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  • 1
    UID:
    almafu_BV040302587
    Format: 320 S. : , Ill. ; , 225 mm x 148 mm, 528 g.
    ISBN: 978-3-8376-2183-9 , 3-8376-2183-9
    Series Statement: Film
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Trümmerfilm ; Deutschland ; Nationalbewusstsein ; Erzähltechnik
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  • 2
    UID:
    b3kat_BV045063052
    Format: 1 Online-Ressource
    ISBN: 9783839421833
    Series Statement: Film
    Content: Traditional criticism on German post-war cinema tends to define rubble films as simplistic texts of low artistic quality which serve to reaffirm the spectator's image of him or herself as »a good German« during »bad times«. Yet this study asserts that some rubble films are actually informed by a type of visual and narrative Romantic discourse which aims at provoking a »critical discussion« on German national identity and its reconstruction in the aftermath of the Third Reich. Considering the lack of previous analyses with regard to the key aspects of Romantic visual style, narration and literary motifs in rubble films, this study points to a major gap in research
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-2183-9
    Language: German
    Subjects: General works
    RVK:
    RVK:
    Keywords: Deutschland ; Trümmerfilm ; Deutschland ; Nationalbewusstsein ; Erzähltechnik ; Geschichte 1945-1951
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  • 3
    UID:
    gbv_1757896570
    Format: 1 online resource (320 p.) , 33 SW-Abbildungen, 11 Farbabbildungen
    Edition: 1st ed.
    ISBN: 9783839421833
    Series Statement: Film
    Content: Traditional criticism on German post-war cinema tends to define rubble films as simplistic texts of low artistic quality which serve to reaffirm the spectator's image of him or herself as »a good German« during »bad times«. Yet this study asserts that some rubble films are actually informed by a type of visual and narrative Romantic discourse which aims at provoking a »critical discussion« on German national identity and its reconstruction in the aftermath of the Third Reich. Considering the lack of previous analyses with regard to the key aspects of Romantic visual style, narration and literary motifs in rubble films, this study points to a major gap in research.
    Content: »Moeller liefert einen wichtigen und produktiven Beitrag zur weiteren Ausdifferenzierung einer spezifisch filmischen Krisenästhetik. Ihre Studie macht deutlich, dass sowohl die neoformalistische Filmanalyse als auch der Rückbezug auf Motive der Romantik Potenzial für die weitere Untersuchung anderer Krisenästhetiken bereithalten.« Tobias Ebbrecht-Hartmann, MEDIENwissenschaft, 2 (2016) Reviewed in: www.hhprinzler.de, 13.12.2013, Hans Helmut Prinzler GERMANISTIK, 55/3-4 (2014)
    Note: Online resource; title from title screen (viewed May 11, 2021)
    Additional Edition: ISBN 9783837621839
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783837621839
    Language: English
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  • 4
    UID:
    kobvindex_ZLB15493431
    Format: 320 Seiten , Ill. , 225 mm x 148 mm, 528 g
    ISBN: 9783837621839 , 3837621839
    Series Statement: Film
    Language: English
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  • 5
    UID:
    gbv_717238288
    Format: 320 S. , zahlr. Ill. , 225 mm x 148 mm, 528 g
    ISBN: 3837621839 , 9783837621839
    Series Statement: Film studies
    Content: Examines the so-called rubble films, usually seen as simplistic texts reaffirming "good Germans during bad times" views, finding in some of them visual and narrative romantic discourse which provokes critical discussion on German national identity in the wake of the Third Reich
    Note: Literaturverz. S. [307] - 320 , The neoformalist approach : questions of form and style. Film as an aesthetic systemThe result of construction : meaning -- German romanticism : the stylistic origin of rubble films. Leading stylistic and narrative romantic devices -- Ruins and fragment : a romantic discourse on crisis -- The romantic discourse in a selection of rubble films. Rubble films : common features and main differences -- The romantic discourse -- The murderers are among us (1946) : a break with Nazi cinema? -- Film without a name (1947/48) : irony shall help us! -- The Blum affair (1948) : Engel's critical view on the past -- The 'last' illusion (1948/49) : double views and mistaken perception -- Second hand destiny (1949) : the demonic bourgeois -- The lost (1950/51) : no escape? -- Conclusion.
    Additional Edition: ISBN 9783839421833 )ePDF)
    Additional Edition: Online-Ausg. Möller, Martina Rubble, ruins and romanticism Bielefeld : transcript, 2013 ISBN 9783839421833
    Additional Edition: Erscheint auch als Online-Ausgabe Möller, Martina Rubble, ruins and romanticism Bielefeld : transcript, 2013 ISBN 9783839421833
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Deutschland ; Trümmerfilm ; Deutschland ; Nationalbewusstsein ; Erzähltechnik ; Geschichte 1945-1951 ; Deutschland ; Film ; Geschichte
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