Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource

ISBN: 9783110717884 , 9783110717907

Series Statement: Studies in manuscript cultures volume 21

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-071722-8

Language: English

Subjects: Musicology

Keywords: Musik ; Manuskript ; Geschichte ; Mediävistik ; Manuskript ; Musikhandschrift ; Fragment ; Geschichte 800-1500 ; Mehrstimmigkeit ; Musik ; Geschichte 800-1500 ; Aufsatzsammlung

DOI: 10.1515/9783110717884

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

Author information: Varelli, Giovanni

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Format: 1 Online-Ressource (404 p.)

ISBN: 9783110717884

Series Statement: Studies in Manuscript Cultures

Content: Fragments of music manuscripts are some of the commonest finds inside bindings of later volumes, or unlabeled boxes tucked away in libraries and archives. Their surviving radically shaped our modern understanding of early European music. This volume looks at ‘disiecta membra’ not as relics of a lost whole, but as principal objects of study, illuminating societal, material, and cultural contexts, and requiring specific approaches and methodologies

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 online resource (404 pages)

ISBN: 9783110717884

Series Statement: Studies in Manuscript Cultures Ser. ; v.21

Content: The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.

Additional Edition: Print version: Varelli, Giovanni Disiecta Membra Musicae Berlin/Boston : Walter de Gruyter GmbH,c2020

Language: English

Keywords: Electronic books.

URL: Click to View

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (VI, 398 Seiten) , Illustrationen, Notenbeispiele

ISBN: 9783110717884 , 9783110717907

Series Statement: Studies in Manuscript Cultures volume 21

Content: Verlagsinfo: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony

Content: Frontmatter -- Contents -- Preface -- Overview -- Polyphonic Fragments: Destruction, Recovery, Reconstruction -- Models -- Processional Chants in the Early Medieval Period: The Lesson of Fragments -- Some Medieval Relics of Saints’ Plainchant Offices -- Trails -- Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- Receivers -- Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- Representations -- A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- Processes -- Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- Indexes -- Index of Manuscripts and Fragments -- Index of Chants and Compositions -- General Index.

Note: Mode of access: Internet via World Wide Web. , In English

Additional Edition: ISBN 9783110717228

Additional Edition: Erscheint auch als Druck-Ausgabe "Disiecta Membra Musicae" Berlin : De Gruyter, 2020 ISBN 9783110717228

Additional Edition: ISBN 3110717220

Language: English

Subjects: Musicology

Keywords: Musikhandschrift ; Fragment ; Geschichte ; Mediävistik ; Manuskript ; Mehrstimmigkeit ; Musik ; Geschichte ; Aufsatzsammlung

DOI: 10.1515/9783110717884

URL: Open Access

URL: Open Access

URL: Cover

URL: Cover

URL: https://www.degruyter.com/document/doi/10.1515/9783110717884/html

Author information: Gancarczyk, Paweł 1970-

Author information: Bent, Margaret 1940-

Author information: Hiley, David 1947-

Author information: Varelli, Giovanni

Author information: Strohm, Reinhard 1942-

Author information: Catalunya, David 1981-

UID:

Format: 1 online resource (VI, 398 p.).

ISBN: 9783110717884 , 3110717883 , 9783110717907 , 3110717905 , 3110717220 , 9783110717228

Series Statement: Studies in manuscript cultures, volume 21

Content: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century's musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Note: Frontmatter -- , Contents -- , Preface -- , Overview -- , Polyphonic Fragments: Destruction, Recovery, Reconstruction -- , Models -- , Processional Chants in the Early Medieval Period: The Lesson of Fragments -- , Some Medieval Relics of Saints' Plainchant Offices -- , Trails -- , Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- , Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- , Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- , Receivers -- , Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- , The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- , Representations -- , A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- , The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- , Processes -- , Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- , Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- , Indexes -- , Index of Manuscripts and Fragments -- , Index of Chants and Compositions -- , General Index , In English.

