Kooperativer Bibliotheksverbund

UID:

Umfang: 395 Seiten , Illustrationen, Diagramme

ISBN: 9789089647566

Serie: Transmedia 2

Anmerkung: Erscheint auch als Open Access bei De Gruyter

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-90-485-2531-7 10.1515/9789048525317

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

Schlagwort(e): Medien ; Neue Medien ; Virtuelle Realität ; Künstliche Welt ; Aufsatzsammlung

URL: Volltext  (kostenfrei)

UID:

Umfang: 1 online resource (395 pages) : , digital, PDF file(s).

ISBN: 9789048525317 (ebook)

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

Anmerkung: Title from publisher's bibliographic system (viewed on 22 Feb 2021). , Worlds, today / , The aesthetics of proliferation / , Building science-fiction worlds / , "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters / , "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art / , A world of Disney: building a transmedia storyworld for Mickey and his friends / , World-building logics and copyright: the Dark Knight and the Great Detective / , Battleworlds: the management of multiplicity in the media industries / , Platform producer meets game master: on the conditions for the media mix / , Narrative ecosystems: a multidisciplinary approach to media worlds / , The building and blurring of worlds: sound, space, and complex narrative cinema / , Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds / , Zombie escape and survival plans: mapping the transmedial world of the dead / , MMORPG as locally realized worlds of action / , The worries of the world(s): cartoons and cinema / , Linguistic terrain and world time: Chinese media theories and their world imaginations / , The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World / , World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction / , The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series / , Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony / , Transmediaphilia, world building, and the pleasures of the personal digital archive / , The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand /

Weitere Ausg.: Print version: ISBN 9789089647566

Sprache: Englisch

Schlagwort(e): Aufsatzsammlung

URL: https://www.cambridge.org/core/product/identifier/9789048525317/type/BOOK

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

URL: Cover

UID:

Umfang: 1 Online-Ressource (395 pages) , illustrations (some color)

ISBN: 9789048525317 , 9048525314 , 9789089647566 , 9089647562

Serie: Transmedia 2

Inhalt: "Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society."--Page 4 of cover

Inhalt: Frontmatter --Table of Contents --Introduction /Boni, Marta --Section 1. Theories of World Building --1. The Aesthetics of Proliferation /Ryan, Marie-Laure --2. Building Science-Fiction Worlds /Bertetti, Paolo --3. "He Doesn't Look Like Sherlock Holmes" /Lapointe, Julien --4. "Visible World" /Baldacci, Cristina --Section 2. Economies of World Building --5. A World of Disney /Freeman, Matthew --6. World-Building Logics and Copyright /Pearson, Roberta --7. Battleworlds /Johnson, Derek --8. Platform Producer Meets Game Master /Steinberg, Marc --9. Narrative Ecosystems /Innocenti, Veronica / Pescatore, Guglielmo --Section 3. Immersion --10. The Building and Blurring of Worlds /Horton, Justin --11. Beyond Immersion /Wolf, Mark J.P. --12. Zombie Escape and Survival Plans /Perron, Bernard --13. MMORPG as Locally Realized Worlds of Action /Di Filippo, Laurent --Section 4. Media as World-Building Devices --14. The Worries of the World(s) /Redrobe, Karen --15. Linguistic Terrain and World Time /Fan, Victor --16. The Worlds Align /Jeffries, Dru --17. World Building and Metafiction in Contemporary Comic Books /Mellier, Denis --Section 5. Appropriations and Fan Practices --18. The Monster at the End of This Book /Re, Valentina --19. Traversing the "Whoniverse" /Hills, Matt --20. Transmediaphilia , World Building, and the Pleasures of the Personal Digital Archive /Collins, Jim --21. The Politics of World Building /Hassler-Forest, Dan --Index

Anmerkung: Includes bibliographical references and index , Text in English

Weitere Ausg.: ISBN 9789048525317

Weitere Ausg.: Available in another form World building Amsterdam : Amsterdam University Press, 2017 ISBN 9789048525317

Sprache: Englisch

Schlagwort(e): Electronic books

URL: kostenfrei

UID:

Umfang: 1 online resource

ISBN: 9789048525317

Serie: Transmedia ; 2

Inhalt: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

Anmerkung: Frontmatter -- , Table of Contents -- , Introduction / , Section 1. Theories of World Building -- , 1. The Aesthetics of Proliferation / , 2. Building Science-Fiction Worlds / , 3. “He Doesn’t Look Like Sherlock Holmes” / , 4. “Visible World” / , Section 2. Economies of World Building -- , 5. A World of Disney / , 6. World-Building Logics and Copyright / , 7. Battleworlds / , 8. Platform Producer Meets Game Master / , 9. Narrative Ecosystems / , Section 3. Immersion -- , 10. The Building and Blurring of Worlds / , 11. Beyond Immersion / , 12. Zombie Escape and Survival Plans / , 13. MMORPG as Locally Realized Worlds of Action / , Section 4. Media as World-Building Devices -- , 14. The Worries of the World(s) / , 15. Linguistic Terrain and World Time / , 16. The Worlds Align / , 17. World Building and Metafiction in Contemporary Comic Books / , Section 5. Appropriations and Fan Practices -- , 18. The Monster at the End of This Book / , 19. Traversing the “Whoniverse” / , 20. Transmediaphilia , World Building, and the Pleasures of the Personal Digital Archive / , 21. The Politics of World Building / , Index , In English.

Sprache: Englisch

DOI: 10.1515/9789048525317

URL: https://www.degruyter.com/doi/book/10.1515/9789048525317

UID:

Umfang: 1 online resource (395 pages) : , illustrations (some color).

ISBN: 9789048525317 , 9048525314 , 9789089647566 , 9089647562

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: "Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society."--Page 4 of cover.

Anmerkung: Frontmatter -- , Table of Contents -- , Introduction / , Section 1. Theories of World Building -- , 1. The Aesthetics of Proliferation / , 2. Building Science-Fiction Worlds / , 3. "He Doesn't Look Like Sherlock Holmes" / , 4. "Visible World" / , Section 2. Economies of World Building -- , 5. A World of Disney / , 6. World-Building Logics and Copyright / , 7. Battleworlds / , 8. Platform Producer Meets Game Master / , 9. Narrative Ecosystems / , Section 3. Immersion -- , 10. The Building and Blurring of Worlds / , 11. Beyond Immersion / , 12. Zombie Escape and Survival Plans / , 13. MMORPG as Locally Realized Worlds of Action / , Section 4. Media as World-Building Devices -- , 14. The Worries of the World(s) / , 15. Linguistic Terrain and World Time / , 16. The Worlds Align / , 17. World Building and Metafiction in Contemporary Comic Books / , Section 5. Appropriations and Fan Practices -- , 18. The Monster at the End of This Book / , 19. Traversing the "Whoniverse" / , 20. Transmediaphilia , World Building, and the Pleasures of the Personal Digital Archive / , 21. The Politics of World Building / , Index

Sprache: Englisch

URL: OAPEN

URL: OCLC metadata license agreement

UID:

Umfang: 1 online resource (395 pages) : , illustrations (some color).

ISBN: 9789048525317 , 9048525314 , 9789089647566 , 9089647562

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: "Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society."--Page 4 of cover.

Anmerkung: Frontmatter -- , Table of Contents -- , Introduction / , Section 1. Theories of World Building -- , 1. The Aesthetics of Proliferation / , 2. Building Science-Fiction Worlds / , 3. "He Doesn't Look Like Sherlock Holmes" / , 4. "Visible World" / , Section 2. Economies of World Building -- , 5. A World of Disney / , 6. World-Building Logics and Copyright / , 7. Battleworlds / , 8. Platform Producer Meets Game Master / , 9. Narrative Ecosystems / , Section 3. Immersion -- , 10. The Building and Blurring of Worlds / , 11. Beyond Immersion / , 12. Zombie Escape and Survival Plans / , 13. MMORPG as Locally Realized Worlds of Action / , Section 4. Media as World-Building Devices -- , 14. The Worries of the World(s) / , 15. Linguistic Terrain and World Time / , 16. The Worlds Align / , 17. World Building and Metafiction in Contemporary Comic Books / , Section 5. Appropriations and Fan Practices -- , 18. The Monster at the End of This Book / , 19. Traversing the "Whoniverse" / , 20. Transmediaphilia , World Building, and the Pleasures of the Personal Digital Archive / , 21. The Politics of World Building / , Index

Sprache: Englisch

URL: OAPEN

URL: OCLC metadata license agreement

UID:

Umfang: 1 online resource (395 pages) : , digital, PDF file(s).

