Kooperativer Bibliotheksverbund

UID:

Umfang: 1 Online-Ressource (481 Seiten) : , Illustrationen.

ISBN: 978-90-420-3128-9

Serie: Architecture, technology, culture 5

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-90-420-3127-2

Sprache: Englisch

Schlagwort(e): Medienkunst ; Mobile Telekommunikation ; Aufsatzsammlung

DOI: 10.1163/9789042031289

URL: Volltext  (URL des Erstveröffentlichers)

URL: DOI:

Mehr zum Autor: Rheingold, Howard 1947-

UID:

Umfang: 1 Online-Ressource (481 pages) , illustrations

ISBN: 9789042031289

Serie: Architecture, technology, culture 5

Inhalt: Preliminary Material -- Introduction /Howard Rheingold -- Overview /Martin Rieser -- Pockets of Plenty: An Archaeology of Mobile Media /Erkki Huhtamo -- The Temporal and Spatial Design of Video and Film-based Installation Art in the 60s and 70s: Their Inherent Perception Processes and Effects on the Perceivers' Actions /Susanne Jaschko -- Forgotten Histories of Interactive Space /Martin Rieser -- Art by Telephone: From Static to Mobile Interfaces /Adriana de Souza e Silva -- Mobile/Audience: Thinking the Contradictions /Mary Griffiths and Sean Cubitt -- Towards a Language of Mobile Media /Jon Dovey and Constance Fleuriot -- Snapshots from Curating Mobility: (If you build it, they won't necessarily come) /Beryl Graham -- Beyond Mapping: New Strategies for Meaning in Locative Artworks /Martin Rieser -- Digital Media and Architecture—An Observation /Anke Jacob -- Urban Screens as the Visualization Zone of the City's Invisible Communication Sphere /Mirjam Struppek -- Future Physical: The Creative User and theme of response-ABILITY /Debbi Lander -- 'A Fracture in Reality': Networked Narratives as Imaginary Fields of Action and Dislocation /Andrea Zapp -- What makes mediascapes compelling?:Insights from the Riot! 1831 case-study /Josephine Reid and Richard Hull -- Hopstory: A study in place-based, historically inspired narrative /Valentina Nisi and Glorianna Davenport -- The Media Portrait of Liberties: A Non-linear Community Portrait /Valentina Nisi , Mads Haahr and Glorianna Davenport -- Loca: 'Location Oriented Critical Arts' /Drew Hemment , John Evans , Mika Raento and Theo Humphries -- Invisible Topographies /Usman Haque -- Wifi-Hog: The Battle for Ownership in Public Wireless Space /Jonah Brucker-Cohen -- Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space /Paul Sermon -- Mobile Feelings: Wireless Communication of Heartbeat and Breath for Mobile Art /Christa Sommerer and Laurent Mignonneau -- The Living Room /Victoria Fang -- tunA and the Power of Proximity /Arianna Bassoli -- Engagement with the Everyday /Margot Jacobs -- Between Improvisation and Publication: Supporting the Creative Metamorphosis with Technology /Cati Vaucelle -- Developing Creative Audience Interaction: Four Projects by Squidsoup. /Anthony Rowe -- The Emotional Wardrobe /Lisa Stead , Petar Goulev , Caroline Evans and Ebrahim Mamdani -- Social Fashioning and Active Conduits /Katherine Moriwaki -- Wunderkammer: Wearables as an Artistic Strategy /Laura Beloff -- Flirt and Mset /Fiona Raby -- Trace, The Choreography of Everyday Movement and Drift /Teri Rueb -- Blast Theory /Matt Adams -- Mixed Reality Lab /Steve Benford -- The Politics of Mobility /Drew Hemment -- Memory-Rich Garments and Social Interaction /Joey Berzowska -- Heart on Your Sleeve /Annie Lovejoy -- Contributor Biographies -- Glossary -- Selected Bibliography Books and Articles.

Inhalt: The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Mobile and Pervasive media are beginning to proliferate in the landscape of computer mediated interaction in public space through the emergence of smartphone technologies such as the iPhone, cloud computing extended wifi services and the semantic web in cities. These dispersed forms of interaction raise a whole series of questions on the nature of narrative and communication, particularly in relation to an audience’s new modes of mobile participation and reception. These issues are explored through a series of focused essays by leading theorists, seminal case studies and practitioner interviews with artists at the cutting edge of these technologies, who are extending the potential of the medium to enhance and critique technological culture. By emphasizing the role of the audience in this nomadic environment, the collection traces the history and development of ‘ambulant’ artistic practice in this new domain, creating an essential handbook for those wishing to understand the dominant global technology of the 21st Century and its implications for Art, Culture and Audience

Anmerkung: Includes bibliographical references (p. 473-481)

Weitere Ausg.: ISBN 9789042031272

Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Mobile Audience: Media Art and Mobile Technologies Leiden, Boston : Brill | Rodopi, 2011 ISBN 9789042031272

Sprache: Englisch

DOI: 10.1163/9789042031289

URL: DOI

UID:

Umfang: 1 online resource (497 pages)

Ausgabe: 1st ed.

