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  • 1
    Online Resource
    Online Resource
    Music and democracy : participatory approaches (2021)
    [Wien] : mdwPress | transcript
    Details
    UID:
    b3kat_BV047686787
    Format: 1 Online-Ressource (265 Seiten)
    ISBN: 9783839456576 , 9783732856572 , 3732856577
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-5657-2
    Language: English
    Subjects: Musicology
    RVK:
    LR 57720
    Keywords: Musik ; Demokratie ; Gesellschaft ; Sozialer Wandel ; Geschichte 1915-2020 ; Konferenzschrift ; Aufsatzsammlung
    DOI: 10.14361/9783839456576
    DOI: 10.1515/9783839456576
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    Author information: Trümpi, Fritz 1974-
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    Online Resource
    Fulltext
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    Fulltext
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    Stabi Berlin
    UB Potsdam
    EUV Frankfurt
    HTW Berlin
    BTU Cottbus
    Alice Salomon HS
    UdK Berlin
  • 2
    Online Resource
    Online Resource
    Music and democracy : participatory approaches (2021)
    [Wien] : mdwPress | Bielefeld : transcript
    Show associated volumes
    Details
    UID:
    gbv_1788531981
    Format: 1 Online-Ressource (265 Seiten) , Illustrationen
    ISBN: 9783839456576 , 9783732856572
    Content: Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
    Note: Enthält Literaturangaben , "This anthology gathers contributions based on keynotes and conference papers presented at isaScience 2018, August 10-14, in Reichenau/Rax, Austria." (Seite [267]) , Ambivalences in music and democracy : introductory remarks , Part 1: From recorded democracy to digital participation? , Entrepreneurial tapists : underground music reproduction and distribution in the US and USSR, 1960s and 1970s , New model, same old stories? : reproducing narratives of democratization in music streaming debates , Part 2: Political impacts of bourgeois music culture , The National Society of Music (1915-1922) and the ambivalent democratization of music in Spain , Verdi at the heart of the dictatorship : a celebrazione verdiana among Fascists , Part 3: (Non‐)Democratic participation in popular music and performance cultures , The Intervision Song Contest : popular music and political liberalization in the Eastern Bloc , "Vodka, beer, papirosy" : Eastern European working‐class cultures mimicry in contemporary hardbass , Disembodiment and South Asian performance cultures , Part 4: Sonic implications of political changes , Music activism in Serbia at the turn of the millennium : counterpublics, citizenship, and participatory art , Expanding musical inclusivity : representing and re‐presenting musicking in deaf culture through hip hop
    Additional Edition: ISBN 9783837656572
    Additional Edition: Erscheint auch als Druck-Ausgabe Music and democracy [Bielefeld] : transcript, 2021 ISBN 9783837656572
    Additional Edition: ISBN 3837656578
    Language: English
    Subjects: Musicology
    RVK:
    LR 57720
    Keywords: Musik ; Demokratie ; Gesellschaft ; Sozialer Wandel ; Geschichte 1915-2020 ; Konferenzschrift
    DOI: 10.1515/9783839456576
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Inhaltsverzeichnis
    Author information: Trümpi, Fritz 1974-
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    Stabi Berlin
    UB Potsdam
    Inst. f. Musikforschung
    ZZF Potsdam
  • 3
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches (2021)
    Wien : transcript
    Details
    UID:
    gbv_1800284985
    Format: 1 online resource (271 pages)
    Edition: 1st ed.
    ISBN: 9783839456576
    Content: Cover -- Contents -- Ambivalences in Music and Democracy: Introductory Remarks -- Part 1: From Recorded Democracy to Digital Participation? -- Entrepreneurial Tapists -- New Model, Same Old Stories? -- Part 2: Political Impacts of Bourgeois Music Culture -- The National Society of Music (1915-1922) and the Ambivalent Democratization of Music in Spain -- Verdi at the Heart of the Dictatorship -- Part 3: (Non-)Democratic Participation in Popular Music and Performance Cultures -- The Intervision Song Contest -- "Vodka, Beer, Papirosy" -- Disembodiment and South Asian Performance Cultures -- Part 4: Sonic Implications of Political Changes -- Music Activism in Serbia at the Turn of the Millennium -- Expanding Musical Inclusivity -- About mdwPress.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9783732856572
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783732856572
    Language: English
    URL: lizenzpflichtig
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    Online Resource
    UB Potsdam
    HPol Brandenburg
  • 4
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches (2021)
    Bielefeld : mdwPress
    Details
    UID:
    gbv_1794574476
    Format: 1 Online-Ressource (270 p.)
    ISBN: 9783837656572 , 9783732856572
    Content: Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches. (2021)
    Wien :transcript,
    Details
    UID:
    almahu_9949465200402882
    Format: 1 online resource (271 pages)
    Edition: 1st ed.
