UID:
edocfu_9958356358002883
Format:
1 online resource(324p.) :
,
illustrations.
Edition:
Electronic reproduction. Bielefeld : transcript Verlag, 2014. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9783839424117
Series Statement:
Image; 54
Content:
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
Note:
Frontmatter --
,
Content --
,
Preface --
,
Being Abroad – an Introduction /
,
Survival of Images? Fetish and the Concept of the Image between West Africa and Europe /
,
Speared Heads. Portraits as Things in 20th–Century Sculpture /
,
Fetishism from the Space of Bowdich’s Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu’s (film) Obide ε Aba : Time Will Tell /
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Currency Affairs. Photography and Productivity /
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Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" /
,
[Arte]Fact, Object, Image. Jean-Michel Basquiat’s Archives of the Black Atlantic /
,
On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects /
,
Bocio. From Nothingness to Liminality and Minimality /
,
Encounters with Masks: Counter-Primitivism in 20 /
,
Fetishising Modernity: Bricolage Revisited /
,
Fixing Shadows: Photography Beyond the Indexical /
,
Incorporations of the Other – Exotic Objects, Tropicalism, and Anthropophagy /
,
Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China /
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Why have there been no Great Forgeries? Collectors, Artifacts, and the Question of Originality /
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Biographical Notes.
,
In English.
Language:
English
DOI:
10.14361/9783839424117
URL:
https://doi.org/10.1515/transcript.9783839424117
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