Ausgabe: 1st ed.

ISBN: 90-485-2531-4

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

Anmerkung: Title from publisher's bibliographic system (viewed on 22 Feb 2021). , Worlds, today / , The aesthetics of proliferation / , Building science-fiction worlds / , "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters / , "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art / , A world of Disney: building a transmedia storyworld for Mickey and his friends / , World-building logics and copyright: the Dark Knight and the Great Detective / , Battleworlds: the management of multiplicity in the media industries / , Platform producer meets game master: on the conditions for the media mix / , Narrative ecosystems: a multidisciplinary approach to media worlds / , The building and blurring of worlds: sound, space, and complex narrative cinema / , Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds / , Zombie escape and survival plans: mapping the transmedial world of the dead / , MMORPG as locally realized worlds of action / , The worries of the world(s): cartoons and cinema / , Linguistic terrain and world time: Chinese media theories and their world imaginations / , The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World / , World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction / , The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series / , Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony / , Transmediaphilia, world building, and the pleasures of the personal digital archive / , The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand / , In English.

Weitere Ausg.: ISBN 90-8964-756-2

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

DOI: 10.1515/9789048525317

UID:

Umfang: 1 online resource (395 pages) : , digital, PDF file(s).

Ausgabe: 1st ed.

ISBN: 90-485-2531-4

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

Anmerkung: Title from publisher's bibliographic system (viewed on 22 Feb 2021). , Worlds, today / , The aesthetics of proliferation / , Building science-fiction worlds / , "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters / , "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art / , A world of Disney: building a transmedia storyworld for Mickey and his friends / , World-building logics and copyright: the Dark Knight and the Great Detective / , Battleworlds: the management of multiplicity in the media industries / , Platform producer meets game master: on the conditions for the media mix / , Narrative ecosystems: a multidisciplinary approach to media worlds / , The building and blurring of worlds: sound, space, and complex narrative cinema / , Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds / , Zombie escape and survival plans: mapping the transmedial world of the dead / , MMORPG as locally realized worlds of action / , The worries of the world(s): cartoons and cinema / , Linguistic terrain and world time: Chinese media theories and their world imaginations / , The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World / , World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction / , The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series / , Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony / , Transmediaphilia, world building, and the pleasures of the personal digital archive / , The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand / , In English.

Weitere Ausg.: ISBN 90-8964-756-2

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

DOI: 10.1515/9789048525317

UID:

Umfang: 1 online resource (395 pages) : , digital, PDF file(s).

Ausgabe: 1st ed.

ISBN: 90-485-2531-4

Serie: Transmedia : participatory culture and media convergence ; 2

Inhalt: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

Anmerkung: Title from publisher's bibliographic system (viewed on 22 Feb 2021). , Worlds, today / , The aesthetics of proliferation / , Building science-fiction worlds / , "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters / , "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art / , A world of Disney: building a transmedia storyworld for Mickey and his friends / , World-building logics and copyright: the Dark Knight and the Great Detective / , Battleworlds: the management of multiplicity in the media industries / , Platform producer meets game master: on the conditions for the media mix / , Narrative ecosystems: a multidisciplinary approach to media worlds / , The building and blurring of worlds: sound, space, and complex narrative cinema / , Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds / , Zombie escape and survival plans: mapping the transmedial world of the dead / , MMORPG as locally realized worlds of action / , The worries of the world(s): cartoons and cinema / , Linguistic terrain and world time: Chinese media theories and their world imaginations / , The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World / , World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction / , The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series / , Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony / , Transmediaphilia, world building, and the pleasures of the personal digital archive / , The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand / , In English.

Weitere Ausg.: ISBN 90-8964-756-2

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

DOI: 10.1515/9789048525317