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Umfang: 1 online resource (324 p.)

ISBN: 3-8394-7018-8

Serie: Theater ; 160

Inhalt: While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations.

Anmerkung: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , Part One -- , 1.1 Methodological and theoretical framework -- , 1.2 What is Romania? Preliminary considerations -- , 1.3 Previous research on Henrik Ibsen's presence on the Romanian stage -- , 1.4 Dataset -- , 1.5 Periodization and patterns revealed by the data -- , Part Two -- , 2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania -- , 2.2 The French model -- , 2.3 The Italian model -- , 2.4 The German model -- , 2.5 Minor reception models. Hungarian and Yiddish Ibsen performances on the Romanian map -- , 2.6 Conclusions -- , Part Three -- , 3.1 How much Ibsen? Ibsen's "acclimatisation" in the Romanian theatres' repertory -- , 3.2 What is the Romanian national theatre? The National Theatres caught between laws, politics and money -- , Part Four -- , 4.1 Romanian Ibsenites -- , 4.2 Section One. Production Hubs -- , 4.3 Section Two. Character sites -- , Part Five: Conclusions -- , Part Six: Technical Appendix. Networks -- , Introduction -- , 6.1 Three layers -- , 6.2 Ibsen network layer -- , 6.3 Romanian Ibsen key contributors layer -- , 6.4 National network layer -- , 6.5 Final remarks -- , Figures -- , Bibliography , In English.

Sprache: Englisch

DOI: 10.1515/9783839470183

URL: Open Access

URL: Open Access

URL: Cover

URL: De Gruyter Online

URL: EBSCOhost

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UID:

Umfang: 1 Online-Ressource

ISBN: 9783839470183

Serie: Theatre studies volume 160

Anmerkung: Dissertation Oslo Metropolitan University 2020

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-7018-9

Sprache: Englisch

Schlagwort(e): Ibsen, Henrik 1828-1906 ; Drama ; Aufführung ; Rumänien ; Geschichte 1894-1947 ; Hochschulschrift

DOI: 10.14361/9783839470183

DOI: 10.1515/9783839470183

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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URL: Inhaltsverzeichnis

UID:

Umfang: 1 online resource (325 pages)

Ausgabe: 1st ed.

