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  • 1
    Book
    Book
    Farocki/Godard : film as theory (2015)
    Amsterdam :Amsterdam University Press,
    Details
    UID:
    almahu_BV042692383
    Format: 285 S. : , Ill.
    ISBN: 978-90-8964-891-4
    Series Statement: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie 25
    Note: Originally publ.u.d.T.: Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard. - 2006. - Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-90-4852-755-7 10.1515/9789048527557
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: http://www.gbv.de/dms/weimar/toc/83224290X_toc.pdf
    Author information: Pantenburg, Volker, 1973-
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  • 2
    Online Resource
    Online Resource
    Farocki/Godard : Film as Theory (2015)
    Amsterdam : Amsterdam University Press
    Details
    UID:
    gbv_1042462658
    Format: 1 Online-Ressource , 99 halftones
    ISBN: 9789048527557
    Series Statement: Film Culture in Transition
    Content: This book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.”
    Note: Frontmatter -- -- Contents -- -- Preface To The English Edition -- -- Introduction -- -- 1. Le Film Qui Pense -- -- 2. The Camera As Brush—Film And Painting -- -- 3. Deviation As Norm—Notes On The Essay Film -- -- 4. Cut—Interlude In The Editing Room -- -- 5. Taking Pictures—Photography And Film -- -- 6. Two Or Three Ways Of Speaking With The Hands -- -- Conclusion -- -- Conclusion -- -- Acknowledgments -- -- Illustration Credits -- -- Index Of Film Titles -- -- Index Of Names , Mode of access: Internet via World Wide Web. , In English
    Language: English
    DOI: 10.1515/9789048527557
    URL: Volltext  (Open Access)
    URL: Open Access
    URL: Cover
    URL: Cover
    URL: Cover
    Author information: Pantenburg, Volker 1973-
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    Stabi Berlin
    UB Potsdam
  • 3
    Online Resource
    Online Resource
    Farocki/Godard : film as theory (2015)
    Amsterdam : Amsterdam University Press
    Details
    UID:
    gbv_1686949901
    Format: 1 Online-Ressource
    ISBN: 9048527554 , 9789048527557 , 9789089648914 , 9089648917 , 9089648917
    Series Statement: Film culture in transition volume 25
    Uniform Title: Film als Theorie
    Content: ""What an Editing Room is: Interface""""Montage, toujours: JLG/JLG""; ""5. Taking pictures-Photography and Film""; ""Displacing: The Carabineers""; ""Rendering: Before Your Eyes Vietnam""; ""Surveying: Images of the World and the Inscription of War""; ""6. Two or Three Ways of Speaking with the Hands""; ""Asking Oneself: La Chinoise / Vent d'est""; ""Offering Oneself: Nouvelle vague""; ""Expressing Oneself: Georg K. Glaser / The Expression of Hands""; "" Conclusion""; "" Bibliography""; "" Acknowledgments""; "" Illustration Credits""; "" Index of Film Titles""; "" Index of Names""
    Content: ""Cover""; ""Contents""; "" Preface to the English Edition""; "" Introduction""; ""Two Image Researchers""; ""1. Le film qui pense""; ""Image, Theory, Practice""; ""Film as a "Concrete Medium"""; ""Film Theories / Film as Theory""; ""Difference and Theory""; ""Montage and Cinematic Thinking""; ""2. The Camera as Brush-Film and Painting""; ""Narrating with Images: Breathless""; ""Exploding the Museum: Pierrot le fou""; ""Arranging Things: Still Life""; ""Processing Images: Passion""; ""3. Deviation as Norm-Notes on the Essay Film""; ""4. Cut-Interlude in the Editing Room""
    Content: "This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover
    Note: Includes bibliographical references and index , English
    Language: English
    Keywords: Electronic book
    URL: kostenfrei
    URL: California Digital Library
    URL: De Gruyter
    URL: EBSCOhost
    URL: JSTOR
    URL: MyiLibrary
    URL: OAPEN
    URL: OAPEN
    URL: ProQuest Ebook Central
    URL: VLeBooks
    URL: http://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=AC_T_B&C=Farocki/Godard.%20Film%20as%20Theory&T=marc&tab=BOOKS
    URL: View this content on BiblioBoard.
    URL: Creative Commons License
    URL: Biblioboard
    URL: De Gruyter, Cover
    URL: Image  (Thumbnail cover image)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    HPol Brandenburg
  • 4
    Online Resource
    Online Resource
    Farocki/Godard : film as theory (2015)
    Amsterdam : Amsterdam University Press
    Details
    UID:
    gbv_835777774
    Format: Online-Ressource (1 online resource)
    Edition: Online-Ausg.