ISBN: 9789042031289

Serie: Architecture - Technology - Culture Series v.5

Inhalt: The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Mobile and Pervasive media are beginning to proliferate in the landscape of computer mediated interaction in public space through the emergence of smartphone technologies such as the iPhone, cloud computing extended wifi services and the semantic web in cities. These dispersed forms of interaction raise a whole series of questions on the nature of narrative and communication, particularly in relation to an audience's new modes of mobile participation and reception. These issues are explored through a series of focused essays by leading theorists, seminal case studies and practitioner interviews with artists at the cutting edge of these technologies, who are extending the potential of the medium to enhance and critique technological culture. By emphasizing the role of the audience in this nomadic environment, the collection traces the history and development of 'ambulant' artistic practice in this new domain, creating an essential handbook for those wishing to understand the dominant global technology of the 21st Century and its implications for Art, Culture and Audience

Anmerkung: Intro -- The Mobile Audience: Media Art and Mobile Technologies -- Acknowledgements -- Preface -- Contents -- Introduction -- Overview -- Section 1: Towards Hybridity -- A History of Audience Mobility -- Pockets of Plenty: An Archaeology of Mobile Media -- The Temporal and Spatial Design of Video and Film-based Installation Art in the 60s and 70s: Their Inherent Perception Processes and Effects on the Perceivers Actions -- Forgotten Histories of Interactive Space -- Art by Telephone: From Static to Mobile Interfaces -- Section 2: Critical Issues in Mobile Art -- 2.1 Critical Contexts and Definitions -- Mobile/Audience: Thinking the Contradictions -- Towards a Language of Mobile Media -- Snapshots from Curating Mobility -- 2.2 Understanding Public Spatialisation -- Beyond Mapping: New Strategies for Meaning in Locative Artworks -- Digital Media and Architecture-An Observation -- Urban Screens as the Visualization Zone of the City's Invisible Communication Sphere -- 2.3 The Creative User -- Future Physical: The Creative User and theme of response-ABILITY -- 'A Fracture in Reality': Networked Narratives as Imaginary Fields of Action and Dislocation -- Section 3: Case Studies -- 3.1 Locative Art -- What Makes Mediascapes Compelling? -- Hopstory/Media Tales of the Liberties -- Hopstory/Media Tales of the Liberties -- The Media Portrait of Liberties: A Non-linear Community Portrait Valentina Nisi, Mads Haahr, Glorianna Davenport -- Loca: 'Location Oriented Critical Arts' -- Invisible Topographies -- Wifi-Hog: The Battle for Ownership in Public Wireless Space -- 3.2 The Creative User: The User as Co-creator -- Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space -- Mobile Feelings: Wireless Communication of Heartbeat and Breath for Mobile Art -- The Living Room -- tunA and the Power of Proximity -- Engagement with the Everyday , Between Improvisation and Publication: Supporting the Creative Metamorphosis with Technology -- Developing Creative Audience Interaction: Four Projects by Squidsoup -- 3.3 Wearable Computing -- The Emotional Wardrobe -- Social Fashioning and Active Conduits -- Wunderkammer: Wearables as an Artistic Strategy -- Section 4: Artist Interviews -- 4.1 Locative -- Flirt and Mset Fiona Raby -- Trace, The Choreography of Everyday Movement and Drift -- Blast Theory -- Mixed Reality Lab -- The Politics of Mobility -- 4.2 Wearables -- Memory-Rich Garments and Social Interaction -- Heart on Your Sleeve -- Contributor Biographies -- Glossary -- Selected Bibliography

Weitere Ausg.: Print version Rieser, Martin The Mobile Audience Boston : BRILL,c2011 ISBN 9789042031272

Sprache: Englisch

Schlagwort(e): Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

UID:

Umfang: 1 Online-Ressource (481 Seiten) : , Illustrationen.

ISBN: 978-90-420-3128-9

Serie: Architecture, technology, culture 5

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-90-420-3127-2

Sprache: Englisch

Schlagwort(e): Medienkunst ; Mobile Telekommunikation ; Aufsatzsammlung

DOI: 10.1163/9789042031289

URL: Volltext  (URL des Erstveröffentlichers)

Mehr zum Autor: Rheingold, Howard 1947-

UID:

Umfang: 1 online resource (481 pages) : , illustrations.