Additional Edition: Print version: Disiecta Membra Musicae. Berlin ; Boston : De Gruyter, [2020] 9783110717884

Language: English

Subjects: Musicology

Keywords: Electronic books. ; Electronic books. ; Manuscripts.

DOI: 10.1515/9783110717884

URL: https://doi.org/10.1515/9783110717884

URL: Open Access

URL: Cover

URL: EBSCOhost

URL: https://www.degruyter.com/openurl?genre=book&isbn=9783110717884

URL: https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9783110717884

URL: Click here to view book

UID:

Format: 1 online resource (404 pages)

ISBN: 9783110717884

Series Statement: Studies in Manuscript Cultures Ser. v.21

Content: The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.

Note: Description based on publisher supplied metadata and other sources

Language: English

URL: lizenzpflichtig

UID:

Format: VI, 398 Seiten , Illustrationen , 23 cm x 15.5 cm, 700 g

Edition: 1

ISBN: 9783110717228 , 3110717220

Series Statement: Studies in manuscript cultures Volume 21

Note: Erscheint auch als Online-Ausgabe 9783110717884 (ISBN) , Erscheint auch als Online-Ausgabe 9783110717907 (ISBN)

Language: English

Keywords: Musik ; Manuskript ; Geschichte ; Aufsatz ; Musikhandschrift ; Fragment ; Geschichte 800-1500 ; Mehrstimmigkeit 〈Musik〉 ; Musik ; Geschichte 800-1500 ; Mediävistik ; Manuskript

URL: https://www.degruyter.com/books/9783110717228

Author information: Varelli, Giovanni

UID:

Format: 1 online resource (VI, 398 p.)

ISBN: 3-11-071788-3

Series Statement: Studies in Manuscript Cultures ; 21

Content: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , Overview -- , Polyphonic Fragments: Destruction, Recovery, Reconstruction -- , Models -- , Processional Chants in the Early Medieval Period: The Lesson of Fragments -- , Some Medieval Relics of Saints’ Plainchant Offices -- , Trails -- , Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- , Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- , Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- , Receivers -- , Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- , The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- , Representations -- , A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- , The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- , Processes -- , Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- , Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- , Indexes -- , Index of Manuscripts and Fragments -- , Index of Chants and Compositions -- , General Index , In English.

Additional Edition: ISBN 3-11-071722-0

Language: English

Subjects: Musicology

Keywords: Essays.

DOI: 10.1515/9783110717884

UID:

Format: 1 online resource (VI, 398 p.)

ISBN: 3-11-071788-3

Series Statement: Studies in Manuscript Cultures ; 21

Content: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , Overview -- , Polyphonic Fragments: Destruction, Recovery, Reconstruction -- , Models -- , Processional Chants in the Early Medieval Period: The Lesson of Fragments -- , Some Medieval Relics of Saints’ Plainchant Offices -- , Trails -- , Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- , Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- , Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- , Receivers -- , Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- , The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- , Representations -- , A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- , The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- , Processes -- , Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- , Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- , Indexes -- , Index of Manuscripts and Fragments -- , Index of Chants and Compositions -- , General Index , In English.

Additional Edition: ISBN 3-11-071722-0

Language: English

Subjects: Musicology

Keywords: Essays.

DOI: 10.1515/9783110717884

UID:

Format: 1 online resource (VI, 398 p.)

ISBN: 3-11-071788-3

Series Statement: Studies in Manuscript Cultures ; 21

Content: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , Overview -- , Polyphonic Fragments: Destruction, Recovery, Reconstruction -- , Models -- , Processional Chants in the Early Medieval Period: The Lesson of Fragments -- , Some Medieval Relics of Saints’ Plainchant Offices -- , Trails -- , Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- , Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- , Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- , Receivers -- , Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- , The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- , Representations -- , A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- , The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- , Processes -- , Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- , Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- , Indexes -- , Index of Manuscripts and Fragments -- , Index of Chants and Compositions -- , General Index , In English.

Additional Edition: ISBN 3-11-071722-0

Language: English

Subjects: Musicology

Keywords: Essays.

DOI: 10.1515/9783110717884