ISBN: 9783839470183

Serie: Theater Series

Anmerkung: Cover -- Contents -- Acknowledgements -- Introduction -- Part One -- 1.1 Methodological and theoretical framework -- 1.1.1 Methodological framing -- 1.1.2 Digital humanities framework. IbsenStage Database -- 1.1.3 Theatre historiography and practice of acting -- 1.1.4 From nation building to post‐colonial theory and intercrossed histories -- 1.2 What is Romania? Preliminary considerations -- 1.2.1 At the crossroads of history -- 1.2.2 Territorial fluidity -- 1.2.3 Cultural influences -- 1.3 Previous research on Henrik Ibsen's presence on the Romanian stage -- 1.4 Dataset -- 1.5 Periodization and patterns revealed by the data -- 1.5.1 Periodization -- 1.5.2 Patterns -- Part Two -- 2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania -- 2.2 The French model -- 2.2.1 French Ibsen tours in Romania -- 2.2.1.1 Andre Antoine, 1894 -- 2.2.1.2 Gabrielle Rejane, 1897 -- 2.2.1.3 Suzanne Despres and Aurelien‐Marie Lugne‐Poe, 1906-1912 -- 2.2.1.3.1 Lugne‐Poe and the Romanian‐French theatrical "chemistry" -- 2.2.2 Final remarks -- 2.3 The Italian model -- 2.3.1 A realist overlapping: Ermete Zacconi and Alfredo de Sanctis as Osvald -- 2.3.1.1 The Italian intertwining of acting practices -- 2.3.1.2 Ermete Zacconi and the Ibsen "terror" -- 2.3.1.3 Alfredo de Sanctis and his Ibsenian family -- 2.3.2 Emma Gramatica. A verismo Nora -- 2.3.3 A 1940's Love's Comedy. Corrado Pavolini -- 2.3.4 Final remarks -- 2.4 The German model -- 2.4.1 Burgtheater. 1884, The Pretenders -- 2.4.2 The Golden Age of the German Ibsen on the Romanian stage. Stars and ensembles -- 2.4.2.1 Agnes Sorma's Nora -- 2.4.2.2 The German Ibsen ensembles of Gustav Lindemann, Maria Rehoff and Ludwig Stärk -- 2.4.3 Ibsen performances during the German occupation of Bucharest (1916-1918) -- 2.4.4 Alexander Moissi: a "public order disturber" Osvald. , 2.4.5 Final remarks -- 2.5 Minor reception models. Hungarian and Yiddish Ibsen performances on the Romanian map -- 2.5.1 The Transylvanian Henrik Ibsen (1879-1945) -- 2.5.1.1 Transylvania: a focal point in the Hungarian‐speaking reception of Ibsen -- 2.5.1.2 Tours and actors -- 2.5.1.2.1 Actor‐managers -- 2.5.1.2.2 Guest actors -- 2.5.1.3 Final remarks -- 2.5.2 The Yiddish tours -- 2.5.2.1 The Vilna Troupe -- 2.5.2.2 Ida Kaminska and the Warsaw Yiddish Art Theater -- 2.5.2.3 Final remarks -- 2.6 Conclusions -- Part Three -- 3.1 How much Ibsen? Ibsen's "acclimatisation" in the Romanian theatres' repertory -- 3.1.1 General repertory statistics -- 3.1.2 Ibsen in the repertory -- 3.1.3 Final remarks -- 3.2 What is the Romanian national theatre? -- 3.2.1 Theatre as a "good" of the State -- 3.2.2 Theatre and state finances -- 3.2.3 The National Theatre's management -- 3.2.3.1 Theatre administration and repertory -- 3.2.4 Legislation and repertory -- 3.2.4.1 Commercialism -- 3.2.4.2 Protectionism -- 3.2.4.3 Aesthetics -- 3.2.5 Conclusions -- Part Four -- 4.1 Romanian Ibsenites -- 4.1.1 Introduction -- 4.1.1.1 Whom? -- 4.1.1.2 The Romanian theatre before Ibsen -- 4.1.1.2.1 Why do actors dominate? -- 4.1.1.2.2 Early acting approaches before Ibsen -- 4.1.1.2.3 Actor training traditions -- 4.1.1.3 Connections: Maps, graphs and networks -- 4.1.1.3.1 Temporal frame -- 4.1.1.3.2 Spatial frame -- 4.1.1.3.3 Institutional frame -- 4.1.1.4 Final remarks -- 4.2 Section One. Production Hubs -- 4.2.1 National Theatre of Iași Hub: State Dragomir, Aglae Pruteanu and Napoleone Borelli -- 4.2.1.1 Introduction -- 4.2.1.2 State Dragomir: an Ibsen teacher -- 4.2.1.3 Aglae Pruteanu: Nora who never left -- 4.2.1.4 Napoleone Borelli: Ibsen in‑between Romanticism and naturalism in Iași -- 4.2.2 Private Companies Hub. Ion Manolescu and Mărioara Voiculescu -- 4.2.2.1 Introduction. , 4.2.2.2 Ion Manolescu and the Bulandra Company -- 4.2.2.3 Mărioara Voiculescu: Peer Gynt en travesti -- 4.2.3 National Theatre of Bucharest Hub -- 4.2.3.1 Paul Gusty -- 4.2.3.1.1 Gusty, a realist director -- 4.2.3.1.2 The primacy of the actor in Gusty's approach -- 4.2.3.1.3 Which productions? -- 4.2.3.2 Mix of star approach and ensemble approach -- 4.2.3.3 Mix of drama and comedy training -- 4.2.3.4 Mix of acting genres -- 4.2.4 Conclusions Production Hubs -- 4.3 Section Two. Character sites -- 4.3.1 Introduction -- 4.3.2 The Romanian Osvald thread. Constantin I. Nottara, Aristide Demetriade and Ion Manolescu -- 4.3.2.1 Constantin I. Nottara -- 4.3.2.2 Aristide Demetriade -- 4.3.2.3 Ion Manolescu -- 4.3.3 The Mrs Alvings of the Romanian stage -- 4.3.3.1 Agatha Barsescu: A polyglot Mrs Alving -- 4.3.3.2 Mărioara Voiculescu in Ghosts -- 4.3.4 Petre Sturdza: The "subversive" Latin Dr. Stockmann of the Romanian stage -- 4.3.5 Conclusions Character Sites -- 4.3.6 Final remarks -- Part Five: Conclusions -- Part Six: Technical Appendix. Networks -- 6.1 Three layers -- 6.2 Ibsen network layer -- 6.3 Romanian Ibsen key contributors layer -- 6.4 National network layer -- 6.5 Final remarks -- Figures -- Bibliography -- Collections in Archives and Libraries.

