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Format: 1 online resource (328 pages)

ISBN: 9783837643589 , 3837643581 , 9783839443583 , 383944358X

Series Statement: Popular music

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Language: English

Subjects: Musicology

Keywords: Konferenzschrift

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Format: 328 p.;

ISBN: 9783839443583

Series Statement: Studien zur Popularmusik

Subjects: Musicology

Keywords: Electronic books. ; Electronic books.

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UID:

Format: 1 Online-Ressource (328 Seiten)

ISBN: 9783839443583

Series Statement: Popular music

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries

Content: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index

Note: Open Access , Mode of access: Internet via World Wide Web.

Additional Edition: ISBN 9783837643589

Additional Edition: Erscheint auch als Druckausgabe Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy Bielefeld : transcript, 2018 ISBN 9783837643589

Additional Edition: ISBN 3837643581

Language: English

Subjects: Musicology

Keywords: Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung ; Konferenzschrift

DOI: 10.14361/9783839443583

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

URL: Cover

Author information: Nitzsche, Sina A.

Author information: Dunkel, Mario 1982-

UID:

Format: 1 online resource (328 p.)

Edition: 1st ed.

ISBN: 3-8394-4358-X

Series Statement: Studien zur Popularmusik

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Note: Includes index. , Frontmatter 1 Table of Contents 5 Acknowledgements 7 Popular Music and Public Diplomacy 9 Music in Transnational Transfers and International Competitions 29 The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49 Dervish on the Eurovision Stage 69 Between Propaganda and Public Diplomacy 95 "Liberated from Serfdom" 117 A Musical Inquisition? 133 Dancing in Chains 155 Becoming a Blue-Collar Musical Diplomat 175 Music Trade in the Slipstream of Cultural Diplomacy 197 National Flamencoism 209 The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233 Popular Musicking and the Politics of Spectatorship at the United Nations 255 From Sons of Gastarbeita to Songs of Gastarbeiter 277 Public Diplomacy and Decision-Making in the Eurovision Song Contest 301 List of Contributors 315 Index 321 , English.

Additional Edition: ISBN 3-8376-4358-1

Language: English

Subjects: Musicology

DOI: http://dx.doi.org/10.14361/9783839443583

UID:

Format: 328 Seiten : , Illustrationen ; , 22.5 cm x 14.8 cm, 543 g.

ISBN: 978-3-8376-4358-9 , 3-8376-4358-1

Series Statement: Popular music

Additional Edition: Erscheint auch als Online-Ausgabe

Additional Edition: ISBN 9783839443583

Language: English

Subjects: Musicology

Keywords: Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung ; Unterhaltungsmusik ; Public Diplomacy ; Aufsatzsammlung ; Konferenzschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030813763&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

Author information: Nitzsche, Sina A.

Author information: Dunkel, Mario, 1982-

UID:

Format: 1 Online-Ressource

ISBN: 9783839443583

Series Statement: Studien zur Popularmusik

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (328 Seiten) , Illustrationen

ISBN: 9783839443583

Series Statement: Popular music

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Additional Edition: ISBN 9783837643589

Language: English

Keywords: Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung ; Popmusik ; Unterhaltungsmusik ; Public Diplomacy ; Hip-Hop ; Aufsatzsammlung ; Konferenzschrift

URL: Volltext  (kostenfrei)

Author information: Nitzsche, Sina A.

Author information: Dunkel, Mario 1982-

UID:

Edition: 1. Aufl.

ISBN: 9783837643589 , 9783839443583

Series Statement: Studien zur Popularmusik

Content: Long description: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Content: Biographical note: Mario Dunkel (Prof. Dr.) teaches in the music department of the Carl von Ossietzky University of Oldenburg. His articles have appeared in »American Music«, »Popular Music and Society«, »The European Journal of Musicology«, and other outlets. He is the principal investigator of a European research project on populism and European popular music (funded by the Volkswagen Foundation). His research interests include transcultural music pedagogy, the practice and history of music diplomacy as well as the conceptualization and performance of music history in Europe and the U.S. Sina A. Nitzsche (Dr.) teaches American Studies at the TU Dortmund University and at the Ruhr-University Bochum. The founder of the European Hip-Hop Studies Network, she co-edited Hip-Hop in Europe: Cultural Identities and Transnational Flows and Breaking the Panel!: Comics as a Medium. Her articles have appeared in International Journal of Cultural Studies and Journal of World Popular Music. Her research interests include hip-hop studies as well as popular culture, urban, and media studies.

Note: PublicationDate: 20190301

Additional Edition: ISBN 9783839443583

Language: English

URL: https://content-select.com/index.php?id=bib_view&ean=9783839443583

URL: Cover

UID:

Format: 328 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 543 g

ISBN: 9783837643589 , 3837643581

Series Statement: Popular music

Additional Edition: ISBN 9783839443583

Additional Edition: Erscheint auch als Online-Ausgabe Popular music and public diplomacy Bielefeld : transcript, 2019 ISBN 9783839443583

Additional Edition: Erscheint auch als Online-Ausgabe Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy Bielefeld : transcript, 2019 ISBN 9783839443583

Language: English

Subjects: Musicology

Keywords: Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung ; Konferenzschrift

URL: http://www.transcript-verlag.de/978-3-8376-4358-9

URL: Inhaltsverzeichnis

URL: http://www.transcript-verlag.de/978-3-8376-4358-9

Author information: Nitzsche, Sina A.

Author information: Dunkel, Mario 1982-

UID:

Format: 1 online resource

ISBN: 383944358X , 9783839443583

Series Statement: Studien zur Popularmusik

Content: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Popular Music and Public Diplomacy / , Part I: Competition and Collaboration -- , Music in Transnational Transfers and International Competitions / , The Paradoxes of Cultural and Music Diplomacy in a Federal Country / , Dervish on the Eurovision Stage / , Part II: Infiltration and Appropriation -- , Between Propaganda and Public Diplomacy / , "Liberated from Serfdom" / , A Musical Inquisition? / , Part III: Education and Promotion -- , Dancing in Chains / , Becoming a Blue-Collar Musical Diplomat / , Music Trade in the Slipstream of Cultural Diplomacy / , National Flamencoism / , Part IV: Representation and Participation -- , The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / , Popular Musicking and the Politics of Spectatorship at the United Nations / , From Sons of Gastarbeita to Songs of Gastarbeiter / , Public Diplomacy and Decision-Making in the Eurovision Song Contest / , List of Contributors -- , Index , In English.

Language: English

Subjects: Musicology

DOI: 10.14361/9783839443583

URL: De Gruyter, Cover

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URL: https://doi.org/10.14361/9783839443583

URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff

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