ISBN: 9789042031289

Serie: Architecture, technology, culture ; 5

Inhalt: The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Mobile and Pervasive media are beginning to proliferate in the landscape of computer mediated interaction in public space through the emergence of smartphone technologies such as the iPhone, cloud computing extended wifi services and the semantic web in cities. These dispersed forms of interaction raise a whole series of questions on the nature of narrative and communication, particularly in relation to an audience's new modes of mobile participation and reception. These issues are explored through a series of focused essays by leading theorists, seminal case studies and practitioner interviews with artists at the cutting edge of these technologies, who are extending the potential of the medium to enhance and critique technological culture. By emphasizing the role of the audience in this nomadic environment, the collection traces the history and development of 'ambulant' artistic practice in this new domain, creating an essential handbook for those wishing to understand the dominant global technology of the 21st Century and its implications for Art, Culture and Audience.

Anmerkung: Preliminary Material -- , Introduction / , Overview / , Pockets of Plenty: An Archaeology of Mobile Media / , The Temporal and Spatial Design of Video and Film-based Installation Art in the 60s and 70s: Their Inherent Perception Processes and Effects on the Perceivers' Actions / , Forgotten Histories of Interactive Space / , Art by Telephone: From Static to Mobile Interfaces / , Mobile/Audience: Thinking the Contradictions / , Towards a Language of Mobile Media / , Snapshots from Curating Mobility: (If you build it, they won't necessarily come) / , Beyond Mapping: New Strategies for Meaning in Locative Artworks / , Digital Media and Architecture-An Observation / , Urban Screens as the Visualization Zone of the City's Invisible Communication Sphere / , Future Physical: The Creative User and theme of response-ABILITY / , 'A Fracture in Reality': Networked Narratives as Imaginary Fields of Action and Dislocation / , What makes mediascapes compelling?:Insights from the Riot! 1831 case-study / , Hopstory: A study in place-based, historically inspired narrative / , The Media Portrait of Liberties: A Non-linear Community Portrait / , Loca: 'Location Oriented Critical Arts' / , Invisible Topographies / , Wifi-Hog: The Battle for Ownership in Public Wireless Space / , Puppeteers, Performers or Avatars: A Perceptual Difference in Telematic Space / , Mobile Feelings: Wireless Communication of Heartbeat and Breath for Mobile Art / , The Living Room / , tunA and the Power of Proximity / , Engagement with the Everyday / , Between Improvisation and Publication: Supporting the Creative Metamorphosis with Technology / , Developing Creative Audience Interaction: Four Projects by Squidsoup. / , The Emotional Wardrobe / , Social Fashioning and Active Conduits / , Wunderkammer: Wearables as an Artistic Strategy / , Flirt and Mset / , Trace, The Choreography of Everyday Movement and Drift / , Blast Theory / , Mixed Reality Lab / , The Politics of Mobility / , Memory-Rich Garments and Social Interaction / , Heart on Your Sleeve / , Contributor Biographies -- , Glossary -- , Selected Bibliography Books and Articles.

Weitere Ausg.: Print version: The Mobile Audience: Media Art and Mobile Technologies Leiden, Boston : Brill | Rodopi, 2011, ISBN 9789042031272

Sprache: Englisch

URL: DOI:

UID:

Umfang: 1 online resource (478 p.)

Ausgabe: 1st ed.

ISBN: 1-280-49701-7 , 9786613592248 , 90-420-3128-X

Serie: Architecture, technology, culture ; 5

Inhalt: The convergence of mobile technologies and ubiquitous computing is creating a world where information-rich environments may be mapped directly onto urban topologies. This book tracks the history and genesis of locative and wearable media and the ground-breaking work of pioneer artists in the field. It examines changing concepts of space and place for a wide range of traditional disciplines ranging from Anthropology, Sociology, Fine Art and Architecture to Cultural and Media Studies, Fashion and Graphic design. Mobile and Pervasive media are beginning to proliferate in the landscape of computer mediated interaction in public space through the emergence of smartphone technologies such as the iPhone, cloud computing extended wifi services and the semantic web in cities. These dispersed forms of interaction raise a whole series of questions on the nature of narrative and communication, particularly in relation to an audience’s new modes of mobile participation and reception. These issues are explored through a series of focused essays by leading theorists, seminal case studies and practitioner interviews with artists at the cutting edge of these technologies, who are extending the potential of the medium to enhance and critique technological culture. By emphasizing the role of the audience in this nomadic environment, the collection traces the history and development of ‘ambulant’ artistic practice in this new domain, creating an essential handbook for those wishing to understand the dominant global technology of the 21st Century and its implications for Art, Culture and Audience.

Anmerkung: Bibliographic Level Mode of Issuance: Monograph , section 1. Towards hybridity -- section 2. Critical issues in mobile art -- section 3. Case studies -- section 4. Artist interviews. , English

Weitere Ausg.: ISBN 90-420-3127-1

Sprache: Englisch