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  • 1
    UID:
    edocfu_BV042160019
    Format: 1 Online-Ressource (324 S.) : , Ill.
    ISBN: 978-3-8394-2411-7
    Series Statement: Image 54
    Additional Edition: Erscheint auch als Druck-Ausgabe 978-3-8376-2411-3
    Language: English
    Keywords: Kunst ; Fetisch ; Medien ; Kunst ; Fetisch ; Rezeption ; Kunstgeschichtsschreibung ; Postkolonialismus ; Kunstproduktion ; Fetisch ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Genge, Gabriele 1965-
    Author information: Stercken, Angela 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_745786162
    Format: 324 S. , Ill. , 23 cm
    ISBN: 3837624110 , 9783837624113
    Series Statement: Image Vol. 54
    Note: Being abroad - an introduction
    Additional Edition: ISBN 9783839424117
    Additional Edition: Erscheint auch als Online-Ausgabe International Conference "Between Fetish and Art" (2011 : Duisburg; Essen; Bochum) Art history and fetishism abroad Bielefeld : transcript, 2014 ISBN 9783839424117
    Additional Edition: ISBN 9783837624113
    Additional Edition: Erscheint auch als Online-Ausgabe Genge, Gabriele, 1965 - Art History and Fetishism Abroad Bielefeld : transcript Verlag, 2014 ISBN 9783839424117
    Language: English
    Subjects: Ethnology , Art History
    RVK:
    RVK:
    Keywords: Afrika ; Kunst ; Fetisch ; Rezeption ; Kunstgeschichtsschreibung ; Geschichte ; Afrika ; Postkolonialismus ; Kunstproduktion ; Fetisch ; Afrika ; Kunst ; Kultur ; Fetischismus ; Afrika ; Postkolonialismus ; Kunstgeschichtsschreibung ; Kunstproduktion ; Fetisch ; Konferenzschrift
    Author information: Genge, Gabriele 1965-
    Author information: Stercken, Angela 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV042160019
    Format: 1 Online-Ressource (324 S.) , Ill.
    ISBN: 9783839424117
    Series Statement: Image 54
    Additional Edition: Erscheint auch als Druck-Ausgabe 978-3-8376-2411-3
    Language: English
    Keywords: Kunst ; Fetisch ; Medien ; Afrika ; Kunst ; Fetisch ; Rezeption ; Kunstgeschichtsschreibung ; Geschichte ; Afrika ; Postkolonialismus ; Kunstproduktion ; Fetisch ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Genge, Gabriele 1965-
    Author information: Stercken, Angela 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    edocfu_9958356358002883
    Format: 1 online resource(324p.) : , illustrations.
    Edition: Electronic reproduction. Bielefeld : transcript Verlag, 2014. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9783839424117
    Series Statement: Image; 54
    Content: By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
    Note: Frontmatter -- , Content -- , Preface -- , Being Abroad – an Introduction / , Survival of Images? Fetish and the Concept of the Image between West Africa and Europe / , Speared Heads. Portraits as Things in 20th–Century Sculpture / , Fetishism from the Space of Bowdich’s Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu’s (film) Obide ε Aba : Time Will Tell / , Currency Affairs. Photography and Productivity / , Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" / , [Arte]Fact, Object, Image. Jean-Michel Basquiat’s Archives of the Black Atlantic / , On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects / , Bocio. From Nothingness to Liminality and Minimality / , Encounters with Masks: Counter-Primitivism in 20 / , Fetishising Modernity: Bricolage Revisited / , Fixing Shadows: Photography Beyond the Indexical / , Incorporations of the Other – Exotic Objects, Tropicalism, and Anthropophagy / , Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China / , Why have there been no Great Forgeries? Collectors, Artifacts, and the Question of Originality / , Biographical Notes. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_9949392022502882
    Format: 324 p.;
    ISBN: 9783839424117
    Series Statement: Image
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_877276722
    Format: 1 Online-Ressource
    ISBN: 9783839424117
    Series Statement: Image 54
    Content: By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
    Content: By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods. Gabriele Genge is professor and chairholder of Art History and Theory at the University Duisburg-Essen (Germany). Her researches focus on visual culture from 18th to 21st centuries, on art and ethnography, modernism and postcolonialism. Angela Stercken (PhD) is art historian, curator, and writer focusing on art from the 19th to 21st centuries, exploring subjects such as the theory of image, the history of exhibition and the museum, the theory of art, space and technology, contemporary conceptual and digital art and transcultural processes.
    Additional Edition: ISBN 9783837624113
    Additional Edition: ISBN 9783837624113
    Additional Edition: Art history and fetishism abroad Bielefeld : transcript, 2014 ISBN 3837624110
    Additional Edition: ISBN 9783837624113
    Additional Edition: Available in another form ISBN 9783837624113
    Additional Edition: Druckausg.
    Language: English
    Subjects: Ethnology , Art History
    RVK:
    RVK:
    Keywords: Afrika ; Kunst ; Fetisch ; Rezeption ; Kunstgeschichtsschreibung ; Geschichte ; Afrika ; Postkolonialismus ; Kunstproduktion ; Fetisch ; Konferenzschrift
    Author information: Genge, Gabriele 1965-
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almafu_9959230854202883
    Format: 1 online resource (325 p.)
    Edition: 1st ed.
    ISBN: 3-8394-2411-9
    Series Statement: Image 54
    Content: By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
    Note: Description based upon print version of record. , Frontmatter 1 Content 7 Preface 9 Being Abroad - an Introduction 11 Survival of Images? Fetish and the Concept of the Image between West Africa and Europe 29 Speared Heads. Portraits as Things in 20th-Century Sculpture 57 Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) ObideAba : Time Will Tell 71 Currency Affairs. Photography and Productivity 93 Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" 113 [Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic 129 On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects 159 Bocio. From Nothingness to Liminality and Minimality 177 Encounters with Masks: Counter-Primitivism in 20th-Century Black Art 189 Fetishising Modernity: Bricolage Revisited 205 Fixing Shadows: Photography Beyond the Indexical 235 Incorporations of the Other - Exotic Objects, Tropicalism, and Anthropophagy 251 The Court in Dakar. Political Aesthetics in the Post-Colony 271 Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China 289 Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality 303 Biographical Notes 317 , English
    Additional Edition: ISBN 3-8376-2411-0
    Additional Edition: ISBN 1-322-07925-0
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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