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  • 1
    UID:
    almafu_9958118187502883
    Format: 1 online resource (244 pages) : , illustrations.
    ISBN: 9783205789277 (ebook)
    Series Statement: Wiener Musikwissenschaftliche Beiträge ; Band 24
    Content: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities.
    Note: Bibliographic Level Mode of Issuance: Monograph , German
    Language: German
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  • 2
    UID:
    almahu_BV041062400
    Format: 244 S. : , Ill. ; , 240 mm x 170 mm.
    ISBN: 978-3-205-78927-7
    Series Statement: Wiener Musikwissenschaftliche Beiträge 24
    Language: German
    Subjects: History , German Studies , Musicology , Art History
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    Keywords: Höfische Kunst ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Hilscher, Elisabeth, 1967-
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  • 3
    UID:
    gbv_1778673570
    Format: 1 Online-Ressource (250 p.)
    ISBN: 9783205789277
    Content: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities
    Content: Bis heute wird der Tod Karls VI. und der Regierungsantritt Maria Theresias 1740 als eine einschneidende Zäsur in der österreichischen Geschichte gesehen. Doch nun stellt sich vor dem Hintergrund eines weitergefassten Schnittstellenbegriffes (Reinhart Koselleck) die Frage, ob der zweifellos grundlegende Wandel zwischen 1720 und 1780 nicht differenzierter gesehen werden muss. Ausgehend vom Raum des Wiener Hofes, an dem der Herrscherwechsel in seinen Auswirkungen am ehesten dokumentiert werden kann, wird aus der Sicht sogenannten Hofkünste versucht, Kontinuitäten und Diskontinuitäten aufzuzeigen
    Note: German
    Additional Edition: Erscheint auch als Druck-Ausgabe Im Dienste einer Staatsidee Wien : Böhlau, 2013 ISBN 9783205789277
    Additional Edition: ISBN 320578927X
    Language: German
    Subjects: History , German Studies , Musicology , Art History
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    Keywords: Wien ; Höfische Kunst ; Geschichte 1730-1750 ; Aufsatzsammlung
    Author information: Hilscher, Elisabeth 1967-
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  • 4
    Online Resource
    Online Resource
    [s.l.] : Böhlau
    UID:
    b3kat_BV042565767
    Format: 1 Online-Ressource (250 Seiten)
    ISBN: 9783205789277
    Note: de
    Language: German
    Subjects: History , German Studies , Musicology , Art History
    RVK:
    RVK:
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    Keywords: Wien ; Höfische Kunst ; Geschichte 1730-1750 ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    Author information: Hilscher, Elisabeth 1967-
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  • 5
    UID:
    edoccha_9958118187502883
    Format: 1 online resource (244 pages) : , illustrations.
    ISBN: 9783205789277 (ebook)
    Series Statement: Wiener Musikwissenschaftliche Beiträge ; Band 24
    Content: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities.
    Note: Bibliographic Level Mode of Issuance: Monograph , German
    Language: German
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    edocfu_9958118187502883
    Format: 1 online resource (244 pages) : , illustrations.
    ISBN: 9783205789277 (ebook)
    Series Statement: Wiener Musikwissenschaftliche Beiträge ; Band 24
    Content: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities.
    Note: Bibliographic Level Mode of Issuance: Monograph , German
    Language: German
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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