Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (202 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 90-485-1867-9

Series Statement: Televisual culture

Content: Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

Note: Title from publisher's bibliographic system (viewed on 28 Dec 2020). , Frontmatter -- , Table of Contents -- , After the Break. Television Theory Today / , Part I: Questioning the crisis -- , 'Unreading' contemporary television / , Caught. Critical versus everyday perspectives on television / , The persistence of national TV. Language and cultural proximity in Flemish fiction / , Constructing television. Thirty years that froze an otherwise dynamic medium / , When old media never stopped being new. Television's history as an ongoing experiment / , Part II: New paradigms -- , Unblackboxing production. What media studies can learn from actor-network theory / , Convergence thinking, information theory and labour in 'end of television' studies / , Television memory after the end of television history? / , Part III: New concepts -- , YouTube beyond technology and cultural form / , Move along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis / , Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market / , About the authors -- , Index , Also available in print form. , English.

Additional Edition: ISBN 90-8964-522-5

Language: English

Keywords: Electronic books.

DOI: 10.1515/9789048518678

URL: Click to View

URL: https://www.cambridge.org/core/product/identifier/9789048518678/type/BOOK

UID:

Format: 1 online resource : , 10 halftones

ISBN: 9789048518678

Series Statement: Televisual culture

Content: Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

Note: Frontmatter -- , Table of Contents -- , After the Break. Television Theory Today / , Part I: Questioning the crisis -- , 'Unreading' contemporary television / , Caught. Critical versus everyday perspectives on television / , The persistence of national TV. Language and cultural proximity in Flemish fiction / , Constructing television. Thirty years that froze an otherwise dynamic medium / , When old media never stopped being new. Television's history as an ongoing experiment / , Part II: New paradigms -- , Unblackboxing production. What media studies can learn from actor-network theory / , Convergence thinking, information theory and labour in 'end of television' studies / , Television memory after the end of television history? / , Part III: New concepts -- , YouTube beyond technology and cultural form / , Move along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis / , Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market / , About the authors -- , Index , In English.

Language: English

DOI: 10.1515/9789048518678

URL: https://doi.org/10.1515/9789048518678

URL: https://doi.org/10.1515/9789048518678

UID:

Format: 1 online resource (202 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 90-485-1867-9

Series Statement: Televisual culture

Content: Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

Note: Title from publisher's bibliographic system (viewed on 28 Dec 2020). , Frontmatter -- , Table of Contents -- , After the Break. Television Theory Today / , Part I: Questioning the crisis -- , 'Unreading' contemporary television / , Caught. Critical versus everyday perspectives on television / , The persistence of national TV. Language and cultural proximity in Flemish fiction / , Constructing television. Thirty years that froze an otherwise dynamic medium / , When old media never stopped being new. Television's history as an ongoing experiment / , Part II: New paradigms -- , Unblackboxing production. What media studies can learn from actor-network theory / , Convergence thinking, information theory and labour in 'end of television' studies / , Television memory after the end of television history? / , Part III: New concepts -- , YouTube beyond technology and cultural form / , Move along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis / , Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market / , About the authors -- , Index , Also available in print form. , English.

Additional Edition: ISBN 90-8964-522-5

Language: English

DOI: 10.1515/9789048518678

UID:

Format: 1 online resource (202 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 90-485-1867-9

Series Statement: Televisual culture

Content: Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

Note: Title from publisher's bibliographic system (viewed on 28 Dec 2020). , Frontmatter -- , Table of Contents -- , After the Break. Television Theory Today / , Part I: Questioning the crisis -- , 'Unreading' contemporary television / , Caught. Critical versus everyday perspectives on television / , The persistence of national TV. Language and cultural proximity in Flemish fiction / , Constructing television. Thirty years that froze an otherwise dynamic medium / , When old media never stopped being new. Television's history as an ongoing experiment / , Part II: New paradigms -- , Unblackboxing production. What media studies can learn from actor-network theory / , Convergence thinking, information theory and labour in 'end of television' studies / , Television memory after the end of television history? / , Part III: New concepts -- , YouTube beyond technology and cultural form / , Move along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis / , Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market / , About the authors -- , Index , Also available in print form. , English.

Additional Edition: ISBN 90-8964-522-5

Language: English

DOI: 10.1515/9789048518678

UID:

Format: 1 online resource (202 pages) , digital, PDF file(s).

ISBN: 9789048518678 , 9789089645227

Series Statement: Televisual culture

Content: Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.

Note: Title from publisher's bibliographic system (viewed on 28 Dec 2020)

Additional Edition: ISBN 9789089645227

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789089645227

Language: English

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