Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (VIII, 266 Seiten).

ISBN: 978-3-11-072203-1 , 978-3-11-072215-4

Series Statement: Narratologia volume 75

Content: Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern "return to the real" cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-072089-1

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Fiktion ; Reflexivität ; Fiktion ; Faktizität ; Reflexion ; Literatur ; Film ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung

DOI: 10.1515/9783110722031

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

Author information: Priest, Graham, 1948-

UID:

Format: 266 Seiten , Illustrationen

ISBN: 9783110720891 , 3110720892

Series Statement: Narratologia 75

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-11-072215-4

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-11-072203-1

Language: English

Keywords: Fiktion ; Faktizität ; Reflexion ; Literatur ; Film ; Fiktion ; Reflexivität ; Konferenzschrift

URL: https://www.degruyter.com/books/9783110720891

URL: Inhaltsverzeichnis

URL: https://www.degruyter.com/books/9783110720891

URL: https://d-nb.info/1219750549/04

UID:

Format: 1 online resource (VIII, 266 p.)

ISBN: 9783110722031

Series Statement: Narratologia ; 75

Content: Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Introduction -- , A Logue -- , A Puzzle about Fictional “I”s -- , Postmodern Fables, Correlationism, and Speculation -- , Fictionalizing Metafiction -- , Portals of Fiction -- , The End of Fact vs Fiction: Reflexivity in Ancient Narratives -- , Writing and Reflections on Fictionality in Old Japanese Literature -- , Factualized Fictions: David Foster Wallace’s Self-Reflexive Metafiction -- , Historical Reference and (Auto)Fiction in the Recent Latin American Novel -- , Authorial Self-Personalization and Cine-Vision in the Film Jane B. par Agnès V. (1988) -- , Disrupting the Illusion by Bolstering the Reality Effect in Film -- , The Iconomics of Reflexivity: The Real Value of Images of Fiction in Contemporary American Cinema -- , Playing with (Meta)Fictionality and Self-Reflexivity in the Video Game The Stanley Parable -- , Virtual Mirrors: Reflexivity in Digital Literature -- , Notes on Contributors -- , Index of Names -- , Index of Concepts , In English.

Additional Edition: ISBN 9783110722154

Additional Edition: ISBN 9783110720891

Language: English

DOI: 10.1515/9783110722031

URL: https://www.degruyter.com/isbn/9783110722031

UID:

Format: 1 online resource (VIII, 266 p.)

ISBN: 9783110722031

Series Statement: Narratologia ; 75

Content: Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Introduction -- , A Logue -- , A Puzzle about Fictional “I”s -- , Postmodern Fables, Correlationism, and Speculation -- , Fictionalizing Metafiction -- , Portals of Fiction -- , The End of Fact vs Fiction: Reflexivity in Ancient Narratives -- , Writing and Reflections on Fictionality in Old Japanese Literature -- , Factualized Fictions: David Foster Wallace’s Self-Reflexive Metafiction -- , Historical Reference and (Auto)Fiction in the Recent Latin American Novel -- , Authorial Self-Personalization and Cine-Vision in the Film Jane B. par Agnès V. (1988) -- , Disrupting the Illusion by Bolstering the Reality Effect in Film -- , The Iconomics of Reflexivity: The Real Value of Images of Fiction in Contemporary American Cinema -- , Playing with (Meta)Fictionality and Self-Reflexivity in the Video Game The Stanley Parable -- , Virtual Mirrors: Reflexivity in Digital Literature -- , Notes on Contributors -- , Index of Names -- , Index of Concepts , In English.

Additional Edition: ISBN 9783110722154

Additional Edition: ISBN 9783110720891

Language: English

DOI: 10.1515/9783110722031

URL: https://www.degruyter.com/isbn/9783110722031

UID:

Format: 1 Online-Ressource (VIII, 266 Seiten).

ISBN: 978-3-11-072203-1 , 978-3-11-072215-4

Series Statement: Narratologia volume 75

Content: Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern "return to the real" cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-072089-1

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Fiktion ; Reflexivität ; Fiktion ; Faktizität ; Reflexion ; Literatur ; Film ; Konferenzschrift

DOI: 10.1515/9783110722031

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Priest, Graham 1948-