Kooperativer Bibliotheksverbund

UID:

Format: XVII, 361 S. : , Ill.

ISBN: 978-90-420-2182-2

Series Statement: Cross cultures 90

Language: English

Subjects: English Studies

Keywords: Postkoloniale Literatur ; Nationalbewusstsein ; Globalisierung ; Englisch ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015621812&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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URL: Klappentext

URL: Inhaltsverzeichnis

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URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015621812&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

Author information: Wiemann, Dirk, 1964-

UID:

Format: 1 online resource (379 pages)

ISBN: 9789401204224

Series Statement: ASNEL Papers v.v. 90

Content: While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian 'global village' - an asymmetry between centre and periphery remains largely intact, albeit along new parameters.The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.

Content: Intro -- Global Fragments -- Contents -- GLOBAL FRAGMENTS: AN INTRODUCTION -- GLOCAL IDENTITIES: MAPPING, ITINERARIES, MEMORIES -- Contemporary Asian-Australian Identities- Hsu-Ming Teo's Love and Vertigo -- Mapping (Un-)Australian Identities- 'Territorial Disputes' in Christos Tsiolkas' Loaded -- Understanding Departure- A Study of Select Pre-Migration Indian Female Subjectivities -- Black, Asian, and Other British- Transcultural Literature and the Discreet Charm of Ethnicity -- CONSUMING GLOBALITY: PERFORMANCE, DIFFERENCE, DESIRE -- Indian Diaspora Meets Indo-Chic: Fragmentation, Fashion, and Resistance in Meera Syal's Life Isn't All Ha Ha Hee Hee -- Bhangra Babes: 'Masala' Music and Questions of Identity and Integration in South Asian-British Women's Writing -- AIDS, Pornography, and Conspicuous Consumption- Media Strategies of an HIV/AIDS Prevention Campaign in South Africa -- The Global Biddingfor Dorothy Gale's Magical Shoes- Salman Rushdie's "At the Auction of the Ruby Slippers" as a (Self-)Reflection on the Post-Frontier Predicament -- IMAGINING COMMUNITIES: REPRESENTATION, DISTORTION, AFFILIATION -- Imagining Indians: Subverting Global Media Politics in the Local Media -- Of Warriors, a Whalerider, and Venetians: Contemporary Māori Films -- Teaming Multitudes: Lagaan and the Nation in Globality -- "Blanched Bones, Mouldering Graves and Potent Spells": White Constructions of Black Diasporic Rituals in Slave Culture -- Scotland as a Multifractured Postcolonial Go-Between? Ambiguous Interfaces between (Post-)Celticism, Gaelicness, Scottishness and Postcolonialism -- CONSTRUCTING COMMON GROUND: NETWORKS, CONCEPTS, IMAGES -- Universal Matters -- Universals Matter -- Local Knowledge - Global Resistance -- Networks of the Media: Media Cultures, Connectivity, and Globalization.

Note: Description based on publisher supplied metadata and other sources

Additional Edition: ISBN 9789042021822

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789042021822

Language: English

URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=556832

URL: Volltext

URL: Volltext

URL: Volltext

UID:

Format: 1 Online-Ressource (xvii, 361 pages) , illustrations

ISBN: 9789401204224

Series Statement: Cross/cultures 90

Content: Preliminary Material -- Contemporary Asian-Australian Identities — Hsu–Ming Teo’s Love and Vertigo /Russell West–Pavlov -- Understanding Departure — A Study of Select Pre-Migration Indian Female Subjectivities /Mala Pandurang -- Black, Asian, and Other British — Transcultural Literature and the Discreet Charm of Ethnicity /Frank Schulze–Engler -- Indian Diaspora Meets Indo-chic — Fragmentation, Fashion, and Resistance in Meera Syal’s Life Isn’t All Ha Ha Hee Hee /Mita Banerjee -- Bhangra Babes — ‘Masala’ Music and Questions of Identity and Integration in South Asian-British Women’s Writing /Christine Vogt–William -- Bhangra Babes — ‘Masala’ Music and Questions of Identity and Integration in South Asian-British Women’s Writing /Christine Vogt–William -- AIDS, Pornography, and Conspicuous Consumption — Media Strategies of an HIV/AIDS Prevention Campaign in South Africa /Ulrike Kistner -- The Global Bidding for Dorothy Gale’s Magical Shoes — Salman Rushdie’s “At the Auction of the Ruby Slippers” as a (Self-)Reflection on the Post-Frontier Predicament /Justyna Deszcz–Tryhubczak -- Imagining Indians — Subverting Global Media Politics in the Local Media /Kerstin Knopf -- Of Warriors, a Whalerider, and Venetians — Contemporary Māori Films /Dieter Riemenschneider -- Teaming Multitudes — Lagaan and the Nation in Globality /Dirk Wiemann -- “Blanched Bones, Mouldering Graves and Potent Spells” — White Constructions of Black Diasporic Rituals in Slave Culture /Kirsten Raupach -- Scotland as a Multifractured Postcolonial Go-Between? — Ambiguous Interfaces Between (Post-)Celticism, Gaelicness, Scottishness and Postcolonialism. /Silke Stroh -- Universal Matters; Universals Matter /Tabish Khair -- Local Knowledge – Global Resistance — Policies of a New Technological “Enlightenment” /Frank Lay -- Networks of the Media — Media Cultures, Connectivity and Globalization /Andreas Hepp -- At the Periphery of the Periphery — Children’s Literature, Global and Local /Emer O’Sullivan -- Dialect Representation versus Linguistic Stereotype in Literature — Three Examples from Indian South African English /Rajend Mesthrie -- Camfranglais — A Language with Several (Sur)Faces and Important Sociolinguistic Functions /Anne Schröder -- Henry Lawson’s “The Drover’s Wife” and the Australian Short Story /Liesel Hermes -- West Meets East / East Meets West? — Teaching William Sutcliffe’s Cult Novel Are You Experienced? (1997) /Laurenz Volkmann -- Read the Texts and Let Them Speak, Too — Teaching New Zealand Poetry in the Sixth Form /Claudia Duppé and Manfred Gantner -- Teaching the New South Africa — The Cartoon Strip Madam and Eve /Gisela Feurle -- Notes on Contributors.

Content: While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian ‘global village’ – an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness

Note: "This volume presents a collection of papers read at the international conference 'Global Fragments: (Dis)orientation in the New World Order' held at Magdeburg in May 2003"--Page x , Includes bibliographical references

Additional Edition: ISBN 9789042021822

Additional Edition: ISBN 9042021829

Additional Edition: Erscheint auch als Druck-Ausgabe Global fragments Amsterdam ; New York, NY : Rodopi, 2007 ISBN 9789042021822

Additional Edition: ISBN 9042021829

Language: English

DOI: 10.1163/9789401204224

URL: DOI

UID:

Format: 1 online resource (xvii, 361 pages) : , illustrations.

ISBN: 9789401204224

Series Statement: Cross/cultures ; 90

Content: While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian 'global village' - an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.

Note: "This volume presents a collection of papers read at the international conference 'Global Fragments: (Dis)orientation in the New World Order' held at Magdeburg in May 2003"--Page x. , Preliminary Material -- , Contemporary Asian-Australian Identities - Hsu-Ming Teo's Love and Vertigo / , Understanding Departure - A Study of Select Pre-Migration Indian Female Subjectivities / , Black, Asian, and Other British - Transcultural Literature and the Discreet Charm of Ethnicity / , Indian Diaspora Meets Indo-chic - Fragmentation, Fashion, and Resistance in Meera Syal's Life Isn't All Ha Ha Hee Hee / , Bhangra Babes - 'Masala' Music and Questions of Identity and Integration in South Asian-British Women's Writing / , Bhangra Babes - 'Masala' Music and Questions of Identity and Integration in South Asian-British Women's Writing / , AIDS, Pornography, and Conspicuous Consumption - Media Strategies of an HIV/AIDS Prevention Campaign in South Africa / , The Global Bidding for Dorothy Gale's Magical Shoes - Salman Rushdie's "At the Auction of the Ruby Slippers" as a (Self-)Reflection on the Post-Frontier Predicament / , Imagining Indians - Subverting Global Media Politics in the Local Media / , Of Warriors, a Whalerider, and Venetians - Contemporary Māori Films / , Teaming Multitudes - Lagaan and the Nation in Globality / , "Blanched Bones, Mouldering Graves and Potent Spells" - White Constructions of Black Diasporic Rituals in Slave Culture / , Scotland as a Multifractured Postcolonial Go-Between? - Ambiguous Interfaces Between (Post-)Celticism, Gaelicness, Scottishness and Postcolonialism. / , Universal Matters; Universals Matter / , Local Knowledge - Global Resistance - Policies of a New Technological "Enlightenment" / , Networks of the Media - Media Cultures, Connectivity and Globalization / , At the Periphery of the Periphery - Children's Literature, Global and Local / , Dialect Representation versus Linguistic Stereotype in Literature - Three Examples from Indian South African English / , Camfranglais - A Language with Several (Sur)Faces and Important Sociolinguistic Functions / , Henry Lawson's "The Drover's Wife" and the Australian Short Story / , West Meets East / East Meets West? - Teaching William Sutcliffe's Cult Novel Are You Experienced? (1997) / , Read the Texts and Let Them Speak, Too - Teaching New Zealand Poetry in the Sixth Form / , Teaching the New South Africa - The Cartoon Strip Madam and Eve / , Notes on Contributors.

