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  • 1
    Book
    Book
    Amsterdam [u.a.] :Rodopi,
    UID:
    almahu_BV021704208
    Format: XXVI, 326 S. : , Ill.
    ISBN: 90-420-2018-0 , 978-90-420-2018-4
    Series Statement: Cross cultures 85
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Postkoloniale Literatur ; Globalisierung ; Postkolonialismus ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Editions Rodopi
    UID:
    gbv_1696523281
    Format: 1 online resource (353 pages)
    ISBN: 9789401203098
    Series Statement: Cross/Cultures - Readings in the Post/Colonial Literatures in English, 85 v.v. 85
    Content: The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like 'global homogenization' and 'postcolonial resistance'. Interwoven are considerations of the intellectual or writer's position today.Literary texts from a wide range of countries are analysed for their resistance to global hegemony and for representations of manipulative power structures, in order to highlight issues such as environmental loss, nationality, migrancy, and marginality. Specific topics covered include 'westernizing' the Indian academy, ecotourism and the new media of computer technology, the corporatization of creativity in 're-branding' New Zealand (including film), and the hybrid forms of Latin American photography. Writers discussed include Chinua Achebe, Samuel Beckett, Hafid Bouazza, Bei Dao, Mahmoud Darwish, Witi Ihimaera, James Joyce, Yann Martel, Rohinton Mistry, Ellen Ombre, Michael Ondaatje, George Orwell, Arundhati Roy, Salman Rushdie, and Edward Said. Different essays stress the hegemony of global networks; the technological revolution's revitalizing of niche marketing while marginalizing postcolonial resistance; the implications of the internationalization of culture for the indigene; and the potential of cultural hybridity to collapse cultural hierarchies.
    Content: Intro -- Global Fissures -- IN MEMORIAM -- Contents -- Illustrations -- Introduction -- SECTION 1. THEORIZING THE GLOBAL AND THE POSTCOLONIAL -- Theorizing the Diaspora -- The Price of Silence -- Is the World Decentred? -- SECTION 2. GLOBALIZATION AND LITERATURE -- World Famous Across Canada -- Ethics, Aesthetics, and the Globalized Other in Arundhati Roy's The God of Small Things -- The Elephant in the Living-Room -- On Invasions, Weeds, and Wilderness -- Cosmopolitan Readers and Postcolonial Identities -- The Fantasy of Home -- SECTION 3. GLOBALIZATION, POLITICS AND CULTURE -- Macaulay to Microsoft -- Creativity Inc. -- Riding the Whale? -- Representing Interconnection and Cultural Flow -- anredoM acitpO or Aztec Cameras -- Illustrations -- Notes on Contributors.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9789042020184
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789042020184
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    E-Resource
    E-Resource
    Leiden; : BRILL,
    UID:
    almahu_9949702152802882
    Format: 1 online resource.
    ISBN: 9789401203098 , 9789042020184
    Series Statement: Cross/Cultures ; 85
    Content: The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like 'global homogenization' and 'postcolonial resistance'. Interwoven are considerations of the intellectual or writer's position today. Literary texts from a wide range of countries are analysed for their resistance to global hegemony and for representations of manipulative power structures, in order to highlight issues such as environmental loss, nationality, migrancy, and marginality. Specific topics covered include 'westernizing' the Indian academy, ecotourism and the new media of computer technology, the corporatization of creativity in 're-branding' New Zealand (including film), and the hybrid forms of Latin American photography. Writers discussed include Chinua Achebe, Samuel Beckett, Hafid Bouazza, Bei Dao, Mahmoud Darwish, Witi Ihimaera, James Joyce, Yann Martel, Rohinton Mistry, Ellen Ombre, Michael Ondaatje, George Orwell, Arundhati Roy, Salman Rushdie, and Edward Said. Different essays stress the hegemony of global networks; the technological revolution's revitalizing of niche marketing while marginalizing postcolonial resistance; the implications of the internationalization of culture for the indigene; and the potential of cultural hybridity to collapse cultural hierarchies.
