Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Subjects(RVK)
  • 1
    Book
    Book
    Amsterdam [u.a.] :Rodopi,
    UID:
    almahu_BV035142405
    Format: XIX, 248 S. : , Ill.
    ISBN: 978-90-420-2382-6
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur 157
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1920-1970 Celan, Paul ; Lyrik
    Author information: Bekker, Hugo 1925-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Amsterdam : Rodopi
    UID:
    gbv_1738129144
    Format: 1 Online-Ressource (xix, 248 pages) , illustrations
    ISBN: 9789401205726
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur 157
    Content: Preliminary Material -- The Beginnings, Part I -- The Beginnings, Part II -- Poppies, Forgetfulness, Dreams, Rebels -- Things (Quasi-) Medieval -- War -- The Mother Figure -- On the Way to Todesfuge -- Poetic Devices and Their Consequences -- The Lithographs in Der Sand aus den Urnen -- Abbreviations -- bibliography -- Index of Names -- Index of German Celan Poems Cited.
    Content: Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied , Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan’s early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan’s maturity. It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever. This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew’s concept regarding the role of the deity in the destruction of those for whom the poet speaks
    Note: Includes bibliographical references (p. 229-239) and index , English and German
    Additional Edition: ISBN 9789042023826
    Additional Edition: ISBN 9042023821
    Additional Edition: Erscheint auch als Druck-Ausgabe Bekker, Hugo, 1925- Paul Celan Amsterdam ; New York : Rodopi, 2008 ISBN 9789042023826
    Additional Edition: ISBN 9042023821
    Language: English
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    E-Resource
    E-Resource
    Amsterdam ; : Rodopi,
    UID:
    almahu_9949702209102882
    Format: 1 online resource (xix, 248 pages) : , illustrations.
    ISBN: 9789401205726
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur, 157
    Content: Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied , Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan's early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan's maturity. It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever. This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew's concept regarding the role of the deity in the destruction of those for whom the poet speaks.
    Note: Preliminary Material -- The Beginnings, Part I -- The Beginnings, Part II -- Poppies, Forgetfulness, Dreams, Rebels -- Things (Quasi-) Medieval -- War -- The Mother Figure -- On the Way to Todesfuge -- Poetic Devices and Their Consequences -- The Lithographs in Der Sand aus den Urnen -- Abbreviations -- bibliography -- Index of Names -- Index of German Celan Poems Cited. , English and German.
    Additional Edition: Print version: Bekker, Hugo, 1925- Paul Celan. Amsterdam ; New York : Rodopi, 2008 ISBN 9789042023826
    Additional Edition: ISBN 9042023821
    Language: English
    Keywords: Criticism, interpretation, etc.
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Amsterdam [Netherlands] ; : Rodopi,
    UID:
    almafu_9959233806002883
    Format: 1 online resource (269 p.)
    Edition: 1st ed.
    ISBN: 94-012-0572-8 , 1-4356-4714-9
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur, 157
    Content: Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied , Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan’s early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan’s maturity. It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever. This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew’s concept regarding the role of the deity in the destruction of those for whom the poet speaks.
    Note: Description based upon print version of record. , Preliminary Material -- The Beginnings, Part I -- The Beginnings, Part II -- Poppies, Forgetfulness, Dreams, Rebels -- Things (Quasi-) Medieval -- War -- The Mother Figure -- On the Way to Todesfuge -- Poetic Devices and Their Consequences -- The Lithographs in Der Sand aus den Urnen -- Abbreviations -- bibliography -- Index of Names -- Index of German Celan Poems Cited. , English
    Additional Edition: ISBN 90-420-2382-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Amsterdam [Netherlands] ; : Rodopi,
    UID:
    edocfu_9959233806002883
    Format: 1 online resource (269 p.)
    Edition: 1st ed.
    ISBN: 94-012-0572-8 , 1-4356-4714-9
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur, 157
    Content: Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Büchner, Goethe, Gottfried von Strassburg, Gryphius, Mörike, the poet of the Nibelungenlied , Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan’s early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan’s maturity. It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever. This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew’s concept regarding the role of the deity in the destruction of those for whom the poet speaks.
    Note: Description based upon print version of record. , Preliminary Material -- The Beginnings, Part I -- The Beginnings, Part II -- Poppies, Forgetfulness, Dreams, Rebels -- Things (Quasi-) Medieval -- War -- The Mother Figure -- On the Way to Todesfuge -- Poetic Devices and Their Consequences -- The Lithographs in Der Sand aus den Urnen -- Abbreviations -- bibliography -- Index of Names -- Index of German Celan Poems Cited. , English
    Additional Edition: ISBN 90-420-2382-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9789042028326?
Did you mean 9789042020825?
Did you mean 9789042022386?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages