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  • 1
    UID:
    gbv_644035544
    Format: x, 192 Seiten , Diagramme, Notenbeispiele
    ISBN: 9789042031586
    Series Statement: Word and music studies 11
    Note: "The essays collected in this volume are a selection of revised papers originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007... and was organised by the International Association for Word and Music Studies (WMA)" - (Preface) , Literaturangaben , Contains a selection of nine essays originally presented at the sixth International conference on word and music studies, held at Edinburgh University in June 2007, organised by the International Association for Word ans Music Studies (WMA)
    Additional Edition: ISBN 9789042031593
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Musicology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Literatur ; Selbstbezüglichkeit ; Aufsatzsammlung ; Konferenzschrift
    Author information: Wolf, Werner 1955-
    Author information: Bernhart, Walter 1942-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Amsterdam ; New York :Rodopi,
    UID:
    almafu_BV036886066
    Format: X, 192 Seiten : , Notenbeispiele.
    ISBN: 978-90-420-3158-6 , 978-90-420-3159-3
    Series Statement: Word and music studies 11
    Note: Contains a selection of nine essays originally presented at the sixth International conference on word and music studies, held at Edinburgh University in June 2007, organised by the International Association for Word ans Music Studies (WMA)
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Musicology
    RVK:
    RVK:
    Keywords: Musik ; Literatur ; Selbstbezüglichkeit ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Wolf, Werner 1955-
    Author information: Bernhart, Walter 1942-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Amsterdam ; : Rodopi.
    UID:
    almahu_9949700780002882
    Format: 1 online resource (x, 192 pages)
    ISBN: 9789042031593
    Series Statement: Word and music studies ; 11
    Content: This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.
    Note: Preliminary Material -- , Metamusic? Potentials and Limits of 'Metareference' in Instrumental Music Theoretical Reflections and a Case Study (Mozart's Ein musikalischer Spaß) / , Mahler within Mahler Allusion as Quotation, Self-Reference, and Metareference / , Medial Self-Reference between Words and Music in Erik Satie's Piano Pieces / , Opera on Opera (on Opera) Self-Referential Negotiations of a Difficult Genre / , Christophorus, oder "Die Vision einer Oper" Franz Schreker's Opera as a Metareferential Work / , 'The Play's the Thing' Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama / , Robert Carsen's Production of Les Contes d'Hoffmann An Exercise in Theatrical Self-Reflection / , Leoncavallo's Pagliacci Operatic Metareference on Stage and on Film / , Intermedial Reference as Metareference Hans Christian Andersen's Musical Novels / , Notes on Contributors -- , Volume 1.
    Additional Edition: Print version: Self-reference in literature and music. Amsterdam ; New York, NY : Rodopi, ©2010 ISBN 9042031581
    Language: English
    Keywords: Music.
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_9959230823802883
    Format: 1 online resource (205 p.)
    ISBN: 1-282-96664-2 , 9786612966644 , 90-420-3159-X
    Series Statement: Word and music studies ; 11
    Content: This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference – including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) – is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.
    Note: Description based upon print version of record. , Preliminary Material -- , Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music Theoretical Reflections and a Case Study (Mozart’s Ein musikalischer Spaß) / , Mahler within Mahler Allusion as Quotation, Self-Reference, and Metareference / , Medial Self-Reference between Words and Music in Erik Satie’s Piano Pieces / , Opera on Opera (on Opera) Self-Referential Negotiations of a Difficult Genre / , Christophorus, oder “Die Vision einer Oper” Franz Schreker’s Opera as a Metareferential Work / , ‘The Play’s the Thing’ Self- and Metareference in Contemporary Operatic Adaptation of Twentieth-Century Drama / , Robert Carsen’s Production of Les Contes d’Hoffmann An Exercise in Theatrical Self-Reflection / , Leoncavallo’s Pagliacci Operatic Metareference on Stage and on Film / , Intermedial Reference as Metareference Hans Christian Andersen’s Musical Novels / , Notes on Contributors -- , Volume 1. , English
    Additional Edition: ISBN 90-420-3158-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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