    Note: Illustrations -- Introduction: Global Fissures : Postcolonial Fusions -- Section 1: Theorizing the Global and the Postcolonial -- John C. HAWLEY: Theorizing the Diaspora -- ROBERT SPENCER: The Price of Silence: Intellectual Communication in the Age of Globalization -- Shaobo XIE: Is the World Decentred? A Postcolonial Perspective on Globalization -- Section 2: Globalization and Literature -- Cynthia SUGARS: "World Famous Across Canada": National Identity in the Global Village -- Chitra SANKARAN: Ethics, Aesthetics and the Globalized Other in Arundhati Roy's The God of Small Things -- A. Clare BRANDABUR: The Elephant in the Living-Room: A Postcolonial Reading of Waiting for Godot -- Isabel HOVING: On Invasions, Weeds, and Wilderness: The Dutch Imagination of Globalization (thrice) -- C.L. INNES: Cosmopolitan Readers and Postcolonial Identities -- Mustapha MARROUCHI: The Fantasy of Home -- Section 3: Globalization, Politics and Culture -- Vijayasree CHAGANTI & Kanukolanuk RAVICHANDRA: Macaulay to Microsoft: Globalization and the Indian Academy -- Jennifer LAWN: Creativity Inc. Globalizing the Cultural Imaginary in New Zealand -- Chris PRENTICE: Riding the Whale? Postcolonialism and Globalization in Whale Rider -- Martin SPAUL & AMINA MINHAS: Representing Interconnection and Cultural Flow: Towards Reframing Tourist Experiences with New Media -- Peter D. OSBORNE: anredoM acitpO or Aztec Cameras: Cultural Hybridity and Latin American Photography -- Notes on Contributors.
    Additional Edition: Print version: Global Fissures : Postcolonial Fusions. Leiden ; Boston : BRILL, 2006 ISBN 9789042020184
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Leiden : BRILL
    UID:
    gbv_1806476932
    Format: 1 Online-Ressource
    ISBN: 9789401203098 , 9789042020184
    Series Statement: Cross/Cultures 85
    Content: The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like 'global homogenization' and 'postcolonial resistance'. Interwoven are considerations of the intellectual or writer's position today. Literary texts from a wide range of countries are analysed for their resistance to global hegemony and for representations of manipulative power structures, in order to highlight issues such as environmental loss, nationality, migrancy, and marginality. Specific topics covered include 'westernizing' the Indian academy, ecotourism and the new media of computer technology, the corporatization of creativity in 're-branding' New Zealand (including film), and the hybrid forms of Latin American photography. Writers discussed include Chinua Achebe, Samuel Beckett, Hafid Bouazza, Bei Dao, Mahmoud Darwish, Witi Ihimaera, James Joyce, Yann Martel, Rohinton Mistry, Ellen Ombre, Michael Ondaatje, George Orwell, Arundhati Roy, Salman Rushdie, and Edward Said. Different essays stress the hegemony of global networks; the technological revolution's revitalizing of niche marketing while marginalizing postcolonial resistance; the implications of the internationalization of culture for the indigene; and the potential of cultural hybridity to collapse cultural hierarchies
    Note: Includes bibliographical references and index , Illustrations -- Introduction: Global Fissures : Postcolonial Fusions -- Section 1: Theorizing the Global and the Postcolonial -- John C. HAWLEY: Theorizing the Diaspora -- ROBERT SPENCER: The Price of Silence: Intellectual Communication in the Age of Globalization -- Shaobo XIE: Is the World Decentred? A Postcolonial Perspective on Globalization -- Section 2: Globalization and Literature -- Cynthia SUGARS: "World Famous Across Canada": National Identity in the Global Village -- Chitra SANKARAN: Ethics, Aesthetics and the Globalized Other in Arundhati Roy's The God of Small Things -- A. Clare BRANDABUR: The Elephant in the Living-Room: A Postcolonial Reading of Waiting for Godot -- Isabel HOVING: On Invasions, Weeds, and Wilderness: The Dutch Imagination of Globalization (thrice) -- C.L. INNES: Cosmopolitan Readers and Postcolonial Identities -- Mustapha MARROUCHI: The Fantasy of Home -- Section 3: Globalization, Politics and Culture -- Vijayasree CHAGANTI & Kanukolanuk RAVICHANDRA: Macaulay to Microsoft: Globalization and the Indian Academy -- Jennifer LAWN: Creativity Inc. Globalizing the Cultural Imaginary in New Zealand -- Chris PRENTICE: Riding the Whale? Postcolonialism and Globalization in Whale Rider -- Martin SPAUL & AMINA MINHAS: Representing Interconnection and Cultural Flow: Towards Reframing Tourist Experiences with New Media -- Peter D. OSBORNE: anredoM acitpO or Aztec Cameras: Cultural Hybridity and Latin American Photography -- Notes on Contributors.
