Format:
320 S.
,
zahlr. Ill.
,
225 mm x 148 mm, 528 g
ISBN:
3837621839
,
9783837621839
Series Statement:
Film studies
Content:
Examines the so-called rubble films, usually seen as simplistic texts reaffirming "good Germans during bad times" views, finding in some of them visual and narrative romantic discourse which provokes critical discussion on German national identity in the wake of the Third Reich
Note:
Literaturverz. S. [307] - 320
,
The neoformalist approach : questions of form and style. Film as an aesthetic systemThe result of construction : meaning -- German romanticism : the stylistic origin of rubble films. Leading stylistic and narrative romantic devices -- Ruins and fragment : a romantic discourse on crisis -- The romantic discourse in a selection of rubble films. Rubble films : common features and main differences -- The romantic discourse -- The murderers are among us (1946) : a break with Nazi cinema? -- Film without a name (1947/48) : irony shall help us! -- The Blum affair (1948) : Engel's critical view on the past -- The 'last' illusion (1948/49) : double views and mistaken perception -- Second hand destiny (1949) : the demonic bourgeois -- The lost (1950/51) : no escape? -- Conclusion.
Additional Edition:
ISBN 9783839421833 )ePDF)
Additional Edition:
Online-Ausg. Möller, Martina Rubble, ruins and romanticism Bielefeld : transcript, 2013 ISBN 9783839421833
Additional Edition:
Erscheint auch als Online-Ausgabe Möller, Martina Rubble, ruins and romanticism Bielefeld : transcript, 2013 ISBN 9783839421833
Language:
English
Subjects:
General works
Keywords:
Deutschland
;
Trümmerfilm
;
Deutschland
;
Nationalbewusstsein
;
Erzähltechnik
;
Geschichte 1945-1951
;
Deutschland
;
Film
;
Geschichte
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