    ISBN: 9783839456576
    Note: Cover -- Contents -- Ambivalences in Music and Democracy: Introductory Remarks -- Part 1: From Recorded Democracy to Digital Participation? -- Entrepreneurial Tapists -- New Model, Same Old Stories? -- Part 2: Political Impacts of Bourgeois Music Culture -- The National Society of Music (1915-1922) and the Ambivalent Democratization of Music in Spain -- Verdi at the Heart of the Dictatorship -- Part 3: (Non-)Democratic Participation in Popular Music and Performance Cultures -- The Intervision Song Contest -- "Vodka, Beer, Papirosy" -- Disembodiment and South Asian Performance Cultures -- Part 4: Sonic Implications of Political Changes -- Music Activism in Serbia at the Turn of the Millennium -- Expanding Musical Inclusivity -- About mdwPress.
    Additional Edition: Print version: Kölbl, Marko Music and Democracy Wien : transcript,c2021 ISBN 9783732856572
    Language: English
    Keywords: Electronic books.
    URL: Click to View
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    HU Berlin
  • 6
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches (2021)
    Bielefeld : mdwPress
    Details
    UID:
    edocfu_9960070884802883
    Format: 1 electronic resource (270 p.)
    Content: Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
    Note: English
    Additional Edition: ISBN 3-8376-5657-8
    Additional Edition: ISBN 3-7328-5657-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
  • 7
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches (2021)
    Bielefeld : mdwPress
    Details
    UID:
    edoccha_9960070884802883
    Format: 1 electronic resource (270 p.)
    Content: Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
    Note: English
    Additional Edition: ISBN 3-8376-5657-8
    Additional Edition: ISBN 3-7328-5657-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 8
    Online Resource
    Online Resource
    Music and Democracy : Participatory Approaches (2021)
    Bielefeld : mdwPress
    Details
    UID:
    almahu_9949281430702882
    Format: 1 electronic resource (270 p.)
    Content: Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
    Note: English
    Additional Edition: ISBN 3-8376-5657-8
    Additional Edition: ISBN 3-7328-5657-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
  • 9
    Online Resource
    Online Resource
    The Intervision Song Contest : popular music and political liberalization in the Eastern Bloc (2021)
    Show associated volumes
    Details
    UID:
    gbv_1898065810
    ISBN: 9783839456576
    Content: During the Cold War, Eastern Bloc broadcasting organizations held the Intervision Song Contest (ISC) as an alternative to Western Europe’s Eurovision Song Contest (ESC). Staged in Czechoslovakia and Poland between 1964 and 1980, the ISC has usually been depicted in the popular media as merely a belated, fleeting copy of the ESC, with the ISC’s failure being a metaphor for the decline of the economic and political systems of communist party-led Eastern Europe. However, unlike with the ESC, there has been little academic research on the ISC. This chapter is based on archival sources from national and international broadcasting organizations, and focuses on the first series of the ISC in Czechoslovakia. It argues that the ISC was conceived by its organizers as a pan-European event that would promote cooperation between the Eastern and Western Blocs, especially in the context of Khrushchev’s Thaw and the cultural and political liberalization in Czechoslovakia that culminated in the Prague Spring. The ISC’s organizers accordingly introduced innovations that made their contest more internationally open and commercial than the ESC. Furthermore, the staging of the ISC in Czechoslovakia underlined the limits of the Soviet Union’s cultural and political influence over Eastern Europe and the role that geopolitics played in the power relations between states within the Eastern Bloc. The ISC was, then, not simply an imitation of the ESC, but rather a product of international political relations that tells us much about the aspirations that some Eastern European artists, politicians, and officials from record companies and television stations had for the democratization of their states.
    Note: Literaturverzeichnis: Seite 154-156
    In: Music and democracy, [Wien] : mdwPress, 2021, (2021), Seite 141-156, 9783839456576
    In: 9783732856572
    In: year:2021
    In: pages:141-156
    Language: English
    DOI: 10.1515/9783839456576-006
    URL: Volltext  (kostenfrei)
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    Online Resource
    Fulltext
    ZZF Potsdam
  • 10
    Online Resource
    Online Resource
    Entrepreneurial tapists : underground music reproduction and distribution in the US and USSR, 1960s and 1970s (2021)
    Show associated volumes
    Details
    UID:
    gbv_1898065314
    ISBN: 9783839456576
    Content: This chapter takes a participatory approach to the reproduction of live music performance by looking at the history of “bootleg” sound recordings in two formations during the 1960s and 1970s. The first builds on the history of how opera lovers, mostly in concert and sometimes in conflict with formal opera institutions and commercial recording companies, created their own community for reproduced live opera performances through surreptitious live recording, record producing, distributing, cataloging, trading, and collecting. I will relate these activities to the world of magnitizdat, the live music recordings in the USSR that were also reproduced and circulated through trusted networks. The aim of looking at both of these twentieth-century forms of music reproduction is to ask questions about how music listeners responded to perceived limitations of formal music industries by creating participatory networks that identified, reproduced, and circulated recorded music that corresponded to their preferences and ideas about authenticity, aesthetics, and direct experience before the internet age.
    Note: Literaturverzeichnis: Seite 53-59
    In: Music and democracy, [Wien] : mdwPress, 2021, (2021), Seite 19-59, 9783839456576
    In: 9783732856572
    In: year:2021
    In: pages:19-59
    Language: English
    DOI: 10.1515/9783839456576-002
    URL: Volltext  (kostenfrei)
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    Fulltext
    ZZF Potsdam
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