Additional Edition: Print version: Global fragments. Amsterdam ; New York, NY : Rodopi, 2007 ISBN 9789042021822

Additional Edition: ISBN 9042021829

Language: English

Keywords: Conference papers and proceedings.

URL: DOI:

UID:

Format: 1 online resource (380 p.)

Edition: 1st ed.

ISBN: 94-012-0422-5 , 1-4294-8082-3

Series Statement: ASNEL papers ; 10

Content: While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian ‘global village’ – an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.

Note: "This volume presents a collection of papers read at the international conference 'Global Fragments: (Dis)orientation in the New World Order' held at Magdeburg in May 2003."--P. x. , Preliminary Material -- , Contemporary Asian-Australian Identities — Hsu–Ming Teo’s Love and Vertigo / , Understanding Departure — A Study of Select Pre-Migration Indian Female Subjectivities / , Black, Asian, and Other British — Transcultural Literature and the Discreet Charm of Ethnicity / , Indian Diaspora Meets Indo-chic — Fragmentation, Fashion, and Resistance in Meera Syal’s Life Isn’t All Ha Ha Hee Hee / , Bhangra Babes — ‘Masala’ Music and Questions of Identity and Integration in South Asian-British Women’s Writing / , Bhangra Babes — ‘Masala’ Music and Questions of Identity and Integration in South Asian-British Women’s Writing / , AIDS, Pornography, and Conspicuous Consumption — Media Strategies of an HIV/AIDS Prevention Campaign in South Africa / , The Global Bidding for Dorothy Gale’s Magical Shoes — Salman Rushdie’s “At the Auction of the Ruby Slippers” as a (Self-)Reflection on the Post-Frontier Predicament / , Imagining Indians — Subverting Global Media Politics in the Local Media / , Of Warriors, a Whalerider, and Venetians — Contemporary Māori Films / , Teaming Multitudes — Lagaan and the Nation in Globality / , “Blanched Bones, Mouldering Graves and Potent Spells” — White Constructions of Black Diasporic Rituals in Slave Culture / , Scotland as a Multifractured Postcolonial Go-Between? — Ambiguous Interfaces Between (Post-)Celticism, Gaelicness, Scottishness and Postcolonialism. / , Universal Matters; Universals Matter / , Local Knowledge – Global Resistance — Policies of a New Technological “Enlightenment” / , Networks of the Media — Media Cultures, Connectivity and Globalization / , At the Periphery of the Periphery — Children’s Literature, Global and Local / , Dialect Representation versus Linguistic Stereotype in Literature — Three Examples from Indian South African English / , Camfranglais — A Language with Several (Sur)Faces and Important Sociolinguistic Functions / , Henry Lawson’s “The Drover’s Wife” and the Australian Short Story / , West Meets East / East Meets West? — Teaching William Sutcliffe’s Cult Novel Are You Experienced? (1997) / , Read the Texts and Let Them Speak, Too — Teaching New Zealand Poetry in the Sixth Form / , Teaching the New South Africa — The Cartoon Strip Madam and Eve / , Notes on Contributors. , English

Additional Edition: ISBN 90-420-2182-9

Language: English