Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (250 pages) : , digital, PDF file(s).

ISBN: 9789400604308 (ebook)

Series Statement: Media / Art / Politics ; volume 3

Content: Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.

Note: Title from publisher's bibliographic system (viewed on 22 Nov 2022).

Additional Edition: Print version: ISBN 9789087283841

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789400604308/type/BOOK

UID:

Format: 1 online resource (251 pages)

Edition: 1st ed.

ISBN: 9789400604308

Series Statement: Media / Art / Politics Ser. ; v.3

Additional Edition: Print version: Miguel, Marlon Camering Amsterdam : Amsterdam University Press,c2022

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (250 p.)

ISBN: 9789400604308

Series Statement: Media / Art / Politics ; 3

Content: Fernand Deligny (1913-1996), ‘poet and ethologist’, is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes ‘camering’ from filming, thus emphasizing not the finished film but a ‘film to come’. This volume provides Deligny’s essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental ‘attempts’ with delinquents and autistic children and his highly speculative reflections on image.

Note: Frontmatter -- , Contents -- , Epigraph [1996] -- , Translator’s Note -- , General Introduction -- , Cinema. Cine-Club [1934] -- , The Camera, a Pedagogical Tool [1955] -- , He’s Still One of Us [1971] -- , Camering [1977] -- , Miscreating [1979] -- , Camering [1982] -- , The Alga and the Fungus [1982] -- , Fossils Have a Hard Life: Apropos of the Image [1982] -- , Camering [1978-1983] -- , The Distinctiveness of the IMAGEs [1988] -- , What Is Not Seen (by the Self) [1990] -- , Postface. Minor Gestures, Minor Media -- , Notes , In English.

Language: English

DOI: 10.1515/9789400604308

URL: https://doi.org/10.1515/9789400604308

URL: https://www.degruyter.com/isbn/9789400604308

UID:

Format: 1 online resource (250 pages) , digital, PDF file(s).

ISBN: 9789400604308 , 9789087283841

Series Statement: Media / Art / Politics volume 3

Content: Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.

Note: Title from publisher's bibliographic system (viewed on 22 Nov 2022)

Additional Edition: ISBN 9789087283841

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789087283841

Language: English

URL: lizenzpflichtig