UID:
edoccha_9960021668402883
Umfang:
1 online resource (207 p.)
Ausgabe:
1st ed.
ISBN:
3-7815-5828-2
Serie:
Studien zur Deutsch-Amerikanischen Bildungsgeschichte / Studies in German-American Educational History
Inhalt:
Demonstrating, representing, or showing is at the heart of every educational action. Historical representations on screen and stage do not "teach" us history but rather influence our ideas and interpretations of it. The contributions to this volume explore the depiction of history in theater and film from the intersection of historical scholarship, aesthetics, memory studies, and education. They examine the creation of historical images, film production and reception, the scriptwriting process, educational programming, and depictions of German- American encounters. Above all else, they explore how various theatrical and filmic productions show history rather than tell it.
Anmerkung:
Nicholas K. Johnson and Tim Zumhof "Are you not entertained?" - Education, Entertainment, and Historical Representations on Stage and Screen in Germany and the USA, an Introduction .......................7 Tim Zumhof Historical Culture, Public History, and Education in Germany and the United States of America. A Comparative Introduction to Basic Concepts and Fields of Research............15 Jürgen Overhoff "Geschichte ist etwas Fließendes." Lion Feuchtwanger's Changing Understanding of History and the Role of the Stage: From his Earliest Theatrical Productions to his Play Waffen für Amerika (1943/44) ........................................................31 Simon Richter Duell an der Havel: Fritz von Unruh's Depiction of Eighteenth-Century Prussian-American Relations ...........................................................................49 Alissa Rubinstein The 614th Commandment: A Documentary Play about how American Jews Feel about Germany Today .....................................................................................63 Wolfgang Hochbruck Living History as an Educational Tool and Method in North America and Germany ......................................................................81 Stephanie Johns Theatre, Education, and Public History: Teaching History at the Stratford Festival ........................................................98 Felix Apel Hollywood's Influence on the Transmission of Historical Images: Lars Kraumes' Der Staat gegen Fritz Bauer .....................................................115 Thorsten Carstensen Learning from John Ford: History, Geography, and Epic Storytelling in the Works of Peter Handke .......................................................................131 Raymond Haberski, Jr. The Passion of Richard Schickel: What We Expect from War Films ...............160 Nicholas K. Johnson "A classroom history lesson is not going to work": HBO's Conspiracy and Depicting Holocaust Perpetrators on Film .................172 Table of Figures .............................................................................................197 List of Contributors ......................................................................................199 Index ............................................................................................................201 Acknowledgements .......................................................................................207
,
English
Weitere Ausg.:
ISBN 3-7815-2397-7
Sprache:
Englisch
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