Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (271 pages)

ISBN: 9789401204750

Series Statement: DQR studies in literature ; 39

Content: Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.

Note: Includes index. , Preliminary material / , INTRODUCTION / , ANNA SEWARD AND THE DYNAMICS OF FEMALE FRIENDSHIP / , "KNOW ME WHAT I PAINT": WOMEN POETS AND THE AESTHETICS OF THE SKETCH 1770-1830 / , WITHIN OR WITHOUT? PROBLEMS OF PERSPECTIVE IN CHARLOTTE SMITH, ANNA LAETITIA BARBAULD AND DOROTHY WORDSWORTH / , HELEN MARIA WILLIAMS: THE SHAPING OF A POETIC IDENTITY / , LISTING THE BUSY SOUNDS: ANNA SEWARD, MARY ROBINSON AND THE POETIC CHALLENGE OF THE CITY / , JOANNA BAILLIE'S EMBARRASSMENT / , THE "PIECES OF POETRY" IN ANN RADCLIFFE'S THE MYSTERIES OF UDOLPHO / , ENDING THE ROMANCE: WOMEN POETS AND THE ROMANTIC VERSE TALE / , LETITIA ELIZABETH LANDON'S THE IMPROVISATRICE: THE FATAL COMBINATION OF GENDER AND GENRE / , ANNA LAETITIA BARBAULD'S ETHICS OF SENTIMENT / , WOMEN ROMANCE WRITERS: MARY TIGHE AND MARY HAYS / , FELICIA HEMANS, LETITIA LANDON, AND "LADY'S RULE" / , WOMEN RE-WRITING MEN: THE EXAMPLES OF ANNA SEWARD AND LADY CAROLINE LAMB / , NOTES ON CONTRIBUTORS / , INDEX /

Additional Edition: Print version: Romantic women poets. Amsterdam ; New York, NY : Rodopi, 2007 ISBN 9789042022478

Additional Edition: ISBN 9042022477

Language: English

Keywords: Criticism, interpretation, etc.

URL: DOI:

URL: DOI

UID:

Format: 271 S.

ISBN: 978-90-420-2247-8

Series Statement: DQR studies in literature 39

Language: English

Subjects: English Studies

Keywords: Romantik ; Frauenliteratur ; Englisch ; Englisch ; Frauenliteratur ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016219728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltstext

URL: Inhaltsverzeichnis

Author information: Crisafulli, Lilla Maria, ca. 20. Jh.-

UID:

Format: 1 online resource (279 pages)

ISBN: 9789401204750

Series Statement: DQR Studies in Literature Ser. v.v. 39

Content: Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.

Content: Intro -- Romantic Women Poets -- CONTENTS -- INTRODUCTION -- MODES OF WOMEN'S VERSE AND VOICE IN THE ROMANTIC PERIOD -- Anna Seward and the Dynamics of Female Friendship -- "Know me what I paint": Women Poets and the Aesthetics of the Sketch 1770-1830 -- Within or Without? Problems of Perspective in Charlotte Smith, Anna Laetitia Barbauld and Dorothy Wordsworth -- Helen Maria Williams: The Shaping of a Poetic Identity -- CREATING A PUBLIC VOICE -- Listing the Busy Sounds: Anna Seward, Mary Robinson and the Poetic Challenge of the City -- Joanna Baillie's Embarrassment -- GENRE CROSSING: VERSE VERSUS PROSE AND DRAMA -- The "Pieces of Poetry" in Ann Radcliffe's The Mysteries of Udolpho -- Ending the Romance: Women Poets and the Romantic Verse Tale -- Letitia Elizabeth Landon's The Improvisatrice: the Fatal Combination of Gender and Genre -- Anna Laetitia Barbauld's Ethics of Sentiment -- ROMANTIC FEMALE AND MALE POETS: DIALOGUE AND REVISION -- Women Romance Writers: Mary Tighe and Mary Hays -- Felicia Hemans, Letitia Landon, and "Lady's Rule" -- Women Re-writing Men: The Examples of Anna Seward and Lady Caroline Lamb -- Notes on Contributors -- Index.

Note: Description based on publisher supplied metadata and other sources

Additional Edition: ISBN 9789042022478

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789042022478

Language: English

URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=556640

UID:

Format: 1 Online-Ressource (VIII, 271 Seiten)

ISBN: 9042022477 , 9789042022478

Series Statement: DQR studies in literature 39

Content: Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Lando

Note: Includes bibliographical references and index , Romantic Women Poets Genre and Gender; CONTENTS; INTRODUCTION; MODES OF WOMEN'S VERSE AND VOICE IN THE ROMANTIC PERIOD; CREATING A PUBLIC VOICE; GENRE CROSSING: VERSE VERSUS PROSE AND DRAMA; ROMANTIC FEMALE AND MALE POETS: DIALOGUE AND REVISION; NOTES ON CONTRIBUTORS; INDEX

Additional Edition: Print version Romantic Women Poets : Genre and Gender

Language: English

Keywords: Englisch ; Romantik ; Frauenliteratur ; Englisch ; Frauenliteratur ; Geschichte 1790-1830 ; Aufsatzsammlung

DOI: 10.1163/9789401204750

URL: Volltext

Author information: Crisafulli, Lilla Maria

UID:

Format: 1 online resource (280 p.)

Edition: 1st ed.

ISBN: 1-282-26581-4 , 9786612265815 , 94-012-0475-6 , 1-4356-1186-1

Series Statement: DQR studies in literature ; 39

Content: Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.

Note: Includes bibliographical references and index. , Preliminary material / , INTRODUCTION / , ANNA SEWARD AND THE DYNAMICS OF FEMALE FRIENDSHIP / , “KNOW ME WHAT I PAINT”: WOMEN POETS AND THE AESTHETICS OF THE SKETCH 1770-1830 / , WITHIN OR WITHOUT? PROBLEMS OF PERSPECTIVE IN CHARLOTTE SMITH, ANNA LAETITIA BARBAULD AND DOROTHY WORDSWORTH / , HELEN MARIA WILLIAMS: THE SHAPING OF A POETIC IDENTITY / , LISTING THE BUSY SOUNDS: ANNA SEWARD, MARY ROBINSON AND THE POETIC CHALLENGE OF THE CITY / , JOANNA BAILLIE’S EMBARRASSMENT / , THE “PIECES OF POETRY” IN ANN RADCLIFFE’S THE MYSTERIES OF UDOLPHO / , ENDING THE ROMANCE: WOMEN POETS AND THE ROMANTIC VERSE TALE / , LETITIA ELIZABETH LANDON’S THE IMPROVISATRICE: THE FATAL COMBINATION OF GENDER AND GENRE / , ANNA LAETITIA BARBAULD’S ETHICS OF SENTIMENT / , WOMEN ROMANCE WRITERS: MARY TIGHE AND MARY HAYS / , FELICIA HEMANS, LETITIA LANDON, AND “LADY’S RULE” / , WOMEN RE-WRITING MEN: THE EXAMPLES OF ANNA SEWARD AND LADY CAROLINE LAMB / , NOTES ON CONTRIBUTORS / , INDEX / , English

Additional Edition: ISBN 90-420-2247-7

Language: English