276 (ISBN)

Language: English

Keywords: Europa ; Drama ; Geschichte 〈Motiv〉 ; Geschichte ; Literatur ; Geschichtsschreibung

URL: http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110604269&searchTitles=true

URL: https://www.degruyter.com/doc/cover/9783110604269.jpg

Author information: Küpper, Joachim

Author information: Penskaja, Elena Naumovna

Author information: Mosch, Jan Christoph

UID:

Format: VIII, 202 Seiten , 23 cm x 15.5 cm, 472 g

ISBN: 9783110736441 , 3110736446

Note: Erscheint auch als Online-Ausgabe 9783110604368 (ISBN) , Erscheint auch als Online-Ausgabe 9783110604269 (ISBN) , Erscheint auch als Online-Ausgabe 9783110604276 (ISBN)

Language: English

Author information: Küpper, Joachim

Author information: Penskaja, Elena Naumovna

Author information: Mosch, Jan Christoph

UID:

Format: 1 online resource (210 pages)

ISBN: 9783110604276

Additional Edition: Print version: Küpper, Joachim History and Drama Berlin/Boston : Walter de Gruyter GmbH,c2018 ISBN 9783110604269

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (253)

ISBN: 3-11-060427-2

Content: Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

Note: Description based upon print version of record. , Frontmatter -- , Acknowledgments -- , Contents -- , Introduction / , Literature and Historiography in Aristotle and in Modern Times / , History, Myth, and Early Modern Drama / , King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu / , When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays / , Machiavelli's Soteriology and the Humanist Quattrocento Dialogue / , Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus / , The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) / , History - Drama - Mythology / , Fielding's Farces: Travestying the Historiosophical Discourse / , Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends / , The Bildungsdrama and Alexander Ostrovsky's Plays / , "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements / , The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 / , Rhetorical Ventriloquism in Application / , Notes on Contributors -- , Index , English.

Additional Edition: ISBN 3-11-060426-4

Language: English

UID:

Format: 1 online resource (253)

ISBN: 3-11-060427-2

Content: Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

Note: Description based upon print version of record. , Frontmatter -- , Acknowledgments -- , Contents -- , Introduction / , Literature and Historiography in Aristotle and in Modern Times / , History, Myth, and Early Modern Drama / , King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu / , When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays / , Machiavelli's Soteriology and the Humanist Quattrocento Dialogue / , Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus / , The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) / , History - Drama - Mythology / , Fielding's Farces: Travestying the Historiosophical Discourse / , Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends / , The Bildungsdrama and Alexander Ostrovsky's Plays / , "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements / , The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 / , Rhetorical Ventriloquism in Application / , Notes on Contributors -- , Index , English.

Additional Edition: ISBN 3-11-060426-4

Language: English

UID:

Format: 1 online resource (253)

ISBN: 3-11-060427-2

Content: Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

Note: Description based upon print version of record. , Frontmatter -- , Acknowledgments -- , Contents -- , Introduction / , Literature and Historiography in Aristotle and in Modern Times / , History, Myth, and Early Modern Drama / , King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu / , When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays / , Machiavelli's Soteriology and the Humanist Quattrocento Dialogue / , Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus / , The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) / , History - Drama - Mythology / , Fielding's Farces: Travestying the Historiosophical Discourse / , Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends / , The Bildungsdrama and Alexander Ostrovsky's Plays / , "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements / , The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 / , Rhetorical Ventriloquism in Application / , Notes on Contributors -- , Index , English.

Additional Edition: ISBN 3-11-060426-4

Language: English