Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource

ISBN: 9789048514205

Series Statement: The key debates 2

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-90-8964-317-9

Language: English

Keywords: Film ; Subjektivität ; Aufsatzsammlung

DOI: 10.26530/OAPEN_605864

DOI: 10.1515/9789048514205

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: kostenfrei

URL: kostenfrei

URL: Cover

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Format: 1 electronic resource (276 p.)

ISBN: 9789048514205

Series Statement: Key debates Subjectivity

Content: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Note: Bibliographic Level Mode of Issuance: Monograph , Introduction : rethinking subjectivity in film / , From mind to film, from film to mind -- , The cinema as art of the mind : Hugo Münsterberg, first theorist of subjectivity in film / , The representation of experience in cinema / , Beyond subjectivity : the film experience / , Ways of expressing subjectivity -- , The man who wasn't there : the production of subjectivity in Delmer Daves' Dark passage / , From aesthetic experience to the loss of identity, in three steps / , Robert Bresson and the voices of an inner world : "I" can never be "you," or the impossible identification / , The silence of the lenses : Blow up and the subject of photography / , Subjectivity and the epistemology of film studies -- , Beyond subjectivity : Bakhtin's dialogism and the moving image / , Imaginary subject / , A philosophical approach to subjectivity in film form / , Conversation ; Subjectivity in artistic coupling -- , Conversation with Maria Klonaris and Katerina Thomadaki : dissident subjectivities : the filmmakers as a double subject / , Also available in print form. , English

Additional Edition: Print version: ISBN 9789089643179

Language: English

Keywords: Electronic books.

URL: Click here to view book

URL: lizenzpflichtig

UID:

Format: 272 S. , Ill.

ISBN: 9789048514205 , 9789089643179

Series Statement: The key debates 2

Language: Undetermined

Keywords: Film ; Subjektivität ; Aufsatzsammlung ; Aufsatzsammlung

URL: Autorenbiografie

URL: Verlagsangaben

URL: Inhaltsverzeichnis

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Format: 1 Online-Ressource

ISBN: 9089643176 , 9789089643179 , 9789048514205 , 9048514207

Series Statement: Key debates 2

Content: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium

Note: Frontmatter , Contents , Editorial , Acknowledgments , Introduction: Rethinking Subjectivity in Film , Part I From Mind to Film, from Film to Mind , The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film , The Representation of Experience in Cinema , Beyond Subjectivity: The Film Experience , Part II Ways of Expressing Subjectivity , The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage , From Aesthetic Experience to the Loss of Identity, in Three Steps , Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification , The Silence of the Lenses: Blow Up and the Subject of Photography , Part III Subjectivity and the Epistemology of Film Studies , Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image , Imaginary Subject , A Philosophical Approach to Subjectivity in Film Form , Part IV Conversation Subjectivity in Artistic Coupling , Conversation with Maria Klonaris and Katerina Thomadaki , Notes , General Bibliography , Notes on Contributors , Index of Names , Index of Film Titles , Index of Subjects , English

Language: English

URL: kostenfrei

UID:

Format: 1 online resource.

ISBN: 90-485-1420-7

Series Statement: The key debates

Additional Edition: Print ISBN 90-896-4317-6

Language: English

UID:

Format: 1 online resource.

ISBN: 90-485-1420-7

Series Statement: The key debates

Additional Edition: Print ISBN 90-896-4317-6

Language: English

UID:

Format: 1 online resource.

ISBN: 90-485-1420-7

Series Statement: The key debates

Additional Edition: Print ISBN 90-896-4317-6

Language: English

UID:

Format: 1 electronic resource (276 p.)