Weitere Ausg.: Print version: Druta, Gianina Ibsen at the Theatrical Crossroads of Europe Bielefeld : transcript Verlag,c2024 ISBN 9783837670189

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Click to View

UID:

Umfang: 1 online resource (325 pages)

Ausgabe: 1st ed.

ISBN: 9783839470183

Serie: Theater Series

Inhalt: Cover -- Contents -- Acknowledgements -- Introduction -- Part One -- 1.1 Methodological and theoretical framework -- 1.1.1 Methodological framing -- 1.1.2 Digital humanities framework. IbsenStage Database -- 1.1.3 Theatre historiography and practice of acting -- 1.1.4 From nation building to post‐colonial theory and intercrossed histories -- 1.2 What is Romania? Preliminary considerations -- 1.2.1 At the crossroads of history -- 1.2.2 Territorial fluidity -- 1.2.3 Cultural influences -- 1.3 Previous research on Henrik Ibsen's presence on the Romanian stage -- 1.4 Dataset -- 1.5 Periodization and patterns revealed by the data -- 1.5.1 Periodization -- 1.5.2 Patterns -- Part Two -- 2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania -- 2.2 The French model -- 2.2.1 French Ibsen tours in Romania -- 2.2.1.1 Andre Antoine, 1894 -- 2.2.1.2 Gabrielle Rejane, 1897 -- 2.2.1.3 Suzanne Despres and Aurelien‐Marie Lugne‐Poe, 1906-1912 -- 2.2.1.3.1 Lugne‐Poe and the Romanian‐French theatrical "chemistry" -- 2.2.2 Final remarks -- 2.3 The Italian model -- 2.3.1 A realist overlapping: Ermete Zacconi and Alfredo de Sanctis as Osvald -- 2.3.1.1 The Italian intertwining of acting practices -- 2.3.1.2 Ermete Zacconi and the Ibsen "terror" -- 2.3.1.3 Alfredo de Sanctis and his Ibsenian family -- 2.3.2 Emma Gramatica. A verismo Nora -- 2.3.3 A 1940's Love's Comedy. Corrado Pavolini -- 2.3.4 Final remarks -- 2.4 The German model -- 2.4.1 Burgtheater. 1884, The Pretenders -- 2.4.2 The Golden Age of the German Ibsen on the Romanian stage. Stars and ensembles -- 2.4.2.1 Agnes Sorma's Nora -- 2.4.2.2 The German Ibsen ensembles of Gustav Lindemann, Maria Rehoff and Ludwig Stärk -- 2.4.3 Ibsen performances during the German occupation of Bucharest (1916-1918) -- 2.4.4 Alexander Moissi: a "public order disturber" Osvald.

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Weitere Ausg.: ISBN 9783837670189

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9783837670189

Sprache: Englisch

URL: lizenzpflichtig

URL: kostenfrei

UID:

ISBN: 9783839470183

In: Druță, Gianina, 1992 -, Ibsen at the Theatrical Crossroads of Europe, Bielefeld : transcript Verlag, 2024, (2024), Seite 88-101, 9783839470183

In: year:2024

In: pages:88-101

Sprache: Englisch

DOI: 10.14361/9783839470183-012

URL: kostenfrei