    Additional Edition: Erscheint auch als Druck-Ausgabe Global Fissures : Postcolonial Fusions Leiden : BRILL, 2006 ISBN 9789042020184
    Language: English
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Amsterdam ; : Rodopi,
    UID:
    edocfu_9959242924002883
    Format: 1 online resource (353 p.)
    ISBN: 94-012-0309-1 , 1-4294-5612-4
    Series Statement: Cross/cultures, 85
    Content: The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like 'global homogenization' and 'postcolonial resistance'. Interwoven are considerations of the intellectual or writer's position today. Literary texts from a wide range of countries are analysed for their resistance to global hegemony and for representations of manipulative power structures, in order to highlight issues such as environmental loss, nationality, migrancy, and marginality. Specific topics covered include 'westernizing' the Indian academy, ecotourism and the new media of computer technology, the corporatization of creativity in 're-branding' New Zealand (including film), and the hybrid forms of Latin American photography. Writers discussed include Chinua Achebe, Samuel Beckett, Hafid Bouazza, Bei Dao, Mahmoud Darwish, Witi Ihimaera, James Joyce, Yann Martel, Rohinton Mistry, Ellen Ombre, Michael Ondaatje, George Orwell, Arundhati Roy, Salman Rushdie, and Edward Said. Different essays stress the hegemony of global networks; the technological revolution's revitalizing of niche marketing while marginalizing postcolonial resistance; the implications of the internationalization of culture for the indigene; and the potential of cultural hybridity to collapse cultural hierarchies.
    Note: Description based upon print version of record. , Illustrations -- Introduction: Global Fissures : Postcolonial Fusions -- Section 1: Theorizing the Global and the Postcolonial -- John C. HAWLEY: Theorizing the Diaspora -- ROBERT SPENCER: The Price of Silence: Intellectual Communication in the Age of Globalization -- Shaobo XIE: Is the World Decentred? A Postcolonial Perspective on Globalization -- Section 2: Globalization and Literature -- Cynthia SUGARS: "World Famous Across Canada": National Identity in the Global Village -- Chitra SANKARAN: Ethics, Aesthetics and the Globalized Other in Arundhati Roy's The God of Small Things -- A. Clare BRANDABUR: The Elephant in the Living-Room: A Postcolonial Reading of Waiting for Godot -- Isabel HOVING: On Invasions, Weeds, and Wilderness: The Dutch Imagination of Globalization (thrice) -- C.L. INNES: Cosmopolitan Readers and Postcolonial Identities -- Mustapha MARROUCHI: The Fantasy of Home -- Section 3: Globalization, Politics and Culture -- Vijayasree CHAGANTI & Kanukolanuk RAVICHANDRA: Macaulay to Microsoft: Globalization and the Indian Academy -- Jennifer LAWN: Creativity Inc. Globalizing the Cultural Imaginary in New Zealand -- Chris PRENTICE: Riding the Whale? Postcolonialism and Globalization in Whale Rider -- Martin SPAUL & AMINA MINHAS: Representing Interconnection and Cultural Flow: Towards Reframing Tourist Experiences with New Media -- Peter D. OSBORNE: anredoM acitpO or Aztec Cameras: Cultural Hybridity and Latin American Photography -- Notes on Contributors. , English
    Additional Edition: ISBN 90-420-2018-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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