    ISBN: 9789048527557
    Series Statement: Film culture in transition volume 25
    Uniform Title: Film als Theorie. 〈engl.〉
    Content: Cover -- Contents -- Preface to the English Edition -- Introduction -- Two Image Researchers -- 1. Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush-Film and Painting -- Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm-Notes on the Essay Film -- 4. Cut-Interlude in the Editing Room -- What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking pictures-Photography and Film -- Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and the Inscription of War -- 6. Two or Three Ways of Speaking with the Hands -- Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Expressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion -- Bibliography -- Acknowledgments -- Illustration Credits -- Index of Film Titles -- Index of Names
    Note: Description based upon print version of record , ""Cover""; ""Contents""; "" Preface to the English Edition""; "" Introduction""; ""Two Image Researchers""; ""1. Le film qui pense""; ""Image, Theory, Practice""; ""Film as a "Concrete Medium"""; ""Film Theories / Film as Theory""; ""Difference and Theory""; ""Montage and Cinematic Thinking""; ""2. The Camera as Brush-Film and Painting""; ""Narrating with Images: Breathless""; ""Exploding the Museum: Pierrot le fou""; ""Arranging Things: Still Life""; ""Processing Images: Passion""; ""3. Deviation as Norm-Notes on the Essay Film""; ""4. Cut-Interlude in the Editing Room"" , ""What an Editing Room is: Interface""""Montage, toujours: JLG/JLG""; ""5. Taking pictures-Photography and Film""; ""Displacing: The Carabineers""; ""Rendering: Before Your Eyes Vietnam""; ""Surveying: Images of the World and the Inscription of War""; ""6. Two or Three Ways of Speaking with the Hands""; ""Asking Oneself: La Chinoise / Vent d'est""; ""Offering Oneself: Nouvelle vague""; ""Expressing Oneself: Georg K. Glaser / The Expression of Hands""; "" Conclusion""; "" Bibliography""; "" Acknowledgments""; "" Illustration Credits""; "" Index of Film Titles""; "" Index of Names""
    Additional Edition: ISBN 9048527554
    Additional Edition: ISBN 9089648917
    Additional Edition: ISBN 9789048527557
    Additional Edition: Erscheint auch als Druck-Ausgabe Farocki/Godard : Film as Theory
    Language: English
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    Farocki/Godard : film as theory (2015)
    Amsterdam :Amsterdam University Press,
    Details
    UID:
    almahu_9949420302502882
    Format: 1 online resource (292 pages) : , illustrations.
    ISBN: 9789048527557 (e-book)
    Series Statement: Film culture in transition ; 25
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 6
    Online Resource
    Online Resource
    Farocki/Godard : Film as Theory (2015)
    Amsterdam :Amsterdam University Press,
    Details
    UID:
    edocfu_9958936668202883
    Format: 1 online resource : , 99 halftones
    ISBN: 9789048527557
    Series Statement: Film Culture in Transition
    Content: This book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.”
    Note: Frontmatter -- , Contents -- , Preface To The English Edition -- , Introduction -- , 1. Le Film Qui Pense -- , 2. The Camera As Brush—Film And Painting -- , 3. Deviation As Norm—Notes On The Essay Film -- , 4. Cut—Interlude In The Editing Room -- , 5. Taking Pictures—Photography And Film -- , 6. Two Or Three Ways Of Speaking With The Hands -- , Conclusion -- , Conclusion -- , Acknowledgments -- , Illustration Credits -- , Index Of Film Titles -- , Index Of Names , In English.
    Language: English
    DOI: 10.1515/9789048527557
    URL: https://doi.org/10.1515/9789048527557
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 7
    Online Resource
    Online Resource
    Farocki/Godard (2015)
    Amsterdam University Press | Baltimore, Maryland :Project Muse,
    Details
    UID:
    edocfu_9958123394102883
    Format: 1 online resource (285 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 90-485-2755-4
    Series Statement: IKKM books ; volume 25
    Uniform Title: Film als Theorie.
    Content: This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
    Note: "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. , Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. , Also available in print form. , Text in English.
    Additional Edition: ISBN 90-8964-891-7
    Language: English
    DOI: 10.1515/9789048527557
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 8
    Online Resource
    Online Resource
    Farocki/Godard (2015)
    Amsterdam University Press | Baltimore, Maryland :Project Muse,
    Details
    UID:
    almahu_9947382219902882
    Format: 1 online resource (285 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 90-485-2755-4
    Series Statement: IKKM books ; volume 25
    Uniform Title: Film als Theorie.
    Content: This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
    Note: "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. , Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. , Also available in print form. , Text in English.
    Additional Edition: ISBN 90-8964-891-7
    Language: English
    DOI: 10.1515/9789048527557
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    HU Berlin
  • 9
    Online Resource
    Online Resource
    Farocki/Godard (2015)
    Amsterdam University Press | Baltimore, Maryland :Project Muse,
    Details
    UID:
    edoccha_9958123394102883
    Format: 1 online resource (285 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 90-485-2755-4
    Series Statement: IKKM books ; volume 25
    Uniform Title: Film als Theorie.
    Content: This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
    Note: "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. , Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. , Also available in print form. , Text in English.
    Additional Edition: ISBN 90-8964-891-7
    Language: English
    DOI: 10.1515/9789048527557
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Charité
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