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  • 1
    UID:
    almafu_9959236178102883
    Format: 1 online resource (xxii, 226 pages).
    ISBN: 90-420-2697-9
    Series Statement: Cross cultures ; 113
    Content: A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality – the ‘Great House’ being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.
    Note: Bibliographic Level Mode of Issuance: Monograph , Preliminary Material -- Islands and the Paradise Myth -- Gardening and Conquest: Jamaica Kincaid’s A Small Place, My Garden (book):, and Among Flowers -- Islands and Self-Discovery: Romesh Gunesekera’s Reef and Heaven’s Edge -- The Garden as England’s ‘Islanded Self’: Jean Arasanayagam’s Colonizer/Colonized, “I Will Lift Up Mine Eyes,” “The Witness,” and “The Garden Party” -- Empire and the House: Lawrence Scott’s Witchbroom, Romesh Gunesekera’s The Sandglass, and Jean Arasanayagam’s “Time the Destroyer” -- Conclusion -- Works Cited -- Index. , English
    Additional Edition: ISBN 90-420-2696-0
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Criticism, interpretation, etc. ; Criticism, interpretation, etc.
    URL: DOI
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_616692501
    Format: XXII, 226 S.
    ISBN: 9789042026964
    Series Statement: Cross/cultures 113
    Content: Literaturverz. S. [199] - 209
    Additional Edition: Erscheint auch als Online-Ausgabe Murray, Melanie A. Island paradise Amsterdam : Rodopi, 2009 ISBN 9789042026971
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
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    Keywords: Englisch ; Karibik ; Literatur ; Paradies ; Sri Lanka ; Kincaid, Jamaica 1949- ; Gunesekera, Romesh 1954- ; Scott, Lawrence 1943- Witchbroom
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  • 3
    UID:
    edocfu_9959236178102883
    Format: 1 online resource (xxii, 226 pages).
    ISBN: 90-420-2697-9
    Series Statement: Cross cultures ; 113
    Content: A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality – the ‘Great House’ being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.
    Note: Bibliographic Level Mode of Issuance: Monograph , Preliminary Material -- Islands and the Paradise Myth -- Gardening and Conquest: Jamaica Kincaid’s A Small Place, My Garden (book):, and Among Flowers -- Islands and Self-Discovery: Romesh Gunesekera’s Reef and Heaven’s Edge -- The Garden as England’s ‘Islanded Self’: Jean Arasanayagam’s Colonizer/Colonized, “I Will Lift Up Mine Eyes,” “The Witness,” and “The Garden Party” -- Empire and the House: Lawrence Scott’s Witchbroom, Romesh Gunesekera’s The Sandglass, and Jean Arasanayagam’s “Time the Destroyer” -- Conclusion -- Works Cited -- Index. , English
    Additional Edition: ISBN 90-420-2696-0
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    almahu_9949703340302882
    Format: 1 online resource (xxii, 226 pages)
    ISBN: 9789042026971
    Series Statement: Cross cultures ; 113
    Content: A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality - the 'Great House' being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.
    Note: Preliminary Material -- Islands and the Paradise Myth -- Gardening and Conquest: Jamaica Kincaid's A Small Place, My Garden (book):, and Among Flowers -- Islands and Self-Discovery: Romesh Gunesekera's Reef and Heaven's Edge -- The Garden as England's 'Islanded Self': Jean Arasanayagam's Colonizer/Colonized, "I Will Lift Up Mine Eyes," "The Witness," and "The Garden Party" -- Empire and the House: Lawrence Scott's Witchbroom, Romesh Gunesekera's The Sandglass, and Jean Arasanayagam's "Time the Destroyer" -- Conclusion -- Works Cited -- Index.
    Additional Edition: Print version: Island Paradise: The Myth: An Examination of Contemporary Caribbean and Sri Lankan Writing Leiden, Boston : Brill | Rodopi, 2009, ISBN 9789042026964
    Language: English
    Keywords: Criticism, interpretation, etc.
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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