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  • 1
    UID:
    almafu_BV042939571
    Format: XXIV, 369 Seiten : , Illustrationen.
    ISBN: 978-90-04-29220-8 , 978-90-04-30001-9
    Series Statement: Visualising the Middle Ages volume 12
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-30001-9
    Language: English
    RVK:
    Keywords: Kunst ; Rezeption ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung
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  • 2
    UID:
    almafu_9959739563902883
    Format: 1 online resource (395 p.)
    ISBN: 90-04-30001-5
    Series Statement: Visualising the Middle Ages, Volume 12
    Content: Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
    Note: Description based upon print version of record. , Preliminary Material -- , Introduction: Byzantium and Modernism / , 1 Modernism’s Byzantium Byzantium’s Modernism / , 2 Kazimir Malevich and the Liturgical Tradition of Eastern ­Christianity / , 3 Arts and Crafts and the ‘Byzantine’: The Greek Connection / , 4 Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou’s Theodora / , 5 Abstraction’s Economy: Hagia Sophia in the Imaginary of Modern Architecture / , 6 Byzantine Architecture: A Moving Target? / , Introduction: The Slash as Method / , 7 Byzantium and the Modernist Subject: The Case of Autobiographical Literature / , 8 One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory / , 9 Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin / , 10 Tarkovsky: Embodying the Screen / , 11 ‘Action-Paradise’ and ‘Readymade Reliquaries’: Eccentric Histories in/of Recent Russian Art / , 12 Lacan and Byzantine Art: In the Beginning was the Image / , 13 Beyond Representation/The Gift of Sight / , 14 We Have Never been Byzantine: On Analogy / , Select Bibliography / , Index / , English
    Additional Edition: ISBN 90-04-29220-9
    Language: English
    Keywords: Electronic books.
    URL: DOI
    URL: DOI:
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  • 3
    UID:
    gbv_829797947
    Format: Online-Ressource (395 p)
    ISBN: 9789004292208
    Series Statement: Visualising the Middle Ages
    Content: 〈i〉Byzantium/Modernism〈/i〉 examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture
    Note: Description based upon print version of record , Contents; Acknowledgments; Preface: A Mosaic Approach; List of Illustrations; List of Contributors; Explanation of the Cover; part 1; Byzantium and Modernism ; Introduction to Part 1; Introduction: Byzantium and Modernism; Maria Taroutina; Section 1; The Avant-Gardes and Their Counter Movements; Chapter 1; Modernism's Byzantium Byzantium's Modernism; Robert S. Nelson; Chapter 2; Kazimir Malevich and the Liturgical Tradition of Eastern Christianity; Myroslava M. Mudrak; Section 2; Modernism's Precursors ; Chapter 3; Arts and Crafts and the 'Byzantine': The Greek Connection; Dimitra Kotoula , Chapter 4Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou's Theodora; Elena Boeck; Section 3; Byzantine Tactics, Modernist Strategiesin Architectural Discourse ; Chapter 5; Abstraction's Economy: Hagia Sophia in the Imaginary of Modern Architecture; Tulay Atak; Chapter 6; Byzantine Architecture: A Moving Target?; Robert Ousterhout; part 2; The Slash as Method; Introduction: The Slash as Method; Roland Betancourt; Section 4; Reading across Time: Modern Subjects, Byzantine Objects; Chapter 7; Byzantium and the Modernist Subject: The Case of Autobiographical Literature , Stratis PapaioannouChapter 8; One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory; Anthony Cutler; Section 5; Byzantine New Media: The Photographicand Filmic Icon ; Chapter 9; Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin; Devin Singh; Chapter 10; Tarkovsky: Embodying the Screen; Marie-José Mondzain; Section 6; Presence, Representation, and the Gaze:The Byzantine at the Ends of Modernity ; Chapter 11; 'Аction-Paradise' and 'Readymade Reliquaries': Eccentric Histories in/of Recent Russian Art , Jane A. SharpChapter 12; Lacan and Byzantine Art: In the Beginning was the Image; Rico Franses; Chapter 13; Beyond Representation/The Gift of Sight; Charles Barber; CODA ; Chapter 14; We Have Never been Byzantine: On Analogy; Glenn Peers; Select Bibliography; Index
    Additional Edition: ISBN 9789004300019
    Additional Edition: ISBN 9789004292208
    Additional Edition: Print version Byzantium/Modernism : The Byzantine as Method in Modernity
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 4
    UID:
    almahu_9949702318802882
    Format: 1 online resource (xxiv, 369 pages) : , illustrations (some color)
    ISBN: 9789004300019
    Series Statement: Visualising the Middle Ages ; v. 12
    Content: Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
    Note: Preliminary Material -- , Introduction: Byzantium and Modernism / , 1 Modernism's Byzantium Byzantium's Modernism / , 2 Kazimir Malevich and the Liturgical Tradition of Eastern ­Christianity / , 3 Arts and Crafts and the 'Byzantine': The Greek Connection / , 4 Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou's Theodora / , 5 Abstraction's Economy: Hagia Sophia in the Imaginary of Modern Architecture / , 6 Byzantine Architecture: A Moving Target? / , Introduction: The Slash as Method / , 7 Byzantium and the Modernist Subject: The Case of Autobiographical Literature / , 8 One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory / , 9 Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin / , 10 Tarkovsky: Embodying the Screen / , 11 'Action-Paradise' and 'Readymade Reliquaries': Eccentric Histories in/of Recent Russian Art / , 12 Lacan and Byzantine Art: In the Beginning was the Image / , 13 Beyond Representation/The Gift of Sight / , 14 We Have Never been Byzantine: On Analogy / , Select Bibliography / , Index /
    Additional Edition: Print version: Byzantium/Modernism: The Byzantine as Method in Modernity Leiden, Boston : BRILL, 2015, ISBN 9789004292208
    Language: English
    URL: DOI:
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