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  • 1
    UID:
    b3kat_BV023374246
    Format: 276 S. , Ill.
    ISBN: 9789053561928 , 9789053562161
    Series Statement: Film culture in transition
    Note: Zugl.: Amsterdam, Univ., Diss., 2006
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Filmfestspiel ; Geschichte 1932-2005 ; Hochschulschrift ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almafu_9958104536202883
    Format: 1 online resource (276 pages) : , digital, PDF file(s).
    ISBN: 9786611787684 , 1-281-78768-X , 90-485-0672-7
    Series Statement: Film culture in transition
    Content: 〈div〉〈div〉The film festival has come a long way from its relatively humble origins in Venice in 1932 - when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals - Cannes, Berlin, Venice, and Rotterdam - continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. 〈i〉Film Festivals〈/i〉 shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether 'successful' is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to 'new waves.' An essential title for everyone interested in the culture.
    Note: Title from publisher's bibliographic system (viewed on 15 Jan 2021). , Introduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting -- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network. , Also available in print form. , English
    Additional Edition: ISBN 90-5356-216-8
    Additional Edition: ISBN 90-5356-192-7
    Language: English
    Keywords: Electronic book
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV043111198
    Format: 1 Online-Ressource (276 pages)
    ISBN: 9048506727 , 9789048506729
    Series Statement: Film culture in transition
    Note: Includes bibliographical references (pages 249-260) and indexes , Introduction : film festivals as sites of passage -- - Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- - Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- - Venice and the value-adding process : the role of mediation, segregation and agenda setting -- - Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- - Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network , The film festival has come a long way from its relatively humble origins in Venice in 1932--when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals--Cannes, Berlin, Venice, and Rotterdam--continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether "successful" is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to "new waves."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 90-5356-192-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 90-5356-216-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-90-5356-192-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-90-5356-216-1
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Filmfestspiel ; Geschichte 1932-2005 ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    edoccha_9958104536202883
    Format: 1 online resource (276 pages) : , digital, PDF file(s).
    ISBN: 9786611787684 , 1-281-78768-X , 90-485-0672-7
    Series Statement: Film culture in transition
    Content: 〈div〉〈div〉The film festival has come a long way from its relatively humble origins in Venice in 1932 - when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals - Cannes, Berlin, Venice, and Rotterdam - continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. 〈i〉Film Festivals〈/i〉 shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether 'successful' is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to 'new waves.' An essential title for everyone interested in the culture.
    Note: Title from publisher's bibliographic system (viewed on 15 Jan 2021). , Introduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting -- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network. , Also available in print form. , English
    Additional Edition: ISBN 90-5356-216-8
    Additional Edition: ISBN 90-5356-192-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    edocfu_9958104536202883
    Format: 1 online resource (276 pages) : , digital, PDF file(s).
    ISBN: 9786611787684 , 1-281-78768-X , 90-485-0672-7
    Series Statement: Film culture in transition
    Content: 〈div〉〈div〉The film festival has come a long way from its relatively humble origins in Venice in 1932 - when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals - Cannes, Berlin, Venice, and Rotterdam - continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. 〈i〉Film Festivals〈/i〉 shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether 'successful' is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to 'new waves.' An essential title for everyone interested in the culture.
    Note: Title from publisher's bibliographic system (viewed on 15 Jan 2021). , Introduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting -- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network. , Also available in print form. , English
    Additional Edition: ISBN 90-5356-216-8
    Additional Edition: ISBN 90-5356-192-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almahu_9947382213702882
    Format: 1 online resource (276 pages) : , digital, PDF file(s).
    ISBN: 9786611787684 , 1-281-78768-X , 90-485-0672-7
    Series Statement: Film culture in transition
    Content: 〈div〉〈div〉The film festival has come a long way from its relatively humble origins in Venice in 1932 - when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals - Cannes, Berlin, Venice, and Rotterdam - continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. 〈i〉Film Festivals〈/i〉 shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether 'successful' is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to 'new waves.' An essential title for everyone interested in the culture.
    Note: Title from publisher's bibliographic system (viewed on 15 Jan 2021). , Introduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting -- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network. , Also available in print form. , English
    Additional Edition: ISBN 90-5356-216-8
    Additional Edition: ISBN 90-5356-192-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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