ISBN: 9789048514205

Series Statement: Key debates Subjectivity

Content: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Note: Bibliographic Level Mode of Issuance: Monograph , Introduction : rethinking subjectivity in film / , From mind to film, from film to mind -- , The cinema as art of the mind : Hugo Münsterberg, first theorist of subjectivity in film / , The representation of experience in cinema / , Beyond subjectivity : the film experience / , Ways of expressing subjectivity -- , The man who wasn't there : the production of subjectivity in Delmer Daves' Dark passage / , From aesthetic experience to the loss of identity, in three steps / , Robert Bresson and the voices of an inner world : "I" can never be "you," or the impossible identification / , The silence of the lenses : Blow up and the subject of photography / , Subjectivity and the epistemology of film studies -- , Beyond subjectivity : Bakhtin's dialogism and the moving image / , Imaginary subject / , A philosophical approach to subjectivity in film form / , Conversation ; Subjectivity in artistic coupling -- , Conversation with Maria Klonaris and Katerina Thomadaki : dissident subjectivities : the filmmakers as a double subject / , Also available in print form. , English

Additional Edition: Print version: ISBN 9789089643179

Language: English

UID:

Format: 1 electronic resource (276 p.)

ISBN: 9789048514205

Series Statement: Key debates Subjectivity

Content: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.

Note: Bibliographic Level Mode of Issuance: Monograph , Introduction : rethinking subjectivity in film / , From mind to film, from film to mind -- , The cinema as art of the mind : Hugo Münsterberg, first theorist of subjectivity in film / , The representation of experience in cinema / , Beyond subjectivity : the film experience / , Ways of expressing subjectivity -- , The man who wasn't there : the production of subjectivity in Delmer Daves' Dark passage / , From aesthetic experience to the loss of identity, in three steps / , Robert Bresson and the voices of an inner world : "I" can never be "you," or the impossible identification / , The silence of the lenses : Blow up and the subject of photography / , Subjectivity and the epistemology of film studies -- , Beyond subjectivity : Bakhtin's dialogism and the moving image / , Imaginary subject / , A philosophical approach to subjectivity in film form / , Conversation ; Subjectivity in artistic coupling -- , Conversation with Maria Klonaris and Katerina Thomadaki : dissident subjectivities : the filmmakers as a double subject / , Also available in print form. , English

Additional Edition: Print version: ISBN 9789089643179

Language: English

UID:

Format: 1 online resource (275 pages)

Edition: 1st ed.

ISBN: 9789048514205

Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies

Content: NOW 60 % PRICE REDUCTION.

Note: Cover -- Contents -- Editorial -- Acknowledgments -- Introduction: Rethinking Subjectivity inFilm -- Dominique Chateau -- PART I: From Mind to Film,from Film to Mind -- The Cinema as Art of the Mind:Hugo Münsterberg, First Theorist ofSubjectivity in Film -- José Moure -- The Representation of Experience inCinema -- Gregory Currie -- Beyond Subjectivity: The FilmExperience -- Francesco Casetti -- PART II: Ways of Expressing Subjectivity -- The Man Who Wasn't There: The Productionof Subjectivity in Delmer Daves'Dark Passage -- Vivian Sobchack -- From Aesthetic Experience to the Lossof Identity, in Three Steps -- Pere Salabert -- Robert Bresson and the Voices of anInner World: "I" Can Never Be "You," orthe Impossible Identification -- Céline Scemama -- The Silence of the Lenses: Blow Up andthe Subject of Photography -- Pierre Taminiaux -- PART III: Subjectivity and the Epistemology of FilmStudies -- Beyond Subjectivity. Bakhtin'sDialogism and the Moving Image -- Karl Sierek -- Imaginary Subject -- Jacinto Lageira -- A Philosophical Approach to Subjectivityin Film Form -- Dominique Chateau -- PART IV: Conversation Subjectivity in ArtisticCoupling -- Conversation with Maria Klonaris and Katerina Thomadaki -- Dissident Subjectivities: The Filmmakers as a Double Subject -- Marina Gržinić -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subjects.

Additional Edition: Print version: Chateau, Dominique Subjectivity Amsterdam : Amsterdam University Press,c2012 ISBN 9789089643179

Language: English

Keywords: Electronic books.

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